Marutama, I Gusti Ngurah Tri
Unknown Affiliation

Published : 5 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 5 Documents
Search

THE CREATION OF PUBLICATION MEDIA FOR RELIEF-PRINT ART EXHIBITION POST-COVID 19 Adi, Sigit Purnomo; Aripin, Nur Adibah Nadiah Mohd; Marutama, I Gusti Ngurah Tri; Arissuta, Dona Prawita
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5976

Abstract

The creation of publication media for these relief-print artworks is a creative and innovative work because it does not only create relief-print works of art, but also creates publication media or exhibition media to exhibit relief-print works of art. This publication media work is a publication work that combines virtual and offline. The purpose of this work is the creation of relief-print art exhibition publication media that try to find alternative publication media which are environmentally friendly, efficient and global. The creation of this publication media uses the Tri Cipta Karya creation method which is an elaboration of the Artistic Creation method. The results of this creation produce an efficient Hybrid publication media, meaning that in the exhibition it is not only exhibited offline or physically, but also exhibited online or through a virtual gallery. The implications of this publication media creation have opened up wide opportunities for artists or designers to publish their works across countries online.
PENCIPTAAN KARYA CETAK TINGGI DENGAN MIXED MEDIA SEBAGAI UPAYA MENCIPTAKAN INOVASI DAN KREASI BERBASIS TRADISI JAWA Adi, Sigit Purnomo; Pandanwangi, Ariesa; Marutama, I Gusti Ngurah Tri; Yudhanto, Sigied Himawan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i1.3570

Abstract

Relief print is one of the techniques in graphic arts. The process of making a relief print is considered easy because it uses simple tools and materials, so that the artwork produced from this relief printing process is considered less creative and innovative. Conventional printmaking rules have predefined indicators. This creation research aims to produce novelty in graphic arts based on the concept of Javanese tradition. The method used is a mix of methods, namely the artistic creation process method: experimentation, reflection and creation of works. The creation of high-level printed artworks is made with a mix of media on the basis of Javanese tradition visually, so it is hoped that these works of art will be able to compete in the international world. The results of this creation research have innovations and creations in the form of contemporary art works extracted from Javanese traditional art.
THE CREATION OF PUBLICATION MEDIA FOR RELIEF-PRINT ART EXHIBITION POST-COVID 19 Adi, Sigit Purnomo; Aripin, Nur Adibah Nadiah Mohd; Marutama, I Gusti Ngurah Tri; Arissuta, Dona Prawita
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5976

Abstract

The creation of publication media for these relief-print artworks is a creative and innovative work because it does not only create relief-print works of art, but also creates publication media or exhibition media to exhibit relief-print works of art. This publication media work is a publication work that combines virtual and offline. The purpose of this work is the creation of relief-print art exhibition publication media that try to find alternative publication media which are environmentally friendly, efficient and global. The creation of this publication media uses the Tri Cipta Karya creation method which is an elaboration of the Artistic Creation method. The results of this creation produce an efficient Hybrid publication media, meaning that in the exhibition it is not only exhibited offline or physically, but also exhibited online or through a virtual gallery. The implications of this publication media creation have opened up wide opportunities for artists or designers to publish their works across countries online.
PENCIPTAAN KARYA CETAK TINGGI DENGAN MIXED MEDIA SEBAGAI UPAYA MENCIPTAKAN INOVASI DAN KREASI BERBASIS TRADISI JAWA Adi, Sigit Purnomo; Pandanwangi, Ariesa; Marutama, I Gusti Ngurah Tri; Yudhanto, Sigied Himawan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i1.3570

Abstract

Relief print is one of the techniques in graphic arts. The process of making a relief print is considered easy because it uses simple tools and materials, so that the artwork produced from this relief printing process is considered less creative and innovative. Conventional printmaking rules have predefined indicators. This creation research aims to produce novelty in graphic arts based on the concept of Javanese tradition. The method used is a mix of methods, namely the artistic creation process method: experimentation, reflection and creation of works. The creation of high-level printed artworks is made with a mix of media on the basis of Javanese tradition visually, so it is hoped that these works of art will be able to compete in the international world. The results of this creation research have innovations and creations in the form of contemporary art works extracted from Javanese traditional art.
Perspektif Visual dan Interaksi nilai Budaya di Situs Pokekea Marutama, I Gusti Ngurah Tri; Setyawan, Alfan; Yudhanto, Sigied Himawan
Narada : Jurnal Desain dan Seni Vol 11, No 3 (2024)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2024/v11.i3.004

Abstract

Pokekea site, located in the Besoa Valley of Lore Lindu National Park in Central Sulawesi, Indonesia, is a megalithic site rich in cultural and historical artifacts. This study aims to examine how visual perspectives and cultural interactions at the Pokekea site have influenced changes in the values and identity of local life. A qualitative method with a cultural anthropology approach was used to observe and analyze the changes in visual and cultural aspects that occurred by collecting data through discussion, participatory observation, and document study. The results showed that visual perspectives and cultural value interactions have caused a shift in values and identity at the Pokekea megalithic site in Besoa Valley. Traditional values that are local and communitarian have led to formal values that are global. The visual perspective is seen in the aesthetic function of megalithic objects as inanimate objects that tend to be more open to change and innovation and are more easily influenced by outside cultures, which, of course, the interaction of cultural values will be a strategic effort to maintain a balance between the preservation of traditional culture and adaptation to changing times.