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All Journal Berumpun: international journal of social, politics and humanities JOURNAL OF LANGUAGE Journal of Feminism and Gender Studies Lire Journal (Journal of Linguistics and Literature)
Fithratullah, Muhammad
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Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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OVERLOOKING THE TRANSFORMATION OF VALUES THROUGH THE TRANSNATIONAL AMERICAN REMAKES MOVIES Fithratullah, Muhammad; Kasih, Elisabeth Ngestirosa Endang Woro; Al Falaq, Janata Shoji; Fadel, Muhammad
Lire Journal (Journal of Linguistics and Literature) Vol. 8 No. 2 (2024): Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v812.309

Abstract

This study explores the transformation of values in transnational remake movies, focusing on their popularity and the incorporation of new elements to suit target audience preferences. An analysis of The Lake House, a remake of the Korean film Il Mare, reveals shifts in values and the integration of American cultural aspects. These changes stem from audience demands, business considerations, and Hollywood's global influence. Remakes require more than simply reproducing original content; they involve capturing cultural nuances from both versions. Utilizing Hall's representation approach and qualitative methods, the study assesses transnational remakes and their conveyed values. The research identifies shifts from South Korean values to those of the American target market, such as the transition from interdependence to self-reliance and a preference for directness, assertion, and rationality. The American film industry should carefully evaluate the suitability of movies for its audiences, recognizing changes in scenes and messages. The establishment of American values in remakes is influenced by the success of original films and their formulas. As transnational products, movies must be repackaged for target audiences. The industry faces complex processes to align the values of popular films with audience tastes while maintaining the essence of original works.
Delineating Masculinity Belief in Guy de Maupassant's Three Short Stories Kasih, Elisabeth Ngestirosa Endang Woro; Husna, Mufaza; Mulia, Muhammad Rizki; Fithratullah, Muhammad
Journal of Feminism and Gender Studies Vol. 2 No. 2 (2022): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v2i2.31956

Abstract

This study aims to delineate masculinity issues in Guy Maupassant's Father Milon, A Duel and The Coloniel's Ideas short stories. This study sees that the practice of masculinity in the society legitimizes the dominant position of men and justifies the subordination of the male and female population in general and other marginalized ways of being male. This study employed Stuart Hall's representation and Gramsci's hegemony theories to delineate masculinity in Maupassants' three short stories. The qualitative descriptive method was applied as the data were in the form of narration and dialogues. The short stories revealed the dominant position of men in society that justifies the subordination of the male and female population in general. Finally, with the creation of different male characters with various degree of masculine nature, Guy Maupassant in Father Milon, A Duel and The Coloniel's Ideas tries to balance the male character he creates. Maupassant is just trying to paint pictures of different kinds the man seen in society, therefore, confirms the verisimilitude between characters in literary works and real-life characters.
Overlooking The Fantasy Genre In Soul Movie (2020) Bimantara, Wismoyo; Fithratullah, Muhammad
Berumpun: International Journal of Social, Politics, and Humanities Vol 7 No 2 (2024): Berumpun: International Journal Of Social, Politics, and Humanities
Publisher : Faculty of Social and Political Sciences University of Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/berumpun.v7i2.195

Abstract

This study explores the relationship between fantasy genres in Disney Pixar's 2020 film Soul Movie, utilizing John G. Cawelti's genre theory as a central framework. Using Cawelti's theory as a guide, the research looks at how Soul movie genres present an imaginary world like the Great Beyond and Great Before to demonstrate fantasy features. This analysis expands the concept of genre in movies by examining important sequences, dialogue, and common representations. It also shows how the film mirrors established genre traditions. Additionally, the study examines the body of literature on sorting formulas, adding to the larger discussion on the role of genre in creating contemporary social narratives. The data reveals that whereas the strong settings are dominated by fantastical elements, promoting an open seeing encounter that requests over age group
MALE SUPERIORITY REPRESENTED THROUGH P.T. BARNUM CHARACTER SCENE IN THE GREATEST SHOWMAN (2017) FILM Napitupulu, Fitri Any; Fithratullah, Muhammad
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.10012

Abstract

This study examines the depiction of male superiority in The Greatest Showman (2017) through the character of P.T. Barnum utilizing Connell’s (2005) framework of hegemonic masculinity to analyze the character of P.T. Barnum. The film serves as a contemporary lens through which to explore the societal constructs of male dominance, ambition, and emotional vulnerability. Despite extensive scholarship on gender dynamics, there remains a notable gap in the cinematic analysis of male superiority, particularly in Western biographical musicals. This study identifies these gaps, specifically in the portrayal of male characters’ internal conflicts and the intersection of personal and professional relationships. Employing a thematic analysis of dialogue and visual elements, the research elucidates how Barnum’s actions reflect traditional masculine ideals while simultaneously challenging them through moments of vulnerability. By examining key dialogues and visual symbols, the findings reveal the complexities of Barnum’s character as both an embodiment of ambition and a critique of rigid masculinity. Ultimately, this research contributes to the broader discourse on gender studies and cinematic analysis, offering insights into how The Greatest Showman both reinforces and complicates contemporary views on masculinity and its implications for societal structures and personal relationships.
Co-Authors Al Falaq, Janata Shoji Bimantara, Wismoyo Fadel, Muhammad Husna, Mufaza Kasih, Elisabeth Ngestirosa Endang Woro Mulia, Muhammad Rizki Napitupulu, Fitri Any