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All Journal Ultimart: Jurnal Komunikasi Visual Jurnal IMAJI
Sofiyanti, Devina
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Arts Humanities

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Creating Women Characters in Horror Films using AI: Avoiding Male Gaze Characters Template Sofiyanti, Devina; Irwanto, Irwanto
ULTIMART Jurnal Komunikasi Visual Vol 17 No 2 (2024): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimart.v17i2.3833

Abstract

In screenwriting, one of the most essential elements is character. Characters are usually shaped by three critical factors: physical appearance, psychology, and sociology. In horror films, female characters are often used as protagonists, but in the history of horror films, female characters are trapped by the male gaze. The male gaze functions as a mechanism to dehumanize and commodify women, viewing them solely through the lens of heterosexual male desire. Laura Mulvey, in her seminal 1975 essay "Visual Pleasure and Narrative Cinema," posits that films serve to strengthen patriarchal structures by portraying women as mere objects for both the male protagonist inside the film and the audience consuming the film. The use of AI in screenwriting continues to grow, although it is still a matter of debate. As we know, AI works by gathering and generalizing information from pre-existing data. This becomes a problem when we want to create female characters that are not considered male-gaze. Of course, not all horror films that have been made use the male gaze, but we must understand how horror films develop occasionally. This paper examines the relationship between artificial intelligence and creating female characters in scriptwriting, especially horror films. A conceptual paper is a paper without data, as it is focused on “integration and proposing new relationships among constructs”.This paper also aims to find the next step for us to create women characters with AI. Keywords: AI; scriptwriting; character; male gaze; horror
Sekolah Film, Sekolah Kasta Kedua Sofiyanti, Devina
IMAJI Vol. 4 No. 1 (2012): IMAJI
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Meskipun film adalah sebuah media yang baru, dalam abad terakhir, film sudah menjadi bentuk seni yang kuat dan energik. Dan sekarang, industri film adalah salah satu industri terbesar di dunia. Sayangnya, di negara kita, kesuksesan industri film tidak diikuti dengan kepopuleran pendidikan film. Kebanyakan orang kita berfikir bahwa sekolah film tidak 'sekeren' sekolah teknik, kedokteran, ekonomi atau hukum , terutama orang-orang yang berasal dari generasi tua. Dan beberapa orang dari genarasi muda yang ingin masuk ke sekolah film, harus mengubur mimpinya karena paragidma tersebut.
Creating Women Characters in Horror Films using AI: Avoiding Male Gaze Characters Template Sofiyanti, Devina; Irwanto, Irwanto
ULTIMART Jurnal Komunikasi Visual Vol 17 No 2 (2024): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimart.v17i2.3833

Abstract

In screenwriting, one of the most essential elements is character. Characters are usually shaped by three critical factors: physical appearance, psychology, and sociology. In horror films, female characters are often used as protagonists, but in the history of horror films, female characters are trapped by the male gaze. The male gaze functions as a mechanism to dehumanize and commodify women, viewing them solely through the lens of heterosexual male desire. Laura Mulvey, in her seminal 1975 essay "Visual Pleasure and Narrative Cinema," posits that films serve to strengthen patriarchal structures by portraying women as mere objects for both the male protagonist inside the film and the audience consuming the film. The use of AI in screenwriting continues to grow, although it is still a matter of debate. As we know, AI works by gathering and generalizing information from pre-existing data. This becomes a problem when we want to create female characters that are not considered male-gaze. Of course, not all horror films that have been made use the male gaze, but we must understand how horror films develop occasionally. This paper examines the relationship between artificial intelligence and creating female characters in scriptwriting, especially horror films. A conceptual paper is a paper without data, as it is focused on "integration and proposing new relationships among constructs”.This paper also aims to find the next step for us to create women characters with AI. Keywords: AI; scriptwriting; character; male gaze; horror
Pengaruh Hero’s Journey dalam Struktur Tiga Babak Sofiyanti, Devina
IMAJI Vol. 10 No. 2 (2018): Karakter dan Konsep-Konsep Psikoanalisis dalam Film
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Dalam industri film, terutama di Hollywood, telah dikenal bahwa Hero’s Journey dan Struktur 3 Babak Hollywood Klasik tidak terpisahkan. Meskipun jenis journey lain telah dikembangkan, seperti Heroine’s Journey dan Neurotic’s Journey (Anti-Hero), mereka seperti tidak bisa menggantikan popularitas Hero’s Journey, dan justru dikategorikan sebagai struktur alternatif. Tulisan ini menjelaskan hubungan antara Hero’s Journey dan Struktur Tiga Babak.
Co-Authors Irwanto Irwanto