Garuda - Garba Rujukan Digital

DANDELIONS AS MOTIF CREATION CONSTRUCT FOR READY TO WEAR Sandra, Alek; Komariah, Arfiati Nurul
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4883

The main source of ideas that form the basis for the creation of fashion works is the dandelion flower which has 2 kinds of flower petals. The form and use of dandelion flowers makes the writer interested in creating batik motifs with elements of dandelion images. The purpose of this research, among other things, is to create a batik motif design with the source of the dandelion flower idea. Apart from that, it is also to create ready-to-wear fashion designs. The next goal is to apply dandelion batik motifs to the Ready To Wear clothing that will be created in this work. The method used for this research uses the method of art creation from Gustami SP, namely data collection, design and embodiment. The technique used in the creation process is written batik technique. Furthermore, in making motifs, it is carried out using the deformation method as a form to obtain motif development. The batik coloring technique used in this batik is the dyeing process of the dip cap and the dab technique. The selection of colors to be used in the manufacture of women's ready-to-wear batik uses bright and dark colors from Remasol batik dyes. The works consist of 4 Ready To Wear clothes taken from Sanskrit entitled "Bhanuresmi", "Canduri", "Cakra" and "Samiya", and are equipped with accessories such as earrings, necklaces, rings, hats, headbands, sunglasses and hair bands.

DANDELIONS AS MOTIF CREATION CONSTRUCT FOR READY TO WEAR Sandra, Alek; Komariah, Arfiati Nurul
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4883

The main source of ideas that form the basis for the creation of fashion works is the dandelion flower which has 2 kinds of flower petals. The form and use of dandelion flowers makes the writer interested in creating batik motifs with elements of dandelion images. The purpose of this research, among other things, is to create a batik motif design with the source of the dandelion flower idea. Apart from that, it is also to create ready-to-wear fashion designs. The next goal is to apply dandelion batik motifs to the Ready To Wear clothing that will be created in this work. The method used for this research uses the method of art creation from Gustami SP, namely data collection, design and embodiment. The technique used in the creation process is written batik technique. Furthermore, in making motifs, it is carried out using the deformation method as a form to obtain motif development. The batik coloring technique used in this batik is the dyeing process of the dip cap and the dab technique. The selection of colors to be used in the manufacture of women's ready-to-wear batik uses bright and dark colors from Remasol batik dyes. The works consist of 4 Ready To Wear clothes taken from Sanskrit entitled "Bhanuresmi", "Canduri", "Cakra" and "Samiya", and are equipped with accessories such as earrings, necklaces, rings, hats, headbands, sunglasses and hair bands.

Flipbook Records the Journey of Creating Gamelan Kaca by Thoni Konde and the Muria Raya Festival Community Nadi, Chici Yuliana; Komariah, Arfiati Nurul
TEXTURE Art and Culture Journal Vol. 8 No. 1 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i1.6460

Muhammad Sulthoni or often called Thoni Konde, is an artist who creates glass gamelan works who lives in the city of Solo. The glass gamelan he created was made from waste glass materials found around him. Konde together with people in several cities make and play the glass gamelan on various occasions. Not only creating glass gamelan, Konde aspires to create a glass gamelan festival which will feature glass gamelan performances from the communities he supports. The Muria Raya Festival Foundation (FMR) through the FMR #4 collaborated with Konde and the Muria community together to create "Gatotkaca" (Total Glass Gamelan), a gamelan made entirely of glass, which was then exhibited and played at the peak of the event FMR #4. The author then recorded this innovative and monumental activity in a digital flipbook which compactly and comprehensively displays photos and videos of the track record of Gatotkaca's creation journey which can be accessed via the website page. It is hoped that this creation will be a trigger for Konde and FMR to continue organizing documentation data digitally so that in the future it can be used as a media for promotion and representation of oneself and the organization. In creating this digital flipbook, the Alessi and Trollip model development research method was used which was modified according to research needs, through stages (1) planning; (2) design; and (3) development. Field studies are carried out through documentation, interviews and observations.

Wayang Kulit di Ghriya Ukir Kulit Dusun Gendeng Yogyakarta Komariah, Arfiati Nurul
ATRAT: Jurnal Seni Rupa Vol 11 No 2 (2023): KARAKTERISTIK RUPA DALAM TRADISI DAN BUDAYA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v11i2.2627

Kerajinan wayang kulit dikembangkan di beberapa tempat di Dusun Gendeng, namun penulis lebih tertarik dengan salah satu perajin yang hingga saat ini masih aktif dan memiliki cukup banyak karyawan. Perajin tersebut berlokasi di Dusun Gendeng, Bangunjiwo, Kasihan, Bantul, Yogyakarta. Penelitian ini bertujuan untuk mengetahui seberapa jauh ketertarikan masyarakat terhadap wayang kulit pada zaman sekarang, terutama bagi masyarakat di Dusun Gendeng dan mengetahui sistem pembagian kerja para perajin di dalam membuat kerajinan yang terbuat dari bahan kulit perkamen (mentah). Metode penelitian yang dilakukan oleh penulis adalah metode penelitian kualitatif yang berperan pasif. Kemudian hasil yang didapatkan dari penelitian ini adalah didapatkannya pengetahuan mengenai bahan apa saja yang digunakan dan setiap perajin melakukan pekerjaan yang berbeda-beda sesuai dengan kemampuannya. Kata Kunci: Kerajinan Wayang Kulit, Dusun Gendeng, Pembagian Kerja

Title

Found 4 Documents
Search

Abstract

Abstract

Abstract

Abstract

Title Search

Found 4 Documents Search

Abstract

Abstract

Abstract

Abstract

Title

Found 4 Documents
Search