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All Journal MUDRA Jurnal Seni Budaya Segara Widya: Jurnal Penelitian Seni Abdi Seni Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
I Wayan Setem
Indonesian Institute Of The Arts Denpasar
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Journal : Abdi Seni

 1 
PELATIHAN PEMANFAATAN ECOBRICKS UNTUK PEMBANGUNAN AREAL TAMAN BACA KREATIVITAS DAN SANGGAR SENI JEGEG BAGUS DI BANJAR DUKUH PULU KAJA, DESA MAMBANG, SELEMADENG TIMUR, TABANAN Wayan Setem
Abdi Seni Vol 12, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v12i1.3743

Abstract

Desa Mambang, Kecamatan Silemadeng Timur, Kabupaten Tabanan memiliki permasalahan pengelolaan persampahan dikarenakan sistem yang terbentuk tidak berjalan dengan baik. Selain itu diperparah dengan rendahnya kesadaran warga pada pengolahan sampah yang baik. Dengan kondisi tersebut maka muncul Gerakan Anak-anak Peduli Sampah Plastik (Gapsap) sebagai relawan memungut sampah yang telah berlangsung sejak 2014. Namun gerakan tersebut belum mampu mengolah dan memanfaatkan sampah plastik yang sudah dipunggut sehingga volumenya semakin menumpuk di tempat penampungan sementara. Begitu juga minimnya pengetahuan tentang wirausaha, terutama pengembangan produk handycraf dari sampah plastik. Untuk itu maka diperlukan suatu terobosan pemanfaatan timbunan sampah plastik yang sudah terkumpul menjadi ecobricks dan pengembangan produksi usaha berbahan daur ulang sampah plastik. Metode pengabdian masyarakat yang dilakukan melalui  tahapan yaitu sosialisasi, koordinasi, pelatihan/pendampingan, dan  penyuluhan. Hasil program ini adalah kemampuan pengolahan sampah plastik menjadi ecobricks dan pengembangan produk handycraf. Sedangkan dampak program ini yakni penurunan jumlah sampah plastik tidak terolah yang berimplikasi terhadap semakin besarnya kesadaran warga masyarakat dalam pengelolaan sampah, serta dapat menjadi pilot project dan best practice pengelolaan sampah.  
Pengembangan Seni Lukis Kaca di Desa Nagasepaha Kabupaten Buleleng dalam Mendukung Industri Kreatif I Wayan Setem
Abdi Seni Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i2.4309

Abstract

Glass painting is a unique traditional art in Nagasepaha Village, Buleleng, Bali which has been designated as an Intangible Cultural Heritage by UNESCO in 2020. Glass painting in Nagasepaha Village has relatively long historical roots. Pioneered by Jro Dalang Diah in 1927, it continues to be passed down from generation to generation. Glass painting became one of the main sources of people’s livelihoods in Nagasepaha until now. The product of wayang glass painting is in great demand by both domestic and overseas art collectors due to its unique decorative and naturalistic style. However, currently glass painting faces many challenges to simply survive, especially when faced with various problems that resulted from the Covid-19 pandemic when many glass painters then switched professions. The social restrictions imposed by the government also impact the market and the weakening of people’s purchasing power. For this reason, a breakthrough with the right efforts is strongly necessary for glass painting to survive as a traditional art of Nagasepaha Village which has been proven in the past to be able to improve its people economy. The strategy that is considered appropriate for its development is by synergizing two revitalization concepts, namely the concept of diversifying painting techniques accompanied with textual and contextual revitalization. The revitalization of painting process and techniques is to strengthen indigenous skills to be able to apply them to more diverse media. Textual and contextual revitalization is carried out by applying new products that are varied and more adaptive to today’s market tastes.
Co-Authors Kondra, I Wayan M. Dwi Marianto Pande Made Sukerta Sardono W Kusomo