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All Journal NOTION: Journal of Linguistics, Literature, and Culture Lingue : Jurnal Bahasa, Budaya, dan Sastra CLLiENT (CULTURE, LITERATURE, LINGUISTICS, ENGLISH TEACHING) Metaphor
Widiyanti, Ana
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Journal : Metaphor

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Haphephobia as Reflected by the Main Character Kim Min Kyu in Yu Hyung Joong’s “I am not a Robot” Drama Series (2017) Imaningtara, Icha; Widiyanti, Ana
Metaphor Vol 6 No 1 (2023): Literary Works Analysis, Gender Studies
Publisher : Faculty of Language and Literature, Universitas Sains Al-Qur'an

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This research aims to analyze haphephobia represented in the main character of the drama series entittled I am not a Robot (2017). The are two formulations in this research. First, how are the symptoms of haphephobia reflected in Kim Min Kyu in “I am not a Robot” drama series (2017) and how does Kim Min Kyu overcome as the sufferer of haphephobia. The researchers use qualitative methods to describe and explain the data. The researchers collect data by watching movies and reading subtitles from the drama I am not a Robot. In this study the researcher used theory of Sigmund Freud. The results of the study that the researcher found many symptoms related to haphephobia such as being fear of human touch, and panic attack, body shaking or tremors, dizzy, nauseous, heartbeat pounding, fast or short breathing, and crying. The main character has three ways to overcome haphephobiareflected in the movie such as psychotherapy, administration drugs, relaxation technique.
The Psychological Condition of Major Character with Deaf Family in Movie Coda (2021) Al Ghozali, Fikri Ali; Widiyanti, Ana
Metaphor Vol 6 No 2 (2024): Literary Works Analysis, Linguistics Analysis
Publisher : Faculty of Language and Literature, Universitas Sains Al-Qur'an

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This study aims to analyze how the deaf family affects the psychological of the major character in Coda (2021) and the major character's struggle to overcome her psychological condition in Coda (2021). The study uses a descriptive qualitative method to analyze the film entitled Coda, directed by Sian Heder and produced by Fabrice Gianfermi, Philippe Rousselet, Jerôme Seydoux, and Patrick Wachsberger in 2021 as the objective research. The collecting data of the research method includes watching and reading, identifying, and selecting. The data of the research method is displayed, analyzed, and explained. The researcher analyzes the data by using Sigmund Freud's theory of Psychoanalysis to analyze the data by displaying, explaining, and interpreting it. The result of the study are the representation of the deaf family's influence on the major character's psychology in the movie Coda (2021), the deaf family's influence on Ruby's psychology includes components such as id, ego, and super-ego. In addition, this study identifies various forms of anxiety and ego defense mechanisms experienced by Ruby; and the major character struggles to overcome her psychological condition. This study includes the major character's way of dealing with her psychological problems.
The Representation of Monarchism and Rebellion: Power Struggles Depicted in The King (2019) Movie Purnomo, Hendri; Widiyanti, Ana
Metaphor Vol 7 No 1 (2024): Literary Works Analysis, Linguistics Analysis
Publisher : Faculty of Language and Literature, Universitas Sains Al-Qur'an

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This study attempts to examine how the 2019 David Michod film "The King" depicts revolt and the monarchical order. The film tells the tale of Prince Hal, who succeeds his father, King Henry IV, as King Henry V. Hal had to deal with a number of difficulties as a young monarch, such as disagreements with disobedient noblemen. Qualitative approaches are the primary tool used in this study. The 2019 film "The King" serves as the primary source of data. The process of gathering data involved reading, observing, recognizing, categorizing, and choosing pertinent information. As part of the data analysis process, the data were presented, clarified, and interpreted using conflict theory. According to the findings, the film portrays the monarchical system of medieval Europe, in which the king, who holds the throne for successive generations, possesses ultimate power. The film also depicts insurrection brought on by dissatisfaction with the king's choices. In addition, the movie looks at how unrest could be sparked by instability and discontent inside the royal circle.
Comparative Literature Study of Little Women Movie in American Version and Korean Version Zanuba, Fatimah Zanita; Widiyanti, Ana
Metaphor Vol 7 No 1 (2024): Literary Works Analysis, Linguistics Analysis
Publisher : Faculty of Language and Literature, Universitas Sains Al-Qur'an

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This research aims to analyze : (1) the temperament of the characters in the American and Korean versions of the film Little Women, (2) the comparison of human temperaments in the American and Korean versions of the film Little Women. The study uses a descriptive qualitative method to analyze the objective of the research, which is Little Women (2019) American movie directed by Greta Gerwig, and Little Women (2022) Korean drama directed by Kim Hee Won. The researcher analyzes the data by using a Comparative Literature Study with the Human Temperament theory by Immanuel Kant. The result of the study : (1) the characters’ temperament of soul presented in the Little Women (2019) movie and Little Women (2022) Korean drama is Choleric Temperament in characters Jo March and Oh In-Kyung, Phlegmatic Temperament in the character Meg March and Oh In-Hye, Melancholic Temperament in character Beth March and Oh In-Joo, and Sanguinis Temperament in character Amy March; (2) the comparison of the characters’ temperament of the Korean drama Little Women (2022) is inversely proportional to the characters’ temperament of the film Little Women (2019). This is mainly due to the very different backgrounds in both. The film Little Women (2019) is set in the 1980s, whereas the Korean drama Little Women (2022) is set in the present age. With such different socio-cultural conditions, the depiction of the human temperament in the scenes is very different.
Co-Authors Al Ghozali, Fikri Ali Hendri Purnomo Imaningtara, Icha Najih, Irfin Nugroho, Muhammad Lutfi Wajiran Zanuba, Fatimah Zanita