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All Journal MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts Visual Heritage: Jurnal Kreasi Seni dan Budaya
Surya Peradantha, Ida Bagus Gede
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Dari Pengalaman Artistik Menuju Penelitian Ilmiah: Eksplorasi Autoetnografi Sebagai Metode Penelitian Artistik Surya Peradantha, Ida Bagus Gede; Wimba Ruspawati, Ida Ayu; Karina, Angga Eka; Indra Wijaya, Kadek

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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v7i2.13254

Abstract

Penelitian ini mengeksplorasi ragam teknik pengumpulan data autoetnografi, analisis, interpretasi, dan langkah-langkah validasi datadalam penelitian artistik. Penelitian kualitatif ini menggunakan pendekatan analisis konten. Data dikumpulkan dengan meninjau penelitian artistik terdahulu yang mengeksplorasi pengalaman artistik seniman. Data dianalisis secara interpretatif untuk mendapatkan pemahaman teoritis yang mendalam dan merumuskannya menjadi teknik pengumpulan, analisis dan validasi data penelitian artistik. Penelitian ini menemukan bahwa autoetnografi merupakan sarana yang ideal untuk menjembatani pengalaman artistik seniman ke dalam penelitian artistik. Ragam pengumpulan data meliputi teknik observasi audiovisual, refleksi diri, jurnal pribadi, wawancara pribadi, dan catatan lapangan. Teknik refleksi kritis, analisis naratif, analisis visual, dan analisis tematik dapat membantu peneliti dalammenganalisis data. Sintesis literatur, sintesis narasumber, dan audiens dapat digunakan untuk memvalidasi hasil temuan dalampenelitian artistik autoetnografi. Temuan dari penelitian ini secara metodologis dapat mendorong lahirnya karya tulis original dari para kreator seni berdasarkan pengalaman artistik mereka.
Cultural Dynamics in The Evolution of Ibhea Obhea Dance in Doyo Lama Village, Papua: from Sacred Ritual to Secular Performance Surya Peradantha, Ida Bagus Gede; Luh Kompyang, Sri Wahyuni
Mudra Jurnal Seni Budaya Vol 40 No 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i1.3065

Abstract

For the Doyo Lama community, the Ibhea Obhea dance is a cultural asset. This dance is at risk of extinction due to life's changing circumstances and regeneration stagnation. Cooperative initiatives are essential for the preservation and advancement of this dance. This study seeks to comprehend the transformation of Ibhea Obhea Dance and examine its effects on the dance's structure, function, and significance. This research employs a qualitative method with a socio-artistic approach to analyse alterations in the text and context of the Ibhea Obhea dance. We gathered data by observing the dance form with the elders of Doyo Lama village, conducting interviews about the history and significance of the Ibhea Obhea dance, reconstructing the dance, and documenting the artistic features of the dance. In collaboration with the elders, we reconstructed the dance by developing new vocal texts, synchronizing vocals with movements, and documenting the process through recordings of the reconstituted Ibhea Obhea dance. We conducted validation by correlating the video records with the traditional elders. The findings indicated that the modifications in this dance encompass the structural and artistic components. The community was aware of and approved of these changes. The Ibhea Obhea dance has evolved from a mystical rite into a ceremonial welcome for guests. This alteration enhances the significance of dancing by incorporating elements of hospitality, humanism, and cultural preservation. This study elucidates the impact of alterations in the boatbuilding tradition on the evolution of dance within a wider social and cultural framework.
AESTHETIC TRANSFORMATIONS OF BALINESE WAYANG PARWA AND RAMAYANA PERFORMANCES IN THE GLOBAL ERA Marajaya, I Made; Surya Peradantha, Ida Bagus Gede
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lksn.v8i2.3446

Abstract

Since the 1970s, Wayang Parwa and Wayang Ramayana performances in Bali have undergone significant aesthetic transformations in response to the currents of global culture. This study examines the forms and processes of these transformations, as well as their implications for the sustainability of Balinese shadow puppet theatre. The research employs a qualitative method, with data collected through observation, interviews, and documentation, and analyzed using theories of transformation, aesthetics, and creativity. Findings indicate that globalization has influenced Balinese puppeteers (dalang) to innovate various components of the performance, including musical accompaniment, lighting, the screen (kelir), the use of comedic puppets (bebondresan), the structure of the performance, and the overall style of presentation. These creative efforts have succeeded in attracting public interest back to the shadow puppet performances and have also spurred innovations in other types of wayang performances, such as Wayang Calonarang and Wayang Babad. The aesthetic transformation of Wayang Parwa and Wayang Ramayana performances has contributed significantly to the government, entrepreneurs, and society at large, as these performances are often utilized as a medium for communication and dissemination of information directly related to social life in the era of globalization.
Co-Authors Angga Eka Karina Ida Ayu Wimba Ruspawati, Ida Ayu Indra Wijaya, Kadek Luh Kompyang, Sri Wahyuni Made Marajaya