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All Journal Journal of Feminism and Gender Studies Lire Journal (Journal of Linguistics and Literature)
Kasih, Elisabeth Ngestirosa Endang Woro
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Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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OVERLOOKING THE TRANSFORMATION OF VALUES THROUGH THE TRANSNATIONAL AMERICAN REMAKES MOVIES Fithratullah, Muhammad; Kasih, Elisabeth Ngestirosa Endang Woro; Al Falaq, Janata Shoji; Fadel, Muhammad
Lire Journal (Journal of Linguistics and Literature) Vol. 8 No. 2 (2024): Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v812.309

Abstract

This study explores the transformation of values in transnational remake movies, focusing on their popularity and the incorporation of new elements to suit target audience preferences. An analysis of The Lake House, a remake of the Korean film Il Mare, reveals shifts in values and the integration of American cultural aspects. These changes stem from audience demands, business considerations, and Hollywood's global influence. Remakes require more than simply reproducing original content; they involve capturing cultural nuances from both versions. Utilizing Hall's representation approach and qualitative methods, the study assesses transnational remakes and their conveyed values. The research identifies shifts from South Korean values to those of the American target market, such as the transition from interdependence to self-reliance and a preference for directness, assertion, and rationality. The American film industry should carefully evaluate the suitability of movies for its audiences, recognizing changes in scenes and messages. The establishment of American values in remakes is influenced by the success of original films and their formulas. As transnational products, movies must be repackaged for target audiences. The industry faces complex processes to align the values of popular films with audience tastes while maintaining the essence of original works.
Delineating Masculinity Belief in Guy de Maupassant's Three Short Stories Kasih, Elisabeth Ngestirosa Endang Woro; Husna, Mufaza; Mulia, Muhammad Rizki; Fithratullah, Muhammad
Journal of Feminism and Gender Studies Vol. 2 No. 2 (2022): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v2i2.31956

Abstract

This study aims to delineate masculinity issues in Guy Maupassant's Father Milon, A Duel and The Coloniel's Ideas short stories. This study sees that the practice of masculinity in the society legitimizes the dominant position of men and justifies the subordination of the male and female population in general and other marginalized ways of being male. This study employed Stuart Hall's representation and Gramsci's hegemony theories to delineate masculinity in Maupassants' three short stories. The qualitative descriptive method was applied as the data were in the form of narration and dialogues. The short stories revealed the dominant position of men in society that justifies the subordination of the male and female population in general. Finally, with the creation of different male characters with various degree of masculine nature, Guy Maupassant in Father Milon, A Duel and The Coloniel's Ideas tries to balance the male character he creates. Maupassant is just trying to paint pictures of different kinds the man seen in society, therefore, confirms the verisimilitude between characters in literary works and real-life characters.
Co-Authors Al Falaq, Janata Shoji Fadel, Muhammad Fithratullah, Muhammad Husna, Mufaza Mulia, Muhammad Rizki