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All Journal GETER : Jurnal Seni Drama, Tari dan Musik Gayatri : Jurnal Pengabdian Seni dan Budaya
Windrowati, Trinil
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Sedulur Papat as the Source of the Creation of the Dance Work "DEG" Kinasih, Nadiya; Prihantoro, Wahyu; Wahyudianto; Windrowati, Trinil; Muzaqqi, Ahmad
GETER : Jurnal Seni Drama, Tari dan Musik Vol 7 No 2 (2024): Oktober 2024
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v7n2.p41-51

Abstract

This dance work explores the concept of deg, which metaphorically represents the human heartbeat as a response to surprising stimuli. The focus lies on external stimuli that evoke profound reactions, reflecting a broader interpretation of Javanese philosophy. The creation delves into the concept of "Let me go," which is transformed into the four human elements: supiyah, aluuwamah, mutmainah, and amarah. These elements embody human desires and are rooted in the philosophy of seddulur papat lima pancer. The choreography employs a creative method inspired by the creator's empirical experiences, blending principles of East Javanese, Malangan, and Surabayan dance movements. The work expresses the philosophical and existential values of human nature through the selection of movements, floor patterns, and the integration of artistic elements such as music, lighting, and props. The atmosphere is built intentionally to align with the underlying themes and to highlight the philosophical essence of the human experience. This creation aims to contribute to the evolution of dance performances by interpreting and modernizing traditional philosophies. It offers a fresh perspective on regional dance idioms, employing innovative movement choices and floor designs to inspire new dance compositions. By bridging traditional elements with contemporary interpretation, the work seeks to enrich the discourse on dance as a medium for reflecting human existence and cultural identity.
Revitalisasi Tari Konvensional dalam Pertunjukan Kesenian Sandur Manduro Menuju Pertunjukan Pariwisata Wahyudiyanto, Wahyudiyanto; Windrowati, Trinil
Gayatri : Jurnal Pengabdian Seni dan Budaya Vol. 3 No. 2 (2025): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta (STKW) Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/gayatri.v3i2.62

Abstract

The Sandur Manduro art consists of five dance performances. Each dance requires a relatively long performance time. For audiences who value time, dance performances that take a long time can feel quite tiring. In the world of tourism that values ​​time, dance performances that take up a long time are no longer interesting to present to the audience, therefore it is necessary to condense the time aspect without reducing the quality of the performance. We, as lecturers at the Sekolah Tinggi Kesenian Wilwatikta Surabaya, held a community service activity by providing a condensation activity and at the same time socializing the dances resulting from the condensation of dances in the Sandur Manduro arts. The method used is demonstration which includes: discussion, exploration, work (delivery of material -drill-), evaluation and presentation. The results of this community service are the Ayun-ayun Dance, Klana Dance and Kuda-kudaan Dance in a compact form which received high appreciation and enthusiasm from the rural community.
Co-Authors Bramantijo Bramantijo Kinasih, Nadiya Mubaroh, Mufi Muzaqqi, Ahmad Prihantoro, Wahyu Wahyudianto Wahyudiyanto, Wahyudiyanto Widianto, Suwandi