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All Journal Jurnal Penelitian Dan Pengkajian Ilmiah Sosial Budaya Jurnal Ilmu Sosial, Humaniora dan Seni
Antaridha, Rabbi
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Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Repression And Sublimation In Forrest Gump By Winston Groom: A Psychoanalytic Investigation Friscilla, Okti Dea; Antaridha, Rabbi
Jurnal Penelitian Dan Pengkajian Ilmiah Sosial Budaya Vol 4 No 1 (2025): Jurnal Penelitian Dan Pengkajian Ilmiah Sosial Budaya - JPPISB
Publisher : LPPM Universitas Dharma Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47233/jppisb.v4i1.1899

Abstract

This study examines the main character, Forrest Gump, from Winston Groom’s 1986 novel. Despite being labeled an "idiot" and facing ridicule, Forrest achieves remarkable success. The research focuses on two key questions: how repression and sublimation are expressed in the novel. Using Sigmund Freud’s theories on defense mechanisms, the study explores Forrest’s psychological struggles and achievements. Freud’s concepts of consciousness (conscious, preconscious, and unconscious) and the structural model (id, ego, and superego) provide the framework for analyzing Forrest’s repression and sublimation. The research employs qualitative methods, including close reading of the novel, to collect and analyze data. Findings reveal that Forrest’s self-defense mechanisms manifest through his ability to overcome societal judgment and achieve greatness, highlighting the complexity of his character despite his perceived limitations. This study underscores the interplay between psychological defense mechanisms and personal success, offering a deeper understanding of Forrest Gump’s resilience and accomplishments.
An Analysis of Code-Mixing in Bunga Citra Lestari’s Love Story #1 – BCL Sebelum & Sesudah Ashraf Nazak, Ahlul; Fhitri, Widya; Antaridha, Rabbi; Maiza, Thiska Septa; Shabri, Irsyad
Jurnal Penelitian Dan Pengkajian Ilmiah Sosial Budaya Vol 2 No 2 (2023): Jurnal Penelitian Dan Pengkajian Ilmiah Sosial Budaya - JPPISB
Publisher : LPPM Universitas Dharma Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47233/jppisb.v2i1.773

Abstract

This research is aimed at finding out types and forms of code-mixing in the video from Bunga Citra Lestari’s YouTube channel entitled Love Story #1 – BCL Sebelum & Sesudah Ashraf. This research uses descriptive qualitative method. The data in this study is a video from the Bunga Citra Lestari’s YouTube channel entitled Love Story #1 – BCL Sebelum & Sesudah Ashraf. In collecting the data, this research used Heed Method. The method is then followed by an independent see-engage-talk technique. Data analysis used in the research is the agih method with an indirect element technique. After conducting the analysis, it was found that there are code-mixing 33 data in the video. There are 24 data for types of code-mixing and 37 data for forms of code-mixing. In the types of code-mixing, there are 15 insertion data, 6 substitution data, and 10 congruent lexicalization data, while for the forms of code-mixing, there are 18 data in the form of word, 3 data in the form phrase, 1 data in hybrid form, and 15 data in the form of clause.
Recalling The Lost Essence: Identity And Sexuality In Lars Von Trier's Breaking The Waves Antaridha, Rabbi
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3534

Abstract

Lars von Trier's Breaking the Waves (1996) succeeded in initiating polarizing arguments concentrated on the tragic fate of its central heroin, Bess. The violent misogynistic treatments she receives from the society in her village—governed by a deeply patriarchal institution—could not be discounted. However, the experimentation of sexual roles in a heterosexual relationship in patriarchy conducted in the film is another interesting source of analysis. The film proposes a reversed concept of sexual subject/object and orchestrates a certain situation where such anomaly morphs into an extremely instrumental aspect to the main characters' (Bess' and Jan's) beings and fates. In this study, the dynamics of Jan's idea about object and power, his act of assuming the concept of sexual object as his identity, his loss of physical ability and the power, and his attempt at recalling the lost essence through an eccentric request is analyzed by employing Foucault's concepts of power/knowledge and arts of existence. The utilized methods of analysis are close reading and textual analysis in which the material object’s elements or components as well as their relationships are closely examined based on certain theoretical framework. This study found that Jan is demonstrating the decentralized nature of power, in this case sexual power, in the face of essentializing patriarchal ideas about sexual subject/object and male/female sexual identities through his identification as a sexual object despite of being a male in a patriarchal society.
Co-Authors Fhitri, Widya Friscilla, Okti Dea Maiza, Thiska Septa Nazak, Ahlul Shabri, Irsyad