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Hangganararas, Hatindriya
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Arts Humanities Biochemistry, Genetics & Molecular Biology Education Languange, Linguistic, Communication & Media Social Sciences Other

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IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Rabbani, Ilham; Hangganararas, Hatindriya
MIMESIS Vol 2, No 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book “99 untuk Tuhanku” which was first published in 1983 by Penerbit Pustaka – Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book “99 untuk Tuhanku” by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.  
IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Rabbani, Ilham; Hangganararas, Hatindriya
MIMESIS Vol. 2 No. 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book 99 untuk Tuhanku which was first published in 1983 by Penerbit Pustaka“ Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book 99 untuk Tuhanku by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.
Lyrical “I” as a Prophetic Subject in the Poem “Alang-Alang” by Abdul Wachid B.S. Rabbani, Ilham; Hangganararas, Hatindriya
Journal Corner of Education, Linguistics, and Literature Vol. 4 No. 001 (2024): Special Issues
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v4i001.399

Abstract

The poem “Alang-Alang” by Abdul Wachid B.S. explores the struggle of the lyrical “I”, representing the Indonesian people, to break free from the shackles of the New Order political regime. By focusing on the voice of the lyrical “I”, this study aims to dismantle the prophetic structure of the poem by analyzing the aspects of humanization, liberation, and transcendence within it. Kuntowijoyo’s concept of prophetic literature serves as the primary analytical framework, employing a qualitative-descriptive method. The findings of this study are as follows: first, the aspect of humanization is depicted through the lyrical “I”s efforts to challenge the consciousness of power, aiming to restore the people’s conscience to its rightful place; second, the aspect of liberation is demonstrated through attempts to free the people from the constraints imposed by the New Order, including physical violence and ideological control; and third, the aspect of transcendence is reflected in the lyrical “I” awareness of God’s power (Sang Hyang or Allah Swt.), which surpasses human capabilities. This context establishes the lyrical “I” in the poem “Alang-Alang” as meeting the criteria of a prophetic subject in literary texts.
Co-Authors Rabbani, Ilham