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All Journal MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya Praxis : Jurnal Sains, Teknologi, Masyarakat dan Jejaring Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Nugroho, Yosaphat Yogi Tegar
Soegijapranata Catholic University
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HISTORY AND TRANSFORMATION OF CALUNG TO PUNKLUNG Nugroho, Yosaphat Yogi Tegar; Dukut, Ekawati Marhaenny
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol 8 No 1 (2021): MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v8i1.2468

Abstract

Abstract: This research is carried out based on the rise of the Calung Malioboro phenomenon or Punklung, which is popularly seen at stoplight intersections. The research aims to find out the formulation of the Calung Malioboro/ Punklung history by using Maruska Svašek’s theory of Transit, Transiton and Transformation. The perspectives of Cultural Hybridity and Performing Arts Management are also applied to analyze the phenomenon. The research methodology is descriptive qualitative analysis, and the data sample used is purposive sampling. The research finds that there is a transformation process from Calung Banyumas to Calung Malioboro or Punklung, by giving attention to the local and global cultures that is evident from the Cultural Hybridity analysis done, and how the stage for the Punklung performance has been created by observing how the Performaing Arts Management has been applied in the musical groups found in each city.Key words: transformastion, calung, punklung, performing arts management, cultural hybridity
Karakteristik Lagu Rakyat dan Pentingnya Pengarsipan Kesenian Lokal Indonesia Yosaphat Yogi Tegar Nugroho
Praxis : Jurnal Sains, Teknologi, Masyarakat dan Jejaring Vol 3, No 2: Maret 2021
Publisher : Soegijapranata Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24167/praxis.v3i2.3167

Abstract

Orang Sumba memiliki genre lagu rakyat (folksong) yang beragam, mulai dari yang dianggap sakral hingga yang sekuler. Penelitian ini membahas salah satu genre lagu daerah sekuler, yang disebut Ludu Pahangu. Genre lagu tersebut hidup dalam tradisi masyarakat Sumba bagian timur yang tinggal di bagian timur Indonesia. Tulisan yang dihasilkan dari         penenelitian kualitatif ini terbagi dalam tiga bagian. Pada bagian pertama penulis menerapkan pendekatan struktural untuk menyoroti tradisi kelisanan dan karakteristik lirik pada Ludu Pahangu. Bagian kedua penulis membahas karakteristik Ludu Pahangu secara musikal. Bagian ketiga, tulisan ini membahas pentingnya pengarsipan lagu rakyat Sumba sebagai upaya untuk melestarikan kearifan lokal dan menjaga identitas budaya. Tiga lagu dari dari 3 lagu dari penyayi tradisional wanita Ata Ratu dipilih sebagai objek analisis. Penelitian ini menegaskan juga menegaskan bahwa praktik kearsipan harus kolaboratif dan peduli dengan masalah aksesibilitas publik ke arsip digital itu sendiri.
HISTORY AND TRANSFORMATION OF CALUNG TO PUNKLUNG Yosaphat Yogi Tegar Nugroho; Ekawati Marhaenny Dukut
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol 8 No 1 (2021): MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v8i1.2468

Abstract

Abstract: This research is carried out based on the rise of the Calung Malioboro phenomenon or Punklung, which is popularly seen at stoplight intersections. The research aims to find out the formulation of the Calung Malioboro/ Punklung history by using Maruska Svašek’s theory of Transit, Transiton and Transformation. The perspectives of Cultural Hybridity and Performing Arts Management are also applied to analyze the phenomenon. The research methodology is descriptive qualitative analysis, and the data sample used is purposive sampling. The research finds that there is a transformation process from Calung Banyumas to Calung Malioboro or Punklung, by giving attention to the local and global cultures that is evident from the Cultural Hybridity analysis done, and how the stage for the Punklung performance has been created by observing how the Performaing Arts Management has been applied in the musical groups found in each city.Key words: transformastion, calung, punklung, performing arts management, cultural hybridity
Pengaruh Negosiasi Budaya Pada Pertunjukan Musik Gamelan Soepra Terhadap Generasi Centennial Yosaphat Yogi Tegar Nugroho; Ekawati Marhaenny Dukut
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol 4 No 2 (2022)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v4i2.93

Abstract

Gamelan is the work of adiluhung from the Indonesian nation, and is synonymous with Javanese society. In its development, Javanese Gamelan began to be degraded by global culture. Centennial generation children are considered more interested in pop music than their own cultural output, such as Javanese Gamelan. Henricus Constant Van Deinse, SJ in 1957 had an interest in Javanese gamelan, and innovated to modify the tone shape of gamelan by combining it with Western musical instruments so that it could attract the attention of the younger generation. When Van Deinse's gamelan was staged at an event in Senayan, it happened that Indonesian president Ir. Soekarno was present at the event, and was named Gamelan Soepra (Soegijapranata) in 1965. This is in accordance with the origin of the gamelan from Central Java and its famous hero is Mgr. Soegijapranata. This study aims to examine Gamelan Soepra in the perspective of hybrid culture theory. This research uses a qualitative approach, and the method used is purposive sampling by directly appointing informants who are considered gamelan experts. The result of this study is to know the philosophy and ensemble format of Javanese gamelan, as well as cultural hybrid products in the form of soepra gamelan, and its influence on the centennial (Z) generation.
Co-Authors Ekawati Marhaenny Dukut Ekawati Marhaenny Dukut, Ekawati Marhaenny