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All Journal Jurnal Bahasa Rupa Panggung AKSIOLOGIYA : Jurnal Pengabdian Kepada Masyarakat JTAM (Jurnal Teori dan Aplikasi Matematika) SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Ganaya: Jurnal Ilmu Sosial dan Humaniora Jurnal Budaya Nusantara Jurnal Inovasi Hasil Pengabdian Masyarakat (JIPEMAS) Abdi Seni Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Ideas: Jurnal Pendidikan, Sosial dan Budaya International Journal of Visual and Performing Arts Aksara: Jurnal Ilmu Pendidikan Nonformal Jurnal Pembelajaran Pemberdayaan Masyarakat (JP2M) Jurnal Abdimas Ilmiah Citra Bakti (JAICB) Community Empowerment Jurnal Mandala Pengabdian Masyarakat International Journal of Multi Discipline Science (IJ-MDS) Jurnal Abdimas Bina Bangsa Sibatik Journal : Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Indonesian Community Journal Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Atma Inovasia JUARA: JURNAL WAHANA ABDIMAS SEJAHTERA SERVIRISMA: Jurnal Pengabdian kepada Masyarakat Engagement: Jurnal Pengabdian Kepada Masyarakat Panggung Jurnal Bahasa Rupa Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
Ariesa Pandanwangi
Universitas Kristen Maranatha
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Other

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Bahasa Rupa Gambar Anak Berkesulitan Belajar dan Relasinya dengan Gambar Seni Rupa Tradisi Pandanwangi, Ariesa; Pialang, Yasraf Amir; Adisasmito, Nuning Damayanti
PANGGUNG Vol 24, No 2 (2014): Modifikasi, Rekonstruksi, Revitalisasi, dan Visualisasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v24i2.114

Abstract

ABSTRACT Children with learning disabilities have creative capabilities that sometimes unnoticed by their pa- rents or teachers. Their creative capabilities are usually observed from their drawings, which as creative as the drawings created in traditional arts. The aim of this research is to determine the relationship between drawings from children with learning disabilities compared to the drawings created in traditional arts.The research methods employed is a qualitative descriptions with visual languages approaches. The approaches used are contents of wimba, way of wimba, enlargement and shrinkage. It can be shown that the way of drawing by children with learning disabilities has direct relationship with the traditional arts. The way of wimba of these children’s drawings is having similar characteristics with the way of wimba in traditional arts.  This similarity is observed from the unique way of drawing of these children which are figurative objects drawn on a flat sand surface, various backgrounds, various relieves, tranparencies, emphasizing large objects, green colour, and symmetrical compositions. These similarities are constructed because these children do not know about perspective drawing and gravitational principles in the draw- ing, somethings which are also found in traditional art, so that both tend to have similar way of wimba in drawings. The characteristics of drawing by children with learning disabilities can be seen from the way of wimba figures which are schematics, which should already surpassed by children with similar age. Keywords: Children, Drawings, Learning disabilities, Traditional arts, Visual language    ABSTRAK Anak berkesulitan belajar mempunyai kreativitas yang belum diketahui oleh orang tua bah- kan guru. Kreativitas yang tergali dari gambar yang dihasilkan oleh Anak Berkesulitan Belajar (ABB), sama kreatifnya dengan gambar yang berasal dari seni rupa tradisi. Penelitian ini untuk mengetahui relasi antara gambar ABB dengan gambar seni rupa tradisi. Relasi adalah hal yang membuat adanya keterhubungan antara gambar ABB dengan gambar seni rupa tradisi.Metode penelitian ini adalah deskriptif kualitatif dengan pendekatan bahasa rupa. Bahasa rupa yang dipergunakan adalah isi wimba, cara wimba, diperbesar atau diperkecil. Hasil pene- litian ini diketahui bahwa cara gambar anak memiliki relasi dengan gambar seni rupa tradisi, yaitu cara wimba gambar ABB mempunyai karakteristik kemiripan dengan gambar seni rupa tradisi. Hal tersebut dapat diamati dari cara khas gambar anak yaitu objek figur digambarkan diatas rata tanah, aneka latar, aneka tampak, tembus pandang, objek yang besar dibuat penting, warna hijau, komposisi simetris. Kemiripan tersebut karena anak-anak belum mengenal gam- bar perspektif dan gaya gravitasi pada gambar, hal yang sama juga ditemui dalam seni rupa seni tradisi sehingga mereka memiliki kecenderungan penggambaran cara wimba yang mirip. Sedangkan karakteristik gambar ABB dapat dilihat dari cara wimba figur yang menyerupai bagan, padahal untuk anak seusianya anak sudah melampaui bentuk tersebut. Kata kunci: Anak-anak, Bahasa rupa, Berkesulitan Belajar, Gambar, Seni rupa tradisi
VISUALISASI PEREMPUAN PADA LUKISAN TRADISIONAL TIONGHOA DI INDONESIA (Analisis karya-karya seni lukis Lee Man Fong dan Chiang Yu Tie) Pandanwangi, Ariesa; Damayanti, Nuning
PANGGUNG Vol 27, No 2 (2017): The Revitalization of Tradition, Ritual and Tourism Arts
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v27i2.254

Abstract

ABSTRACT Both Lee Man Fong - a male painter - and Chiang Yu Tie - a female painter - are Chinese who migrated to Indonesia. In the beginning of the 20th century, Lee Man Fong lived in Bali while Chiang Yu Tie lived in Java. Many of their artworks were collected by the National Palace and many government officers. The questions of this research are visualization of the women as the object of paintings of both artists and gesture of the women in the paintings of both artists. The purpose of the research is to enrich the documentary infrastructure about women as object in the social area of visual arts which has not been studied much. The research method that will be used is qualitative method with purpose sampling. The result of the research will show that both artists are very familiar with a particular social life during their stay in a certain place, so that their perceptions are focused in excavating the women object in their artworks.Keywords: Chiang Yu Tie, Chinese, Lee Man Fong, Painting, Woman.ABSTRAK Lee Man Fong adalah pelukis laki-laki dan Chiang Yu Tie adalah pelukis perempuan. Keduanya adalah orang Tionghoa yang merantau ke Indonesia. Pada tahun 1900 an Lee Man Fong tinggal di Bali sedangkan Chiang Yu Tie tinggal di Jawa Barat. Karya keduanya banyak dikoleksi oleh Istana Negara juga oleh pejabat pemerintahan. Penelitian ini untuk mengetahui visualisasi perempuan yang dijadikan objek pada lukisan tradisional tionghoa dan gestur perempuan pada objek karya seni lukis kedua seniman tersebut. Tujuan penelitian ini adalah untuk melengkapi infrastruktur pendokumentasian tentang objek perempuan dalam medan sosial seni rupa yang belum banyak dibahas. Metode penelitian ini adalah metode kualitatif dengan purpose sampling. Hasil penelitian ini memperlihatkan bahwa kedua seniman tersebut sangat akrab dengan lingkungan sosial ketika mereka tinggal disuatu daerah, sehingga pengamatannya banyak di fokuskan pada penggalian objek perempuan dalam karya seni lukisnya.Kata kunci: Chiang Yu Tie, Lee Man Fong, Perempuan, Seni lukis, Tionghoa. 
komparasi karya seni lukis MOOI Indie Antara Seniman Indonesia dan Seniman Dari Barat Periode 1930-an Pandanwangi, Ariesa
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1968

Abstract

The purpose of this study is to compare the 1930s indie mooi painting works between Indonesianartists and western artists. The samples of this study were paintings of Indonesian artists andWestern artists made in 1930s. Each work of these artistsis selected to represent his period. Hiswork is, therefore, analyzed using Feldman's theory. The results of this study show that manyartists' creative ideas are inspired by the scenery of Indonesia. These creative ideas lead to themesemerged which visualizing fields and mountains on their indie mooi paintings. The primarilyreason of visualizing the beautiful scenery on their paintings is that these paintings are intended tofavourEuropean communities living in Java. Another result of the study is that paintings at thattime still used traditional techniques and media, oil paint on canvas and the colours used aremostly bright.
NARASI VISUAL CERITA FABEL DALAM KARYA SENI LUKIS Ariesa Pandanwangi; Belinda Sukapura Dewi; Shopia Himatul Alya
Jurnal Budaya Nusantara Vol 3 No 2 (2020): Nusantara & Media
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol3.no2.a2545

Abstract

Bandung is one of the creative cities in Java, especially West Java. Proven Bandung has a lot of local wisdom dug up from legendary stories, animal fable stories, culinary riches, and many more which later became interesting ideas into the concept of creating art. This local wealth is an important claim by artists who actively work. This research will reveal the expression of artists in paintings. They express their expression by bringing up the fable story of the archipelago. Archipelago fable story is processed, dug up and used as a source of inspiration to create works of art. The problems in this study are (1) What is the concept of a painting that was conceived from the fable story of the archipelago. (2) What is the visualization of the archipelago fable painting created by female artists ?. This research method is descriptive qualitative by examining the aesthetic aspects which include elements of the object, composition, color, harmonization. The media used in this painting is fabric. Samples of paintings, taken from works created by women from an exhibition held in Bandung. The coloring process with the colet technique. The color used is the dye for the fabric. The findings in the research are the concept of the work carried by artists visualizing animal stories that can be used as good moral examples. This exhibition is important because in addition to visual narration there is also a message delivered to the public. Whereas visually, many female artists use realistic objects, center composition, contrasting and attractive colors. The results of this study the concept of fable stories are brought back into an attractive visual narrative with colors that are presented in contrast with many techniques in coloring.
Peningkatan Daya Saing Masyarakat: Pelatihan Membatik Kreatif Ramah Lingkungan di Masa Pandemi Pandanwangi, Ariesa; Dewi, Belinda Sukapura; Ida, Ida; Edi, Doro; Pattipawaej, Olga
Aksara: Jurnal Ilmu Pendidikan Nonformal Vol 7, No 2 (2021): May 2021
Publisher : Magister Pendidikan Nonformal Pascasarjana Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/aksara.7.2.439-448.2021

Abstract

Pelaksanaan pengabdian masyarakat ini berdasarkan permintaan dari pihak SMP Terbuka Maleo Tangerang Selatan untuk melatih guru dan siswanya. Mereka dipersiapkan agar lulusannya dapat meningkatkan daya saing masyarakat. Berdasarkan fakta tersebut, penting dilakukan pengabdian dengan cara memberikan pelatihan dasar membatik kreatif dengan empat teknik yaituwet on wet, wet on dry, teknik colet, dan teknik penggaraman untuk mengatasai masalah yang dihadapi mitra. Kegiatan ini dilakukan dalam satu hari dengan 2 sesi kegiatan. Sesi pertama, peserta diberikan materi tentang cara mengolah material biji klungsu. Peserta diberikan lembar pretest dan post-test untuk menilai adanya peningkatan alih pengetahuan peserta setelah penyampaian materi tersebut. Sesi kedua peserta melakukan praktik cara membuat batik kreatif dengan menggunakan olahan biji klungsu dan 4 teknik pewarnaan. Berdasarkan nilai pretest-post-test peserta diketahui dengan hasil pengujian Wilcoxon menunjukkan bahwa terjadi peningkatan pengetahuan peserta sesudah kegiatan pelatihan membuat batik kreatif.The implementation of this community service is based on a request from the Maleo South Tangerang Open Middle School to train teachers and students. They are prepared so that their graduates can increase the competitiveness of society. Based on these facts, it is important to do dedication by providing basic training in creative batik with four techniques, namely wet on wet, wet on dry, dabbing technique, and salting technique to overcome problems faced by partners. This activity is carried out in one day with 2 activity sessions. In the first session, participants were given material on how to process the Klungsu seed material. Participants are given pretest and post-test sheets to assess an increase in participants' knowledge transfer after delivering the material. In the second session the participants practiced how to make creative batik using processed klungsu seeds and 4 coloring techniques. Based on the participants' pretest-post-test scores, The Wilcoxon test results showed that there was an increase in participants' knowledge after practice how to make creative batik.
Inspirasi Batik Tamarind dari Cerita rakyat Belinda Sukapura Dewi; ARLETI M. APIN; Ariesa Pandanwangi; Nuning Damayanti
Jurnal Budaya Nusantara Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol4.no2.a4056

Abstract

Batik is known not only for its beauty, but also for the values ​​it contains. This potential is very inspiring and gives an idea visualized into batik storytelling using the cold method of tamarin paste, a new approach that is more environmentally friendly. This technique has also been tested both domestically and abroad and has great potential for opportunities batik development with new ideas. An opportunity to preserve batik novelty that have no potential harass to traditional batik. This study applies the discussion of visual language to folklore theme batik works. In the earlier times, speech was common culture carried by elders to their children or grandchildren. Folktales in the form of legends, myths and fables are moral messages way conveyed in a friendly, fun but also educating with devotion. The theories and methods used to discuss two batik samples are taken from folklore which contains educational moral values. Based on a study of selected samples of batik works, it is known that the images or shapes on batik use the Space Time Flat (RWD) and Naturalist Perspective Moment Opname (NPM) systems simultaneously. Most of the depictions of motifs and shapes in batik still use the RWD system, although some forms also use NPM.
Pelatihan pembuatan materi pembelajaran digital adaptif guna meningkatkan kompetensi guru pada masa pandemi Aryani, Dewi Isma; Pandanwangi, Ariesa; Ida, Ida; Manurung, Rosida Tiurma; Pattipawaej, Olga Catherina
Community Empowerment Forthcoming issue
Publisher : Universitas Muhammadiyah Magelang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31603/ce.5120

Abstract

Masa pandemi COVID-19 telah mengubah tatanan pendidikan dari tatap muka menjadi virtual. Akibatnya diperlukan media yang dapat membantu para pendidik untuk dapat menyampaikan materi secara baik dan menarik kepada peserta didiknya. Dalam hal ini, pendidik di lingkungan sekolah dasar mengalami kesulitan terhadap penggunaan platform virtual karena keterbatasan penguasaan teknologi maupun hambatan penguasaan perangkat elektronik. Tujuan kegiatan ini untuk: 1) memberikan penguatan kemampuan penguasaan teknologi yang digunakan dalam pembelajaran jarak jauh (PJJ), dan 2) meningkatkan kerja sama dan citra Ikatan Kekeluargaan Perempuan Maranatha kepada masyarakat luas. Metode yang digunakan adalah metode Aset Based Community Development (ABCD) dengan pendekatan pendampingan dan praktik. Kegiatan ini dilaksanakan secara daring yang diikuti oleh 50 tenaga pendidik sekolah dasar di Tangerang. Pada akhir kegiatan, peserta pelatihan mendapatkan wawasan dan mempraktikkan tentang teknik dan tips pembuatan materi PJJ dengan menggunakan power point yang komunikatif untuk mendukung proses belajar daring.
Pendampingan Komunitas Masyarakat Sukajadi Dalam Mengedukasi Nilai Guna Sampah Menjadi Berkah Ida, Ida; Pandanwangi, Ariesa; Manurung, Rosida Tiurma; Ayuningtyas, Nabilla
Aksara: Jurnal Ilmu Pendidikan Nonformal Vol 7, No 3 (2021): September 2021
Publisher : Magister Pendidikan Nonformal Pascasarjana Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/aksara.7.3.833-842.2021

Abstract

Education of waste management is needed because there are people do not understand how to manage waste. This problem was raised by the government of Bandung in Kang Pisman program (Reduce Separate Benefit). Ikatan kekeluargaan Perempuan Maranatha (IKPM) and Bank Sampah Bersinar support the program by educating the public in improving the use of waste. The target community is the Sukajadi Community. The number of the participants was 45 people. Participants filled out a questionnaire before and after education, 38 participants completed the questionnaire and 7 participants did not complete the questionnaire. Education consists waste sorting, waste management ad types of waste. This service method uses the Participatory Action Research (PAR) method. Wilcoxon Signed Rank Test shows an increase in knowledge about waste sorting, waste management and types of waste. It is hoped that the community from Sukajadi can manage their waste properly and Kang Pisman program can be successful.Edukasi manfaat pengelolaan sampah dibutuhkan oleh masyarakat karena terdapat masyarakat yang belum memahami cara pengelolaan sampah. Permasalahan ini diangkat oleh Pemerintah Kota Bandung dalam program Kang Pisman (Kurangi Pisahkan Manfaatkan). Ikatan Kekeluargaan Perempuan Maranatha (IKPM) dan Bank Sampah Bersinar mendukung program tersebut dengan mengedukasi masyarakat dalam meningkatkan guna sampah sehingga menjadi berkah. Masyarakat yang disasar adalah Komunitas Kecamatan Sukajadi. Jumlah peserta sebanyak 45 orang. Peserta diminta mengisi kuesioner sebelum dan setelah kegiatan. Dari 45 peserta, terdapat 37 peserta yang mengisi lengkap kuesioner dan 8 peserta tidak mengisi lengkap kuesioner. Kegiatan yang dilakukan adalah penyuluhan pemilahan sampah, pengelolaan sampah dan jenis sampah yang memberikan nilai guna. Metoda pengabdian ini menggunakan metode Participatory Action Research (PAR). Hasil Wilcoxon Signed Rank Test menunjukkan terjadi peningkatan pengetahuan masyarakat mengenai pemilahan sampah, pengelolaan sampah dan jenis sampah. Diharapkan komunitas dari Kecamatan Sukajadi dapat mengelola sampahnya dengan baik dan benar sehingga program Kang Pisman dapat berhasil.
Implementation of Art and Technology in Batik Purwakarta Ratnadewi Ratnadewi; Ariesa Pandanwangi; Agus Prijono
JTAM (Jurnal Teori dan Aplikasi Matematika) Vol 4, No 1 (2020): April
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (207.662 KB) | DOI: 10.31764/jtam.v4i1.1872

Abstract

Indonesia is dominated by cities that have a history of batik, but Purwakarta does not have a history of batik. But thanks to the persistence of policy holders, Purwakarta currently has batik obtained by elevating the local wisdom of the city of Purwakarta. After surveys and interviews, several batik motifs were designed. The batik motif shape, size and position will be studied which will formulate mathematical equations based on basic geometric shapes such as circles, arches, lines, rectangles, which are implemented into the form of computer graphics (turtles) graph and explained in the form of an algorithm (pseudocode) computer programming to make autogenerative motifs on Purwakarta batik that did not exist before. Batik design is inspired by food and tourist locations which form the basis of the formation of typical Purwakarta batik motifs. Jatiluhur Dam, Datura Metel L. Flower, Sate Maranggi, Mangosteen Fruit is a local wisdom owned by the city of Purwakarta. The results of the morning glory batik design and Jatiluhur dew through mathematical and turtle charts are then formulated so that the batik motif design can be saved by documenting the mathematical equation or the pseudocode of the batik motif. With the results of digital motifs, the process of repeating patterns, duplicating and storing data becomes easier.
BATIK MALUKU: EKSPLORASI KEKAYAAN REMPAH-REMPAH MELALUI BATIK MALUKU Shopia Himatul Alya; Sari Dewi Kuncoroputri; Ariesa Pandanwangi
Jurnal Bahasa Rupa Vol. 5 No. 2 (2022): Jurnal Bahasa Rupa April 2022
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i2.959

Abstract

Maluku is famous as a spice-producing archipelago. Spices are not the only richness that Maluku has.. Maluku also has other cultural richness that are no less unique, namely Maluku Batik. The cultural richness and natural wealth of Maluku have inspired local people to apply the visual beauty of spices to batik motifs and ornaments which later became the hallmark of Maluku Batik. This research aims to analyze the visual application of spices in Maluku batik cloth. The sample included in this study were the batik cloths made by Malukubatik artists. The method that is employed in this research is a qualitative descriptive method by studying decorative styles inspired by the typical spices of Maluku batik. The results of this research study show that Maluku batik is very representative of the local wisdom of its people. Other findings from this study indicate that in general, batik motifs can be sorted based on their historical and cultural backgrounds. The glory of Maluku as a trade route for herbs and spices has been embedded in the collective memory of the Maluku people. One of these collective memories is immortalized through Maluku batik.
Co-Authors Abdusyukur Budiarvin Septiadi Abdusyukur Budiarvin Septiadi Agus Prijono Agus Prijono Alisha Sugianto Amanda Harmani Apin, Arleti Mochtar ARLETI M. APIN ARLETI M. APIN Arleti Mochtar Apin Arleti Mochtar Apin Atridia Wilastrina Atridia Wilastrina Atridia Wilastrina Aulia Wara Arimbi Putri Ayuningtyas, Nabilla Baene, Basituasi Basituasi Baene Basituasi Pane Belinda Sukapura Dewi Cama Juli Rianingrum Carla Angelica da Silva, Maria Imakulata Darmayanti, Tessa Eka Deniansha, Farhan Dewi Isma Aryani Dieni Nuraeni Dieni Nuraini Dina Lestari Doro Edi Elnissi, Sharon Erika Ernawan Erlina Novianti Ernawan, Erika Erwani Merry Sartika Farhan Deniansah Farhan Deniansha Florenza Octarina Fragranthia Jennifer Hendrawan, Lucky Ida IDA IDA Ida Ida Ida Ida, Ida Iman Budiman Indralaksmi Indralaksmi Ismet Zainal Effendi Ismet Zainal Effendi Zainal Effendi Janette Kiara Zerlinda Santosa Kartika Suhada Kerine Claudya Wijaya Krismanto Kusbianto Krismanto Kusbiantoro M. Dwi Marianto Marutama, I Gusti Ngurah Tri Meythi, Meythi Muhamad Ali Rahim Muhammad Ali Rahim Nuning Damayanti Nuning Damayanti Nuning Damayanti Nuning Damayanti Nuning Damayanti Nuning Damayanti Adisasmito Nuning Damayanti Adisasmito, Nuning Damayanti Olga Catherina Pattipawaej Pande Made Sukerta Purnomo Adi, Sigit Putri, Aulia Wara Arimbi Ratnadewi Ratnadewi . Ratnadewi Ratnadewi Ratnadewi, Ratnadewi Ria Wardani Rosida Tiurma Manurung Rutnanda Inne Bulu Sari Dewi Kuncoroputri Se Tin Sharon Elnissi Shopia Himatul Alya Shopia Himatul Alya Shopia Himatul Alya sigit purnomo adi Sophia Himatul Alya Sri Hadi Sukapura Dewi, Belinda Suryana, Wawan Teddy Marcus Zakaria Tessa Eka Darmayanti1 Utomo, R. Drajatno Widi Vera Liendani Verren Lesiando Septian Vincent Vincent Wahyu Widowati Wangsaputra, Priscylia Susanto Wawan Suryana Wawan Suryana Yasraf Amir Pialang Yasraf Amir Pialang, Yasraf Amir Yohanes Bastian Vestralen Lameng Yudhanto, Sigied Himawan Zeta Ranniry