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KAJIAN KOMPARATIF HISTORIS FILM 'PENGABDI SETAN' Iktia, Garcia
Jurnal Budaya Nusantara Vol 2 No 1 (2018): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no1.a1712

Abstract

Indonesian films experience development over time. In the beginning film in Indonesia served as a massmobilizer and propaganda, then suspended animation. Now Indonesian films are taken into account to internationalfestivals, especially the horror film genre. The object to be analyzed in this study is a horror film, entitled 'PengabdiSetan' by director Rudi Sudjarwo produced in 2017 which is also nominated for the Indonesian Film Festival. Researchthrough the analysis of historical studies with comparative research methods, literature study of two films that have beenadapted to the same genre, namely the horror genre. Both films have good unity in the story and cinematography, but inthe film “Pengabdi Setan” made in 2017 the audience is treated to a different cinematography than the one made in 1980and the many cinematographic developments in the Indonesian film horror genre.
ANALISIS PENGGUNAAN SIMBOL DAN PENANDA METAFORIS PADA IDENTITAS KARAKTER FILM “FIKSI” KARYA MOULY SURYA Iktia, Garcia
Tanra: Jurnal Desain Komunikasi Visual Fakultas Seni Dan Desain Universitas Negeri Makassar Vol 12, No 3 (2025): Desember
Publisher : Universitas Negeri makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/tanra.v12i3.81403

Abstract

The rapid expansion of the Indonesian film industry has led to significant developments, marked by the emergence of diverse themes and genre variations that serve both entertainment purposes and the communication of messages to targeted audiences. This study explores the symbolic meanings presented in “FIKSI”, a film by Mouly Surya that marks an important milestone in the development of the psychological thriller genre in Indonesia. Using a qualitative approach through content analysis and historical examination, the research highlights how the film’s symbolic elements construct a complex narrative layer and create a distinctive psychological experience for its audience. The findings show that the visual and narrative symbols in “FIKSI” not only strengthen the characters and storyline but also pave the way for broader exploration of new genres in Indonesian cinema, positioning the film as a significant reference point in the evolution of national film aesthetics and themes