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All Journal PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Virtuoso: Jurnal Pengkajian dan Penciptaan Musik
Hananto, Paulus Dwi
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Arts Humanities Education Social Sciences

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Mixed Choir and Instruments in the Composition of the Worship Music of the Stations of the Cross Hananto, Paulus Dwi; Sukerta, Pande Made
Harmonia: Journal of Arts Research and Education Vol 20, No 2 (2020): December 2020
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v20i2.24843

Abstract

The station of the cross is an event of the Passion story of Jesus Christ carrying the cross from the Pilate’s palace to the hill of Golgotha. On that journey, Jesus endured torture and humiliation, both from Roman soldiers and Jews. Based on this story, the objective of the research is to describe the process of developing a new compositional composition based on the story of the journey in the format of a choir and a musical ensemble. The research method used in this research is descriptive qualitative. Data collection was carried out through observation, interviews, and documents. After all data has been collected, the next process is to determine the use of scales, instrumentation, and composition based on rhythmic and melodic motifs, time signature, key signature, tempo, and composition of song texts. The choice of musical signs is adjusted to the meaning of the lyrics used. The composition of the Song of the Station of the Cross which is composed is a combination of a mixed choir consisting of soprano, alto, tenor, and bass with a musical ensemble. The novelty of the composition of the Song of the Station the Cross lies in the use of the style of baroque passions (1600-1750), aria, and recitative combined with modern harmonies, namely the use of the seventh tone, the ninth tone, and the thirteenth tone of a chord, and the use of Indonesian as the whole text of the composition
Johann Sebastian Bach’s Prelude Score Study-BWV 998 Works Hananto, Paulus Dwi; Soesila, Poedji
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p109-126

Abstract

Researchers compared the Prelude BWV 998 by Johann Sebastian Bach, the transcriptions of Andres Segovia and Frederick Zigante. The background is to increase the understanding of the general public, especially players and music students with major guitar instruments, about how to interpret Baroque music correctly, because this composition was originally not for the guitar instrument but the lute. The method that researchers use is a qualitative method because it does not use numbers in this research process. The object of this research is Prelude is the opening composition of Prelude-Fuga-Allegro BWV 998 which was transcribed into guitar score by Andres Segovia and Frederick Zigante. Data collection was carried out by means of documentation and observation. The results of this research show that there are several differences in transcription including; playing techniques, such as the use of legato, finger positions, especially the left hand, interpretation signs, and different strings for the same note. This difference in transcription will greatly influence the guitar player's playing because it is adapted to the transcription style, thereby changing the character of the original composition.
Struktur dan Harmoni Komposisi Sonata Op. 2 No. 1, 4th Movement Ludwig van Beethoven: Sebuah Kajian Musikologis Indrawati, Dorothea Belicia Violista; Hananto, Paulus Dwi
PROMUSIKA Vol 12, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v12i1.10940

Abstract

Beethoven adalah salah satu komposer dan pianis yang terkenal dari Jerman pada periode klasik. Semasa hidupnya, Beethoven membuat 32 sonata dan salah satu yang terkenal adalah Sonata Op. 2 No. 1. Sonata merupakan bentuk struktur yang banyak digubah oleh komponis pada periode klasik. Sonata Op. 2 No. 1 merupakan karya yang digubah oleh Beethoven pada awal karirnya dan dipersembahkan untuk gurunya, Joseph Haydn. Penelitian ini bertujuan untuk menganalisis struktur musik, teknik pengolahan motif di antaranya sekuen, motif yang digunakan dan harmoni seperti progresi akord dan kadens yang terdapat dalam Sonata Op. 2 No. 1, 4th movement. Penelitian ini juga meneliti karakteristik Haydn yang ada di dalamnya dikarenakan karya Sonata Op. 2 No. 1 ini dipersembahkan kepada Joseph Haydn. Penelitian ini didasarkan dari practice-based reserach atau penelitian berdasarkan praktik. Penelitian ini bersandar pada dokumen secara tekstual dan menggunakan pendekatan musikologi. Struktur komposisi pada Sonata Op. 2 No. 1, 4th movement berbentuk sonata form yang terdiri atas eksposisi, pengembangan, dan rekapitulasi. Hasil penelitian menunjukkan komposisi ini menggunakan  karakter Haydn yaitu menggunakan pola triplet broken chord, menggunakan sonata form pada movement terakhir, periode tema yang tidak teratur, dan ada kecondongan untuk menekankan pentingnya second subject.Structure and Harmony of Ludwig van Beethoven's Sonata Op. 2 No. 1, 4th Movement: A Musicological StudyAbstractBeethoven is one of Germany's most famous composers and pianists in the classical period. During his lifetime, Beethoven composed 32 sonatas, one of which is the Sonata Op. 2 No. 1. Sonata is a form of structure that many composers composed in the classical period. Sonata Op. 2 No. 1 is a work composed by Beethoven at the beginning of his career and dedicated to his teacher, Joseph Haydn. This research aims to analyze the musical structure, motif processing techniques, sequences, motifs used, and harmonies such as chord progressions and cadences contained in Sonata Op. 2 No. 1, 4th movement. This research also examines Haydn's characteristics because the Sonata Op. 2 No. 1 is dedicated to Joseph Haydn. This research is based on practice-based research. It relies on textual documents and uses a musicological approach. The compositional structure of Sonata Op. 2 No. 1, 4th movement is in sonata form, which consists of exposition, development, and recapitulation. The results show that this composition uses Haydn's characters, namely using triplet broken chord patterns, using sonata form in the last movement, irregular theme periods, and there is a tendency to emphasize the importance of the second subject.Keywords: Musicological Analysis; Beethoven; Sonata Op. 2 No. 1, 4th movement.
Co-Authors Indrawati, Dorothea Belicia Violista Pande Made Sukerta, Pande Made Soesila, Poedji