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All Journal NOTION: Journal of Linguistics, Literature, and Culture Lingue : Jurnal Bahasa, Budaya, dan Sastra CLLiENT (CULTURE, LITERATURE, LINGUISTICS, ENGLISH TEACHING) Metaphor
Widiyanti, Ana
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Journal : CLLiENT (CULTURE, LITERATURE, LINGUISTICS, ENGLISH TEACHING)

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POLITICAL MARRIAGE REFLECTED IN MIQUEL SAPOCHNIK’S HOUSE OF THE DRAGON (2022) Najih, Irfin; Widiyanti, Ana
CLLiENT (Culture, Literature, Linguistics, and English Teaching) Vol 7 No 1 (2025): CLLiENT JOURNAL
Publisher : Language and Literature Faculty, Universitas Sains Al-Qur'an (UNSIQ) Jawa Tengah di Wonosobo

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This descriptive qualitative research aims to examine how The House of Dragon Movie represent complex issues in political marriage practice. By using sociological theory and close textual analysis, this research examines how the movie presents political practice and how the effect of patriarchal system in political marriage over women’s life. The film is indeed portrayed the condition of people, especially the ones who belong to high classes or powerful society in confronting political marriage. The research finding shows that political marriage is a common practice in classical era, especially in royal or high classes family, to secure their belonging, status, or power. The others finding are: 1) political marriage is usually set since the children of royal family or high classes society are still child; 2) patriarchal system often become the most influence to make political marriage practice happen; 3) political marriage under the effect of patriarchal system brings hardship for women in many aspects of life.
HUMAN DISABILITIES EMPOWERMENT REFLECTED IN MICHAEL GRACEY’S THE GREATEST SHOWMAN MOVIE Nugroho, Muhammad Lutfi; Widiyanti, Ana
CLLiENT (Culture, Literature, Linguistics, and English Teaching) Vol 5 No 2 (2023): CLLiENT JOURNAL
Publisher : Language and Literature Faculty, Universitas Sains Al-Qur'an (UNSIQ) Jawa Tengah di Wonosobo

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This study examines the portrayal of individuals with disabilities in Michael Gracey's film The Greatest Showman, with a particular focus on the potential elements of human disability exploitation. The film, set in the 19th century, follows the life of P.T. Mr. Barnum and his creation of the Mr. Barnum & Bailey Circus. While celebrated for its vibrant musical numbers and inspirational themes, The Greatest Showman has faced scrutiny for its representation of characters with physical differences. This abstract explores the film's use of stereotypes, the narrative roles assigned to characters with disabilities, and the balance between empowerment and exploitation. By delving into the historical context, audience perception, and real-world impact, this analysis aims to provide a comprehensive examination of how the film handles the delicate subject of disability and whether it contributes to a nuanced portrayal or inadvertently perpetuates exploitative tropes. The abstract also considers the filmmaker's intentions and the broader implications of such portrayals on societal attitudes towards individuals with disabilities.
Co-Authors Al Ghozali, Fikri Ali Hendri Purnomo Imaningtara, Icha Najih, Irfin Nugroho, Muhammad Lutfi Wajiran Zanuba, Fatimah Zanita