Article Per Year (5 Year)
p-Index From 2021 - 2026
0.61
P-Index
This Author published in this journals
All Journal Journal of Urban Society´s Arts Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Magistrorum et Scholarium: Jurnal Pengabdian Masyarakat
Soesila, Poedji
Unknown Affiliation
Agriculture, Biological Sciences & Forestry Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Johann Sebastian Bach’s Prelude Score Study-BWV 998 Works Hananto, Paulus Dwi; Soesila, Poedji
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p109-126

Abstract

Researchers compared the Prelude BWV 998 by Johann Sebastian Bach, the transcriptions of Andres Segovia and Frederick Zigante. The background is to increase the understanding of the general public, especially players and music students with major guitar instruments, about how to interpret Baroque music correctly, because this composition was originally not for the guitar instrument but the lute. The method that researchers use is a qualitative method because it does not use numbers in this research process. The object of this research is Prelude is the opening composition of Prelude-Fuga-Allegro BWV 998 which was transcribed into guitar score by Andres Segovia and Frederick Zigante. Data collection was carried out by means of documentation and observation. The results of this research show that there are several differences in transcription including; playing techniques, such as the use of legato, finger positions, especially the left hand, interpretation signs, and different strings for the same note. This difference in transcription will greatly influence the guitar player's playing because it is adapted to the transcription style, thereby changing the character of the original composition.
“Fattened by Friendship” of the Papuan Sawi Tribe: Creative Process and Analysis Leunupun, Sepnath Yambres; Untung, Rachel Mediana; Soesila, Poedji
Journal of Urban Society's Arts Vol 12, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v12i1.14668

Abstract

“Fattened with Friendship” is the title for the creation of a musical work in the story of Tarop Tim (Child of Peace) of the Sawi Tribe. The creation of this musical work is an effort to contribute to the treasury of Indonesian musical compositions that elevate the cultural values of the Sawi tribe of Papua. The method of music composition creativity applies practice-led research in four creative stages, namely preparation, incubation, illumination and verification. The creation of this new composition elevates the culture of the Papuan Sawi tribe innovatively in melody, rhythm, and other musical elements. The instruments used are string quartet (violin 1-2, alto violin and violoncello), piano, synth, percusion and local Papuan instruments (tifa and pikon). The creation of this musical work aims to be enjoyed by the wider community, especially the younger generation, and to inspire young composers to raise the archipelago’s musical idioms as the foundation of the main creative ideas. “Fattened with Friendship” Suku Sawi Papua: Proses Kreatif dan Analisis. “Fattened with Friendship” merupakan judul dari penciptaan karya musik yang mengangkat kisah Tarop Tim (Anak Damai) dari Suku Sawi. Penciptaan karya musik ini merupakan upaya untuk memberikan kontribusi terhadap khazanah komposisi musik Indonesia yang mengangkat nilai-nilai budaya suku Sawi Papua. Metode penciptaan komposisi musik ini menggunakan metode penelitian yang berbasis praktik dengan empat tahapan kreatif, yaitu persiapan, inkubasi, iluminasi, dan verifikasi. Penciptaan komposisi baru ini mengangkat budaya suku Sawi Papua secara inovatif dalam melodi, ritme, dan elemen musik lainnya. Instrumen yang digunakan adalah string quartet (biola 1-2, biola alto, dan biola cello), piano, synth, perkusi, dan alat musik lokal Papua (tifa dan pikon). Penciptaan karya musik ini bertujuan agar dapat dinikmati oleh masyarakat luas, khususnya generasi muda, dan menginspirasi komposer muda untuk mengangkat idiom-idiom musik nusantara sebagai landasan ide kreatif utama.
Pelatihan Gitar bagi Mahasiswa STT JKI Salatiga Komalig, Yudi Novrian; Soesila, Poedji; Hananto, Paulus Dwi
Magistrorum et Scholarium: Jurnal Pengabdian Masyarakat Vol. 5 No. 3 (2025)
Publisher : Universitas Kristen Satya Wacana Salatiga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24246/jms.v5i32025p263-273

Abstract

Guitar Training for Students of STT JKI Salatiga is a guitar training conducted to equip students before they go to field practice at churches especially located in remote areas. Previously, students felt they lacked skills in accompanying worship services, so the services provided were felt to be incomplete. The method used there are 3 stages, namely design, implementation, and evaluation. At the design stage, a site survey was carried out to see the facilities and infrastructure as well as the students' initial abilities. Based on that, training materials are prepared according to the needs of students. The training was carried out for 16 weeks where each week consisted of 1 meeting from September to December 2022. The material provided consisted of 9 main topics, from lectures to practice playing the guitar. The evaluation was carried out by holding group music presentations to accompany the worship songs by the participants.
Co-Authors Hananto, Paulus Dwi Komalig, Yudi Novrian Leunupun, Sepnath Yambres Rachel Mediana Untung