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All Journal Gorga : Jurnal Seni Rupa V-art: Journal of Fine Art
Muler, Yunis
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Return as the Idea of Creating Surrealist Paintings rahmadhani, syifa; Miswar, Miswar; Muler, Yunis
V-art: Journal of Fine Art Vol 3, No 1 (2023): Desember 2023
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v3i1.3981

Abstract

Going home is defined as returning to the origin. The word "home" meant is reviewed based on the essence of taste, namely returning to feelings or situations that have been experienced with the aim of evaluating or reinterpreting phenomena and experiences that have occurred, as well as education and learning for the future. This leads to more complex emotions, namely comfort, calm, emotion, sadness and relieved. Going home is also a method of controlling emotions, namely emotional focused coping in dealing with the diverse dynamics of life. The feeling of going home becomes an idea in creating works of art. The presence of this work becomes a documentation of the journey and feelings of returning home and triggers a deep awareness of the importance of every process and experience that is passed. The form of works of art embodied in figurative form by distorting and transforming the canvas using the placard technique. The creation method carried out at the preparatory stage is by observing objects which include human anatomical structures, gestures to facial expressions. In addition, contemplation was also carried out to recall the feeling of returning home that had been experienced. Furthermore, at the design stage includes visual strategies, sketches and selecting sketches, then at the embodiment stage, the preparation of tools and materials is carried out and the transfer of sketches to canvas media, the painting process, finishing up to the stage of presenting the work in the exhibition room. The embodiment of the concept of going home produced five works of art with the titles "Rest", "Just a Moment", "Sad", "Hug" and "Medicine".
Symbols and Meanings of Tattoos in The Punk Community in Surakarta: Roland Barthes Semiotics Study Panggabean, Rudolf Abigael; Miswar, Miswar; Akromullah, Hamdam; Hamzah, Hamzah; Aprisela, Jeki; Muler, Yunis
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.64519

Abstract

This research discusses the symbols and meanings of tattoos in the punk community. Tattoos in the Punk community in Surakarta contain symbols and meanings that they want to convey to the community. This research aims to dismantle and explore the meaning contained in tattoos, highlighting the symbolic role in shaping the collective identity of the punk community of Surakarta. However, there is a negative stigma that develops in the midst of society towards a Punk community, one of which is in tattoos. So Roland Barthes's semiotic theory approach is used to prove the negative stigma about tattoos that developp in the midst of society. This research is expected to provide in-depth insight into how tattoos become an identity in the context of the punk community in Surakarta, as well as contribute to a broader understanding of the role of tattoos in responding to and representing the values of the punk subculture in the local community. This study uses a qualitative research method that is descriptive to uncover a message contained in the tattoos of the Punk community. This research found that the symbols contained in the tattoos of the Punk community such as the symbol of Anarchy, the symbol of Peace, the symbol of Equality, the symbol of Resistance, and the symbol of Antifa. Meanwhile, the meaning of tattoos based on experience is grouped into tattoos as identity, tattoos as artistic expressions, tattoos as spiritualists, tattoos as memories, tattoos as motivation, and tattoos as expressions of feelings. The negative meaning that is a stigma about tattoos that develop in society, is not something that can be proven. Rather, tattoos in the punk community are a medium to voice their anxiety about social inequality, and as a medium of individual experience.
Co-Authors Akromullah, Hamdam Aprisela, Jeki Hamzah Hamzah MISWAR MISWAR Panggabean, Rudolf Abigael rahmadhani, syifa