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All Journal Harmonia: Journal of Research and Education Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Cermin Dunia Kedokteran Indonesian Journal of Multidisciplinary Science Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Kondra, I Wayan
Indonesian Institute Of The Arts Denpasar
Arts Humanities Chemistry Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Physics Public Health Social Sciences

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Defisit Serebelum Murni akibat Stenosis Arteri Serebri Posterior Widyantara, I Wayan; Kondra, I Wayan
Cermin Dunia Kedokteran Vol 42, No 5 (2015): Kardiologi
Publisher : PT. Kalbe Farma Tbk.

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (242.629 KB) | DOI: 10.55175/cdk.v42i5.1013

Abstract

Latar Belakang: Stroke merupakan penyebab kematian utama nomor 2 di dunia dan berkontribusi besar dalam penyakit global. Stroke arteri serebri posterior/posterior cerebral artery (PCA) terjadi pada sekitar 26,5% stroke iskemik dan disabilitas yang disebabkannya berupa defek lapang pandang, hemiparesis, gangguan sensibilitas, gangguan kognisi dan perilaku. Sedikit laporan yang menyatakan infark PCA menyebabkan ataksia atau gangguan koordinasi. Laporan kasus: Seorang laki-laki 43 tahun, datang dengan kondisi sadar mengeluh pusing berputar mendadak saat aktivitas sejak 3 hari sebelum masuk rumah sakit. Keluhan pusing menetap, tidak memberat pada perubahan posisi dan tidak membaik saat istirahat; disertai sulit mengendalikan gerakan diikuti kurang tangkasnya tungkai kiri sehingga pasien tidak mampu berdiri dan berjalan. Didapatkan vertigo tipe sentral, kekuatan keempat ekstremitas dalam batas normal, gangguan koordinasi lebih berat pada sisi kiri tubuh, asinergia serebelar, proprioseptif normal. Pemeriksaan MRA Magnetic Resonance Angiography) mendapatkan gambaran stenosis PCA dekstra. Simpulan: Gambaran klinis gangguan serebelum murni kedua sisi dapat akibat stenosis arteri serebri posterior kanan yang memberikan percabangan pada kedua sisi arteri thalamoperforate.Background: Stroke is the second leading cause of death in the world and contributed the majority of global illness. The incidence of posterior circulation stroke is about 26.5% causing disabilities such as visual fi eld defect, hemiparesis, sensibility disorder, cognition and behavior disorders. There was a report that infarc of PCA cause ataxia or coordination disorder. Case Report: A 43-year old male, alert, presented with chief complain of sudden spinning sensation during activity 3 days prior to admission. The symptom was continues and settle, not get worsen by changing position and not improving by resting. It was accompanied with diffi culty to control movement followed by left leg weakening resulting in inability to stand up and walk. Neurological examination found central type of vertigo, normal strength with coordination defect on both sides but more severe on the left, cerebral asynergy, normal proprioception. MRA (Magnetic Resonance Angiography) showed stenosis of the right posterior cerebral artery (PCA). Conclusion: Pure cerebellum defi cit on both sides can be caused by stenosis of the right posterior cerebral artery which supplied both thalamoperforate arteries.
Defisit Serebelum Murni akibat Stenosis Arteri Serebri Posterior I Wayan Widyantara; I Wayan Kondra
Cermin Dunia Kedokteran Vol 42, No 5 (2015): Kardiologi
Publisher : PT. Kalbe Farma Tbk.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55175/cdk.v42i5.1013

Abstract

Latar Belakang: Stroke merupakan penyebab kematian utama nomor 2 di dunia dan berkontribusi besar dalam penyakit global. Stroke arteri serebri posterior/posterior cerebral artery (PCA) terjadi pada sekitar 26,5% stroke iskemik dan disabilitas yang disebabkannya berupa defek lapang pandang, hemiparesis, gangguan sensibilitas, gangguan kognisi dan perilaku. Sedikit laporan yang menyatakan infark PCA menyebabkan ataksia atau gangguan koordinasi. Laporan kasus: Seorang laki-laki 43 tahun, datang dengan kondisi sadar mengeluh pusing berputar mendadak saat aktivitas sejak 3 hari sebelum masuk rumah sakit. Keluhan pusing menetap, tidak memberat pada perubahan posisi dan tidak membaik saat istirahat; disertai sulit mengendalikan gerakan diikuti kurang tangkasnya tungkai kiri sehingga pasien tidak mampu berdiri dan berjalan. Didapatkan vertigo tipe sentral, kekuatan keempat ekstremitas dalam batas normal, gangguan koordinasi lebih berat pada sisi kiri tubuh, asinergia serebelar, proprioseptif normal. Pemeriksaan MRA Magnetic Resonance Angiography) mendapatkan gambaran stenosis PCA dekstra. Simpulan: Gambaran klinis gangguan serebelum murni kedua sisi dapat akibat stenosis arteri serebri posterior kanan yang memberikan percabangan pada kedua sisi arteri thalamoperforate.Background: Stroke is the second leading cause of death in the world and contributed the majority of global illness. The incidence of posterior circulation stroke is about 26.5% causing disabilities such as visual fi eld defect, hemiparesis, sensibility disorder, cognition and behavior disorders. There was a report that infarc of PCA cause ataxia or coordination disorder. Case Report: A 43-year old male, alert, presented with chief complain of sudden spinning sensation during activity 3 days prior to admission. The symptom was continues and settle, not get worsen by changing position and not improving by resting. It was accompanied with diffi culty to control movement followed by left leg weakening resulting in inability to stand up and walk. Neurological examination found central type of vertigo, normal strength with coordination defect on both sides but more severe on the left, cerebral asynergy, normal proprioception. MRA (Magnetic Resonance Angiography) showed stenosis of the right posterior cerebral artery (PCA). Conclusion: Pure cerebellum defi cit on both sides can be caused by stenosis of the right posterior cerebral artery which supplied both thalamoperforate arteries.
AIR DAN PERADABAN MANUSIA DALAM PENCIPTAAN SENI LUKIS I Wayan Setem; I Wayan Kondra
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 2 (2022): Prosiding Bali Dwipantara Waskita: Seminar Nasionar Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Tujuan utama dari penelitian dan penciptaan seni ini adalah mencipta dan menyajikan karya “Air dan Peradaban Manusia dalam Penciptaan Seni Lukis” sebagai representasi pendidikan kesadaran ramah lingkungan untuk menyangga kesinambungan ekosistem bumi khususnya sumber-sumber air. Model penciptaan menjadi ekspresi budaya yang mampu memainkan peran sebagai media peningkatan apresiasi masyarakat untuk membangkitkan ketahanan ekologi sebagai upaya solusi atas permasalahan kerusakan muara di daerah aliran sungai (DAS) Unda saat ini. Penciptaan berbasis riset dengan mendayagunakan dua metode yakni metode penelitian dan metode penciptaan. Metode penelitian menggunakan pendekatan antropologi, khususnya terkait etnografi untuk mengumpulkan data empiris tentang prilaku dan budaya masyarakat di seputaran daerah aliran sungai Unda. Sedangkan metode penciptaan melewati tahap eksplorasi, improvisasi, dan perwujudan karya yang didahului telaah karya seni sejenis dan kajian literatur. Target dari penelitian dan penciptaan ini yakni: tersajikannya karya yang imaginatif sehingga masyarakat mendapat tuntunan nilai luhur untuk menumbuhkembangkan watak kesadaran ekologis.
MELASTI SEBAGAI SUMBER INSPIRASI DALAM KARYA LUKIS Kariana, I Nengah; Putra, I Gusti Putu Ngurah Cahyana Ady; Kondra, I Wayan; Mudana, I Wayan; Ruta, I Made
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 3 (2023): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Tujuan dari penelitian dan penciptaan tentang Melasti adalah menciptakan karya seni lukis sebagai pengalaman estetis, mengekspresikannya melalui elemen-elemen penciptaan seni lukis dan penerapan tehnik dengan kombinasi media. Tujuan umumnya adalah sebagai dokumentasi dan memberi inspirasi pada seniman pemula memperkaya kasanah dan menambah kepekaan para seniman muda terhadap aktifitas dan fenomena yang ada dalam kehidupan di lingkungan sekitarnya. Metode penciptaan yang digunakan adalah metode observasi, wawancara, kepustakaan dan dokumentasi. Berikut dalam penciptaan karya, pencipta menggunakan metode observasi, eksperiman, peforming, dengan memperhatikan aspek ideoflastis dan fisikoflastis. Hasil/Temuan penelitian dan penciptaan berupa dokumentasi dan hasil karya 7 buah karya lukis yang merepresentasikan upacara melasti mulai dari prosesi awal Melasti, perjalanan Melasti, suasana dan spirit Melasti, serta aktifitas dan prosesi upacara di pura sehabis Melasti. Kesimpulan, Upacara Melasti yang dilakukan masyarakat Bali, terutama menjelang Hari Raya Nyepi, melahirkan berbagai inspirasi dalam penciptaan karya seni dalam hal ini adalah karya lukis. Upacara Melasti juga dapat dijadikan sebagai smber inspirasi yang sangat kaya bagi para seniman diluar seniman lukis. Implikasi dari Upacara Melasti dan karya lukis yang tercipta bagi masyarakat Bali, dapat terwujudnya rasa dan jiwa kebersamaan, kesetaraan, serta meningkatkat jiwa spiritual utuk sujud dan bakti kepada Tuhan Yang Maha Esa.
Ekspresi Mental Illnes Sebagai Sumber Ide Penciptaan Seni Lukis Wahana, Karang Sweta; Gunawan, I Wayan; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1532

Abstract

Mental Illness is a mental disorder that affects thoughts, feelings, and behaviors that are contrary to social norms. Mental illness can be caused by various factors such as genetics, environmental influences and caused by the influence of drugs and illegal drugs. In this influence also causes various effects that can completely affect the character of the sufferer and cause different stimuli according to the mental illness suffered. The different expressions of these stimuli tend to have a dark impression and also give an atmosphere of sadness that surrounds them, these different expressions are chosen by the author as a source of ideas in the creation of painting, with the intention that later this work can also express visually from the sufferer's perspective. mental disorders so as to add insight to the general public. This creation is done through a literature review and aesthetic experience found after direct observation. In the process of creation, this is done by making a rough sketch as a design which will later be used as the initial basis for creation into a painting.
Visualisasi Tradisi Bedag-Bedagan Di Desa Adat Manukaya Let Tampaksiring Gianyar Bali Dalam Penciptaan Seni Lukis Dalem Ramadi, I Gusti Ngurah; Tirta Ray, D. A.; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1533

Abstract

Bedag- Bedagan is a barong ket performance which the author adopted as the object of research in his final thesis entitled "Visualization of the Bedag- Bedagan Tradition in the Traditional Village of Manukaya Let Tampaksiring Gianyar Bali in the Creation of Painting." The aesthetic experience felt when watching the Bedag- Bedagan show was so impressive that the author felt, the barong ket performance with an interesting storyline, packed with unique character actions, using masks and classical dancer costumes reflecting local Balinese wisdom. In the process of pouring inspiration and creativity into the painting that the author creates, the author describes the Barong Ket object, which is combined with the objects of Bedag Bedagan as supporting objects according to the personal experience that the author feels while watching the Bedag Bedagan performance. There are several atmospheres that the author describes in the author's work regarding the Visualization of the Bedag- Bedagan Tradition in the Traditional Village of Manukaya Let Tampaksiring, Gianyar Bali in the Creation of this painting, which includes an emotional atmosphere, as well as a peaceful atmosphere at the end of the story. In the process of realizing the ideas in the six works, the author applies several stages including: the exploratory process, the experimental process, the manufacturing process, and the final stage is the completion process. The author includes elements of painting and aesthetic principles in the creation that the author visualizes into six works.
Tari Baris Cina Sebagai Referensi Penciptaan Karya Seni Lukis Divayana, I Putu; Yugus, A. A.; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1841

Abstract

This Independent Project Report presents Chinese Baris Dance as a Reference for Painting Creation, departing from an interest in the visuals of Chinese Baris dance which is very unique and different from Baris dance in general. This sparked the impetus to present Chinese Baris dance visuals by combining certain references and techniques to achieve the desired meaning and purpose. The problem faced is how to visually process Baris Cina to represent the ideas and meanings that you want to realize to make it look attractive. The benefits and objectives of this report are to promote the existence of the Chinese Baris dance, and to increase the writer's understanding of the Chinese Baris dance. To answer the objectives of this work, the methods used are reflection or basic research, execution or forming, improvisation, and completion. With elements of art, and through the stages of reflection or basic research, execution or forming, improvisation, and completion, and combined with ideas and ideas to create 6 works entitled: 1) "Synergy", 2) "Bound" , 3) "authority", 4) "dexterity", 5) "taste", 6) "difference, blending, and balance". In the creation of the work, the author uses several techniques and references from several artists. By combining the object of smoke and the technique of using bamboo brushes and the tendency of romanticism, it is hoped that new works can be produced and can become the identity of the author. In the end, it can be concluded that the art of dance, especially the Chinese Baris dance, is very interesting to be promoted and gives a lot of inspiration that can be developed and will become a meaningful work. With the creation of this work, it is hoped that it can convey meaning or messages based on the aesthetic experience experienced by the author.
Tas Kanvas Lukis dengan Perca Endek Bali dan Kain Motif Khas Lombok yang Bernilai Seni dan Ekonomis Komalayakti, Diah; Mustika, I Ketut; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2335

Abstract

The process of creating something so that it can have added value in the economy is the notion of entrepreneurship. In that case, the creation of a product with innovation and creativity is very important. The use of textile materials in the form of canvas, endek patchwork and typical Lombok fabrics into a product in the form of a painted bag is an innovation in the creative industry and develops creativity. In addition, efforts to preserve the existence of traditional fabrics such as Endek fabrics and typical Lombok fabrics in the midst of modern times that lead to modern culture as a fashion trend can be carried out by collaborating with current trends. Endek is a traditional Balinese cloth that has a variety of motifs. Many endek fabrics are also designed to be clothing, so there is a lot of patchwork left. Meanwhile, typical Lombok fabrics are generally only used for certain activities as traditional clothing, but with creativity the two types of traditional fabrics can become unique works in the form of painted bags in collaboration with canvas as the main material. Bags are a fashion item that cannot be separated from the daily lifestyle of teenagers. The creation of bag products is carried out on a self-manufactured basis. So, of course it has high artistic value. The chosen bag design is a consideration of the uniqueness and tastes of the general public
Interpretasi Dan Ekspresi Dwarapala dalam Penciptaan Seni Lukis Ja’far, Wanda Masyita; Kondra, I Wayan; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2342

Abstract

At first glance, in every building on the island of Bali, we will find two doorman statues, starting from the experience of seeing and observing - the doorman statue or the Dwarapala statue which if examined more deeply has high value and philosophy. Its very unique shape can inspire our imagination about current phenomena and the effect of modernity on the pattern of people's lives that affect the form and culture of our ancestors. that the meaning of the Dwarapala statue is something that needs to be raised so that it can become a lesson and reflection on oneself when entering a room or, especially a holy place. The benefits that are expected from this writing are that it can add to the public's insight about relics that are rich in philosophical meaning and can provide freedom of imagination in increasing creativity in the creation of painting.
Barong Landung as Inspiration for the Creation of Painting Works Prayoga, I Made Adi Putra; Kondra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3002

Abstract

The classic painting art of Wayang Kamasan has a distinctive depiction of figures, coloring techniques and complementary ornaments so that it has been preserved and maintained until now. In Bali there is also Barong Landung which has a historical background and interesting characteristics. The creation of this work and writing aims to find the author's unique painting style which is inspired by the figure of Wayang Kamasan by raising the topic of Barong Landung. The method used in the process of creating this work of art is the method of writing by Hawkins, which includes the stages of exploration, improvisation, and forming. The results of this activity are in accordance with the stages carried out, namely (1) during the exploration stage, ideas and relevant studies are generated regarding the works created; (2) the improvisation stage resulted in a sketch on a sketchbook; and (3) the formation stage produced six paintings according to the plot or history of Barong Landung
Co-Authors Aprianta, I Putu Gede Ivan Ayestha Arnawa, I Komang Krisna Budiarta, I Dewa Putu Gede Dalem Ramadi, I Gusti Ngurah Divayana, I Putu Drs. I Wayan Mudana,M.Si. . Gede Putra Jaya, I Made Ginting, Serevina Rikel Carroland Gulendra, I Wayan I Ketut Adi Sugita I Ketut Muka I Made Bendi Yudha, I Made Bendi I Nengah Wirakesuma, I Nengah I Wayan Adnyana I Wayan Gunawan, I Wayan I Wayan Setem, I Wayan I Wayan Suardana I Wayan Sujana I Wayan Widyantara I WAYAN WIDYANTARA Ja’far, Wanda Masyita Kariana, I Nengah Kepakisan, Gede Agung Nugraha Arya Komalayakti, Diah Mustika, I Ketut Ninggrat, I Dewa Gede Wisnu Jaya Prayoga, I Made Adi Putra Puspayoga, Putu Gede Putra, I Gusti Putu Ngurah Cahyana Ady Remawa, Anak Agung Gede Rai Ruta, I Made Sucipta, I Wayan Adi Suryadinata T. Y., Anak Agung Gde Trisna Tirta Ray, D. A. Tjokropramono, I Gede Yosef Totton, Mary Louise Utama, Pande Komang Budhi Sastra Wahana, Karang Sweta Yana, I Wayan Wirta Yoga, I Wayan Swantara Yugus, A. A.