Article Per Year (5 Year)
p-Index From 2020 - 2025
0.444
P-Index
This Author published in this journals
All Journal JURNAL ILMU BUDAYA SENTRI: Jurnal Riset Ilmiah
Bandu, Irianty
Unknown Affiliation
Aerospace Engineering Arts Humanities Computer Science & IT Economics, Econometrics & Finance Law, Crime, Criminology & Criminal Justice

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
IDENTITAS DAN PERAN TOKOH DALAM LE MYSTÈRE DE LA CHAMBRE JAUNE KARYA GASTON LEROUX Hawati Hamid, Kahimma; Bandu, Irianty
JURNAL ILMU BUDAYA Vol. 7 No. 1 (2019): Jurnal Ilmu Budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v7i1.32642

Abstract

This research aims to present a picture of three figures, describes the relationship of identity and the role of the three character depicted in the story, and describes the factors that cause a someone to change his identity and role. The theory used is the characterization theory by Shlomith Rimmon-Kenan, that is theory Direct definition and Indirect presentation, using twomethods approaches, that is intrisic and extrinsic. The conclusion of this research shows that the two main male figures changed their identity and role several times, while one female figure did not change her identity only in her changing role.
SIKAP MENYALAHKAN DIRI DALAM DES VENTS CONTRAIRES KARYA OLIVIER ADAM Vaneta, Ramadhela; Bandu, Irianty
JURNAL ILMU BUDAYA Vol. 13 No. 1 (2025): Jurnal Ilmu Budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v13i1.45792

Abstract

The purpose of this study is to describe the attitude of self-blame and analyze the meaning of life in the novel Des Vents Contraires by Olivier Adam. This study uses a qualitative descriptive method with a literature study approach. Based on the results of the analysis in this study, it can be concluded that 1) The depiction of Paul Anderson's family life depicts a complex and evolving emotional journey that occurs after the tragic loss of Sarah, from initial confusion to a willingness to move on with the understanding that they must continue living, even with a deep sense of loss. 2) The attitude of self-blame in the character Paul Anderson is reviewed by theory according to Zuama (2011), guilt or self-blaming is a relevant aspect in understanding how Paul handles conflicts between unconscious drives.
REPRESENTASI PEREMPUAN DALAM LAGU RAP PRANCIS Fredyansah, Muhamad Arif; Wahyuddin, Wahyuddin; Bandu, Irianty
SENTRI: Jurnal Riset Ilmiah Vol. 2 No. 12 (2023): SENTRI : Jurnal Riset Ilmiah, Desember 2023
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v2i12.1896

Abstract

This research aims to reveal the strategies used to represent women in French rap songs and identify the various identities of women depicted in French rap songs. This research utilizes Sara Mills' Critical Discourse Analysis theory and Halliday's Systemic Functional Linguistics approach on Transitivity. The data were then analyzed using Sara Mills' Critical Discourse Analysis theory, focusing on the subject and object positions. These clauses were classified based on transitivity elements, including participants, processes, and circumstances. The results show differences in the representation of women carried out by male and female rappers. In songs performed by male rappers, women are represented as object. Women are portrayed as materialistic, seductive, traditional, and passive. Based on the transitivity analysis, which indicates that the dominant processes are Material, Mental, and Relational processes. On the other hand, in rap songs performed by female rappers, women are represented as subject, capable of presenting themselves and offering representations that tend to empower women. This representation manifests as strong, confident, independent, and competitive women. This is also evident from the transitivity analysis, which indicates that the dominant process is the Material process
Co-Authors Fredyansah, Muhamad Arif Hawati Hamid, Kahimma Vaneta, Ramadhela Wahyuddin Wahyuddin