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All Journal Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Mimesis Journal Corner of Education, Linguistics, and Literature MAHADAYA Jurnal Bahasa, Sastra, dan Budaya Jurnal Nusantara Raya
Rabbani, Ilham
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Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Education Languange, Linguistic, Communication & Media Social Sciences Other

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IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Rabbani, Ilham; Hangganararas, Hatindriya
MIMESIS Vol 2, No 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book “99 untuk Tuhanku” which was first published in 1983 by Penerbit Pustaka – Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book “99 untuk Tuhanku” by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.  
IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Rabbani, Ilham; Hangganararas, Hatindriya
MIMESIS Vol. 2 No. 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book 99 untuk Tuhanku which was first published in 1983 by Penerbit Pustaka“ Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book 99 untuk Tuhanku by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.
IDENTITAS TOKOH PRIBUMI DALAM CERPEN PENUNJUK JALAN KARYA IKSAKA BANU: KAJIAN PASCAKOLONIAL HOMI K. BHABHA Abdullah, Risen Dhawuh; Rabbani, Ilham
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5247

Abstract

This study aims to uncover an Indigenous character named Oentoeng in the short story “Penunjuk Jalan”. The short story is one of Iksaka Banu's works contained in the book Semua untuk Hindia. The identity of the character that is trying to be dismantled includes hybridity, mimicry, and ambivalence. The theory used in this study is the postcolonial theory initiated by Homi K. Bhabha. The study used a qualitative descriptive method. There are three findings in this study. First, the identity of Oentoeng is a hybrid. Oentoeng absorbs Western values continuously, namely from his upbringing, education, and his association in the Dutch family environment. Second, mimicry as mockery by the character can be seen from three aspects, specifically the ability to speak Dutch, possess Western medical knowledge, and to be able to devise a strategy of rebellion that made the VOC troubles as invaders. Third, Oentoeng's attitude of wanting to be angry and willing to provide assistance, treatment, and entertainment to the Dutch doctor and his porter who had an accident could be interpreted as a form of ambivalence in the Indigenous character.
Belenggu Hegemoni Patriarki dalam Cerpen Bulan Kuning Sudah Tenggelam Karya Ahmad Tohari Lestari, Selvi Triana; Rabbani, Ilham
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.7770

Abstract

This research seeks to dismantle the fetter of patriarchal hegemony and resistance carried out by female characters in the short story Bulan Kuning Sudah Tenggelam by Ahmad Tohari. Gramsci's theory of hegemony and Walby's thoughts on patriarchy are used as analytical tools. The method used is qualitative-descriptive. The findings of this research: The fetter of patriarchal hegemony experienced by Yuning's character occurs because of the hierarchical relationship between her and Raden Barnas as her father and his wife in the family structure. In truth, Yuning has shown resistance to the fetters she has experienced. However, it is anti-climatic because of the forgiveness of her husband's infidelity. At the same time, this condition marks the position of Yuning's figure being re-fettered by patriarchal hegemony, both in the family system and in the order of a country.
TANGGAPAN RESPONDEN MENGENAI MEDIA PEMBELAJARAN "VIRTUAL MOJI LEARNING" Rabbani, Ilham; Arianingsih, Anisa
Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya Vol 3 No 1 (2023): April 2023
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/mhd.v3i1.8290

Abstract

The purpose of this study is to find out respondents respond about the Virtual Moji Learning learning media. The research method used is the Multimedia Development Life Cycle (MDLC) method. The process stages that will be carried out are conceptualization, design, collection of materials, manufacture, testing and distribution. This research was conducted online and involved 30 students of the 1st level Japanese Literature study program at the Universitas Komputer Indonesia. The method used in data collection is a questionnaire that is distributed online and the results will be calculated using a Likert scale. The results of this study indicate that the Virtual Moji Learning obtains a percentage value of 84.6% on the ideal percentage count, so it can be concluded that the Virtual Moji Learning video is suitable for use in the kanji N5 learning media. Keywords: Online Learning, Learning Media, Kanji
Lyrical “I” as a Prophetic Subject in the Poem “Alang-Alang” by Abdul Wachid B.S. Rabbani, Ilham; Hangganararas, Hatindriya
Journal Corner of Education, Linguistics, and Literature Vol. 4 No. 001 (2024): Special Issues
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v4i001.399

Abstract

The poem “Alang-Alang” by Abdul Wachid B.S. explores the struggle of the lyrical “I”, representing the Indonesian people, to break free from the shackles of the New Order political regime. By focusing on the voice of the lyrical “I”, this study aims to dismantle the prophetic structure of the poem by analyzing the aspects of humanization, liberation, and transcendence within it. Kuntowijoyo’s concept of prophetic literature serves as the primary analytical framework, employing a qualitative-descriptive method. The findings of this study are as follows: first, the aspect of humanization is depicted through the lyrical “I”s efforts to challenge the consciousness of power, aiming to restore the people’s conscience to its rightful place; second, the aspect of liberation is demonstrated through attempts to free the people from the constraints imposed by the New Order, including physical violence and ideological control; and third, the aspect of transcendence is reflected in the lyrical “I” awareness of God’s power (Sang Hyang or Allah Swt.), which surpasses human capabilities. This context establishes the lyrical “I” in the poem “Alang-Alang” as meeting the criteria of a prophetic subject in literary texts.
Bentuk Kepasrahan dan Resistansi Tokoh Karyamin dalam Cerpen “Senyum Karyamin” Karya Ahmad Tohari Lestari, Selvi Triana; Rabbani, Ilham
MIMESIS Vol. 6 No. 1 (2025): JANUARI 2025
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v6i1.12494

Abstract

Cerpen “Senyum Karyamin” karya Ahmad Tohari menceritakan kepasrahan Karyamin akibat terdampak kebijakan pemerintah untuk membayar iuran dana bagi orang-orang kelaparan di Afrika. Senyum kepasrahannya tidak harus selalu dilihat sebagai sikap pasif, melainkan berpotensi memunculkan resistansi. Penelitian ini berusaha menjawab: pertama, bagaimanakah bentuk kepasrahan yang ditunjukkan tokoh Karyamin dan masyarakat di dalam cerpen?; dan kedua, bagaimanakah senyum kepasrahan yang diperlihatkan Karyamin dapat membentuk resistansi? Teori psikoanalisis Zizek dengan melibatkan Bartleby politics dipilih sebagai pisau analisis untuk menjawab pertanyaan-pertanyaan tersebut. Metode yang digunakan ialah kualitatif deskriptif. Hasil penelitian menunjukkan bahwa bentuk kepasrahan Karyamin dan rekan-rekannya ditandai dengan adanya sikap nrima yang bertransformasi menjadi kesadaran-sinis, dan memuncak pada momentum kekosongan dan tindakan-radikal. Klimaks kepasrahannya adalah gelak tawa yang dapat dilihat sebagai resistansi berupa pengacauan tatanan lewat tindakan-radikal.
ALIENASI TOKOH UTAMA DALAM NOVEL NAMAKU ALAM: KAJIAN PSIKOLOGI SASTRA ERICH FROMM Setya, Alfin Ananda Ariadi; Rabbani, Ilham
Jurnal Nusantara Raya Vol. 3 No. 2 (2024)
Publisher : Lembaga Kajian Nusantara Raya (LK Nura)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/jnr.v3i2.12071

Abstract

Penelitian ini bertujuan mendeskripsikan latar belakang, bentuk-bentuk, dan dampak alienasi terhadap tokoh utama dalam novel Namaku Alam karya Leila S. Chudori. Perspektif yang dijadikan pisau analisis utama ialah psikologi sastra berdasarkan pemikiran Erich Fromm dengan berfokus pada konsep alienasi. Metode yang digunakan dalam penelitian ini ialah metode deskriftif-kualitatif. Adapun temuan dari penelitian ini: pertama, alienasi pada diri tokoh Alam bermula dari trauma masa kecil, ketika sejumlah aparatus negara memburu ayahnya yang merupakan buronan negara (aktivis PKI), dan lantas secara kasar menodongkan pistol kepada diri Alam. Kedua, bentuk-bentuk alienasi yang dialami oleh tokoh Alam adalah alienasi dengan diri sendiri, alienasi dengan orang lain, dan alienasi dengan lingkungan atau masyarakat sekitarnya. Terakhir, terdapat sejumlah dampak yang merupakan akibat dari alienasi yang dialami Alam, seperti dampak pada kesehatan mental berupa stres dan kecemasan, dampak pada penurunan kepercayaan diri, dan dampak gangguan identitas yang ketiganya mempengaruhi perjalanan hidup Alam sebagai tokoh utama dalam novel Namaku Alam.
The Internalization of Prophetic Values in the Poems “Sang Utusan” and “Musim Panen” by Kuntowijoyo Mukaromah , Umi Roisatul; Ningrum , Asti Tiana; Rabbani, Ilham; Rizky , Auzia Fadhila; Madona , Prita Teresna; Kusuma , Santi Dwi
Journal Corner of Education, Linguistics, and Literature Vol. 4 No. 001 (2024): Special Issues
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v4i001.503

Abstract

This study aims to explore the internalization of prophetic values in the poems "Sang Utusan" and "Musim Panen" by Kuntowijoyo. The analysis employs a prophetic literary criticism perspective using a descriptive qualitative method. The prophetic values examined in this research include aspects of humanization, liberation, and transcendence. The results of the study indicate that humanization is reflected in the persona’s loving attitude, simplicity, and concern for the suffering of society or the underprivileged. Meanwhile, liberation is expressed as an appeal to break free from the shackles of materialism, hedonism, and the pursuit of power, in favor of a life with moral and spiritual meaning. Transcendence is revealed through the character's spiritual awareness, which enables them to receive and convey the will of God in a profound manner. Through the use of symbolism in the poems, Kuntowijoyo as the author demonstrates that prophetic values have the potential to reach the deepest dimensions of the reader’s self. Therefore, literary works are not merely expressions of aesthetic experience, but also serve as instruments for promoting social and spiritual transformation.  
Possible-World dan Pelanggaran-Batas Antardunia dalam Novel Kappa Karya Ryunosuke Akutagawa Hangganararas, Hatindriya; Rabbani, Ilham
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 4 No 2 (2022): November 2022
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2022.4.2.5674

Abstract

The Kappa by Ryunosuke Akutagawa tells about the life of the kappa, a mythological creature that met "I" on his climbing journey. "I" character stumbled, then found himself already in the kappa world. This research will answer: first, how is the reflection of the real world and the possible-world in Kappa's novel?; second, how many of the rules that describe one world are broken by the other? This research used Marie-Laure Ryan's narrative or possible-world concept as the main theory. The method used in this research is descriptive-qualitative. This research concluded two things: first, in the Kappa novel, the dominant condition of the kappa world is described as a possible-world that has an advanced culture, which is pretty similar to what Japan experienced in the 1920s in the real world; and second, the rules that each species breaks (humans and kappa), from the real world to the kappa world, are not explained in detail, except for the part when the "I "is about to return to the human world. Unfortunately, the explanation is still not detailed because it is a transition chapter (from "Part XVI" to "Part XVII"). Also, at the opening of the narration "Part XVII", the narrator has lived an ordinary life (before experiencing symptoms of madness) in the human world. These broken rules happen at the beginning and end of the novel, which means framing the events of the "I "long experience in the kappa world, where he finds a world that is no less vast than the world that humans live inside.
Co-Authors Abdullah, Risen Dhawuh Ambhita Dhyaningrum, Ambhita Hangganararas, Hatindriya Khristianto Khristianto, Khristianto Kusuma , Santi Dwi Lestari, Selvi Triana Madona , Prita Teresna Monteza, Ana Mae M. Mukaromah , Umi Roisatul Ningrum , Asti Tiana Rizky , Auzia Fadhila Setya, Alfin Ananda Ariadi