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All Journal J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Mimesis Journal Corner of Education, Linguistics, and Literature
Hangganararas, Hatindriya
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Arts Humanities Biochemistry, Genetics & Molecular Biology Education Languange, Linguistic, Communication & Media Social Sciences Other

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IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Rabbani, Ilham; Hangganararas, Hatindriya
MIMESIS Vol 2, No 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book “99 untuk Tuhanku” which was first published in 1983 by Penerbit Pustaka – Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book “99 untuk Tuhanku” by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.  
IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Rabbani, Ilham; Hangganararas, Hatindriya
MIMESIS Vol. 2 No. 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book 99 untuk Tuhanku which was first published in 1983 by Penerbit Pustaka“ Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book 99 untuk Tuhanku by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.
Lyrical “I” as a Prophetic Subject in the Poem “Alang-Alang” by Abdul Wachid B.S. Rabbani, Ilham; Hangganararas, Hatindriya
Journal Corner of Education, Linguistics, and Literature Vol. 4 No. 001 (2024): Special Issues
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v4i001.399

Abstract

The poem “Alang-Alang” by Abdul Wachid B.S. explores the struggle of the lyrical “I”, representing the Indonesian people, to break free from the shackles of the New Order political regime. By focusing on the voice of the lyrical “I”, this study aims to dismantle the prophetic structure of the poem by analyzing the aspects of humanization, liberation, and transcendence within it. Kuntowijoyo’s concept of prophetic literature serves as the primary analytical framework, employing a qualitative-descriptive method. The findings of this study are as follows: first, the aspect of humanization is depicted through the lyrical “I”s efforts to challenge the consciousness of power, aiming to restore the people’s conscience to its rightful place; second, the aspect of liberation is demonstrated through attempts to free the people from the constraints imposed by the New Order, including physical violence and ideological control; and third, the aspect of transcendence is reflected in the lyrical “I” awareness of God’s power (Sang Hyang or Allah Swt.), which surpasses human capabilities. This context establishes the lyrical “I” in the poem “Alang-Alang” as meeting the criteria of a prophetic subject in literary texts.
Possible-World dan Pelanggaran-Batas Antardunia dalam Novel Kappa Karya Ryunosuke Akutagawa Hangganararas, Hatindriya; Rabbani, Ilham
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 4 No 2 (2022): November 2022
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2022.4.2.5674

Abstract

The Kappa by Ryunosuke Akutagawa tells about the life of the kappa, a mythological creature that met "I" on his climbing journey. "I" character stumbled, then found himself already in the kappa world. This research will answer: first, how is the reflection of the real world and the possible-world in Kappa's novel?; second, how many of the rules that describe one world are broken by the other? This research used Marie-Laure Ryan's narrative or possible-world concept as the main theory. The method used in this research is descriptive-qualitative. This research concluded two things: first, in the Kappa novel, the dominant condition of the kappa world is described as a possible-world that has an advanced culture, which is pretty similar to what Japan experienced in the 1920s in the real world; and second, the rules that each species breaks (humans and kappa), from the real world to the kappa world, are not explained in detail, except for the part when the "I "is about to return to the human world. Unfortunately, the explanation is still not detailed because it is a transition chapter (from "Part XVI" to "Part XVII"). Also, at the opening of the narration "Part XVII", the narrator has lived an ordinary life (before experiencing symptoms of madness) in the human world. These broken rules happen at the beginning and end of the novel, which means framing the events of the "I "long experience in the kappa world, where he finds a world that is no less vast than the world that humans live inside.
Co-Authors Rabbani, Ilham