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All Journal Jurnal Pendidikan Seni Rupa Runtas: Journal of Arts and Culture
Sandra, Alek
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Arts Education

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DANDELIONS AS MOTIF CREATION CONSTRUCT FOR READY TO WEAR Sandra, Alek; Komariah, Arfiati Nurul
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4883

Abstract

The main source of ideas that form the basis for the creation of fashion works is the dandelion flower which has 2 kinds of flower petals. The form and use of dandelion flowers makes the writer interested in creating batik motifs with elements of dandelion images. The purpose of this research, among other things, is to create a batik motif design with the source of the dandelion flower idea. Apart from that, it is also to create ready-to-wear fashion designs. The next goal is to apply dandelion batik motifs to the Ready To Wear clothing that will be created in this work. The method used for this research uses the method of art creation from Gustami SP, namely data collection, design and embodiment. The technique used in the creation process is written batik technique. Furthermore, in making motifs, it is carried out using the deformation method as a form to obtain motif development. The batik coloring technique used in this batik is the dyeing process of the dip cap and the dab technique. The selection of colors to be used in the manufacture of women's ready-to-wear batik uses bright and dark colors from Remasol batik dyes. The works consist of 4 Ready To Wear clothes taken from Sanskrit entitled "Bhanuresmi", "Canduri", "Cakra" and "Samiya", and are equipped with accessories such as earrings, necklaces, rings, hats, headbands, sunglasses and hair bands. 
DANDELIONS AS MOTIF CREATION CONSTRUCT FOR READY TO WEAR Sandra, Alek; Komariah, Arfiati Nurul
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 2 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4883

Abstract

The main source of ideas that form the basis for the creation of fashion works is the dandelion flower which has 2 kinds of flower petals. The form and use of dandelion flowers makes the writer interested in creating batik motifs with elements of dandelion images. The purpose of this research, among other things, is to create a batik motif design with the source of the dandelion flower idea. Apart from that, it is also to create ready-to-wear fashion designs. The next goal is to apply dandelion batik motifs to the Ready To Wear clothing that will be created in this work. The method used for this research uses the method of art creation from Gustami SP, namely data collection, design and embodiment. The technique used in the creation process is written batik technique. Furthermore, in making motifs, it is carried out using the deformation method as a form to obtain motif development. The batik coloring technique used in this batik is the dyeing process of the dip cap and the dab technique. The selection of colors to be used in the manufacture of women's ready-to-wear batik uses bright and dark colors from Remasol batik dyes. The works consist of 4 Ready To Wear clothes taken from Sanskrit entitled "Bhanuresmi", "Canduri", "Cakra" and "Samiya", and are equipped with accessories such as earrings, necklaces, rings, hats, headbands, sunglasses and hair bands. 
Analisis Visual Lukisan Kaligrafi Arab Karya Mohammad Ramli: PENDAHULUAN, METODE, HASIL DAN PEMBAHASAN, Biografi Singkat Mohammad Ramli, Alat, Bahan, Media, dan Teknik Lukisan Kaligrafi Arab Mohammad Ramli, Bentuk Tulisan Kaligrafi Arab (Khat) dalam Lukisan Kaligrafi Arab Karya Mohammad Ramli, Makna visual seni lukis kaligrafi Arab karya Mohammad Ramli, PENUTUP, Simpulan, Saran, DAFTAR PUSTAKA Sandra, Alek; Koriawan, Gede Eka Harsana; Sutrisno, Langen Bronto
Jurnal Pendidikan Seni Rupa Undiksha Vol. 15 No. 2 (2025): Agustus 2025
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v15i2.97725

Abstract

Penelitian ini dilatarbelakangi oleh ketertarikan penulis untuk menganalisis visual lukisan kaligrafi Arab karya Mohammad Ramli. Penelitian ini memiliki tiga tujuan yaitu; 1.) Mendeskripsikan alat, bahan, media, teknik, dan 2.) mendeskripsikan bentuk tulisan kaligrafi Arab (khat) yang digunakan dalam membuat lukisan kaligrafi Arab, serta 3.) mendeskripsikan makna visual yang ada dalam lukisan kaligrafi Arab karya Mohammad Ramli. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Hasil dari penelitian ini yaitu; 1.) Menunjukkan bahwa alat, bahan, dan media yang digunakan dalam melukis adalah kuas lukis, pisau palet, palet, pensil, kertas, kanvas, cat minyak, pengencer cat minyak, cat akrilik, cat tembok, dan varnish. 2.) Sedangkan teknik yang digunakan dalam proses melukis adalah teknik basah. 3.) Selain itu, bentuk khat yang digunakan dalam karya lukisan kaligrafi Arab Mohammad Ramli juga beragam, antara lain khat Kufi standar, Kufi Maghribi dengan gaya Andalusi-Sundani, dan khat Tsuluts. Kemudian, dalam karya-karya lukisan kaligrafi Arab Mohammad Ramli juga terdapat makna visual yang cenderung menyematkan pesan tentang keagungan Allah Yang Maha Esa. Hal tersebut selaras dengan pemilihan lafal untuk tulisan kaligrafi yang digunakan Mohammad Ramli dalam karya lukisan kaligrafi Arabnya. Kata-kata Kunci: Analisis visual, kaligrafi Arab, lukisan, Mohammad Ramli
Co-Authors Gede Eka Harsana Koriawan Komariah, Arfiati Nurul Langen Bronto Sutrisno