Articles
<![CDATA[MALE PERSPECTIVE ON WOMEN IN CONTEMPORARY INDONESIAN ISLAMIC LITERATURE ]]>
<![CDATA[Wajiran, Wajiran]]>
<![CDATA[ Walisongo: Jurnal Penelitian Sosial Keagamaan Vol 27, No 2 (2019) ]]>
Publisher : <![CDATA[LP2M - Universitas Islam Negeri (UIN) Walisongo ]]>
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DOI: 10.21580/ws.27.2.4384
<![CDATA[ This paper aims at discussing the image of women in contemporary Indonesian Islamic literature after the ?Indonesian Reformation? in 1998. In contrast to the previous era, the images of women in this period are presented differently by male writers. Women are depicted more moderate and progressive. This paper applies the method of sociology of literature whereby literature is regarded as a reflection of its society. It employs content analysis of the text to see how Javanese Muslim women are depicted and how the depiction reflects the society. Two novels discussed in this paper are Cinta Suci Zahrana by Habiburrahman El Shirazy and Perempuan Badai by Mustofa W. Hasyim. The results show that these novels raise various issues of Muslim women in contemporary Indonesia. They show that there is a development in presenting the image of Muslim women in Indonesia. There is a development of thoughts, especially about the social status of women. The changes include the level of education, determination of spouse and freedom to participate in public spheres. The level of education obtained by the main characters is an essential milestone in changing women?s position in Indonesian Muslim society. Women are not just an object, but they should be the subject in the life of the Muslim community. ]]>
<![CDATA[Male Perspective on Women in Contemporary Indonesian Islamic Literature ]]>
<![CDATA[Wajiran, Wajiran]]>
<![CDATA[ Walisongo: Jurnal Penelitian Sosial Keagamaan Vol 27, No 2 (2019) ]]>
Publisher : <![CDATA[LP2M - Universitas Islam Negeri (UIN) Walisongo ]]>
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DOI: 10.21580/ws.27.2.4384
<![CDATA[  This paper aims at discussing the image of women in contemporary Indonesian Islamic literature after the ‘Indonesian Reformation’ in 1998. In contrast to the previous era, the images of women in this period are presented differently by male writers. Women are depicted more moderate and progressive. This paper applies the method of sociology of literature whereby literature is regarded as a reflection of its society. It employs content analysis of the text to see how Javanese Muslim women are depicted and how the depiction reflects the society. Two novels discussed in this paper are Cinta Suci Zahrana by Habiburrahman El Shirazy and Perempuan Badai by Mustofa W. Hasyim. The results show that these novels raise various issues of Muslim women in contemporary Indonesia. They show that there is a development in presenting the image of Muslim women in Indonesia. There is a development of thoughts, especially about the social status of women. The changes include the level of education, determination of spouse and freedom to participate in public spheres. The level of education obtained by the main characters is an essential milestone in changing women’s position in Indonesian Muslim society. Women are not just an object, but they should be the subject in the life of the Muslim community. ]]>
<![CDATA[Women’s Socio-Political Dynamics in Indonesian Literature ]]>
<![CDATA[Wajiran, Wajiran]]>;
<![CDATA[Fadillah, Dani]]>
<![CDATA[ Walisongo: Jurnal Penelitian Sosial Keagamaan Vol 28, No 2 (2020) ]]>
Publisher : <![CDATA[LP2M - Universitas Islam Negeri (UIN) Walisongo ]]>
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DOI: 10.21580/ws.28.2.6534
<![CDATA[Literary works have been believed to be media to spread ideas or ideology. This paper seeks to examine the images of women before Indonesia’s Reformation Era as reflected in Ahmad Tohari's Bekisar Merah and after the Reformation Era as reflected in Ayu Utami's Saman. By employing qualitative modes of inquiry and theories in the sociology of literature, this study has shown that images of women before and after Indonesia’s Reformation Era were depicted differently. Before Indonesia’s Reformation Era, the image of women tended to be submissive in dealing with the socio-political dynamics, while after the Reformation Era in 1998, they were depicted as progressive and even rebellious. However, it is also important to notice that this difference indicated the writers' political and ideological preference in describing the women’s position in Indonesian society in their era. The findings of this study support Gramsci's idea about ideological or cultural hegemony presented by literary work.]]>
<![CDATA[International communication of Indonesia-China in the frame of yospan dance diplomacy ]]>
<![CDATA[Dani Fadillah]]>;
<![CDATA[Wajiran Wajiran]]>;
<![CDATA[Uspal Jandevi]]>
<![CDATA[ International Journal of Visual and Performing Arts Vol 3, No 1 (2021) ]]>
Publisher : <![CDATA[ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE) ]]>
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DOI: 10.31763/viperarts.v3i1.301
<![CDATA[Diplomacy and communication between countries have real implications for intercultural encounters, and this position must be seen as an event that is not value-free. Indonesian people residing in China, primarily students, have informal tasks with a national mission, which plays an essential role in cultural communication and cultural diplomacy. They are Indonesian students who have artistic abilities and every year they always put on performances, one of which is dance performances. This study describes how a traditional dance from Papua, Yospan, can be used as diplomacy between Indonesia and China. This research was conducted using a qualitative approach; each data obtained will be analyzed using international communication theory and soft diplomacy. This study found that traditional dances and literature in cultural missions are one of the tools of cultural diplomacy that can be used to change the stereotypes and prejudices of foreigners about Indonesia. The conclusion in this study shows that in international communication, traditional culture is a powerful way to build diplomacy. Therefore, this study recommends that the government supports Indonesian students in establishing Indonesian cultural centers in various friendly countries where Indonesian students study.]]>
<![CDATA[The Domination of Ideas and Intellectuality in Gaining the Power and Hegemony in the Play Man and Superman by George Bernard Shaw ]]>
<![CDATA[Wajiran Wajiran]]>
<![CDATA[ Humaniora Vol 25, No 2 (2013) ]]>
Publisher : <![CDATA[Faculty of Cultural Sciences, Universitas Gadjah Mada ]]>
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DOI: 10.22146/jh.2357
<![CDATA[This study aims to reveal the concept of hegemony of a drama entitled Man and Superman. The play is written by a social and political activist in which contains important lessons for social change. For that reason, the drama is regarded as a propaganda led by the author for making changes in the society. This study uses sociological theory, especially Antonio Gramsci's theory, Hegemony. By using this theory, it is expected that the relationship between the literature and the condition of the society at that time that triggers the birth of this work as well as the author’s hopes and expectation would be understood. Through this approach, it is expected that the norms and educational values embodied in the drama would be revealed and understood.]]>
<![CDATA[Polygamy and Muslim Women in Contemporary Indonesian Literature ]]>
<![CDATA[Wajiran Wajiran]]>
<![CDATA[ Humaniora Vol 30, No 3 (2018) ]]>
Publisher : <![CDATA[Faculty of Cultural Sciences, Universitas Gadjah Mada ]]>
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DOI: 10.22146/jh.34821
<![CDATA[This paper will examine the ways in which polygamy is addressed in contemporary Indonesian literature. The literature that will be analysed is that published after the reformation era, whereby new freedoms have encouraged many Muslim writers to raise this controversial issue. This paper will apply feminist theory especially that of the Muslim feminist Amina Wadud. Furthermore, in order to understand the contextuality of the works, a cultural materialist approach is also applied. There are some Indonesian writers who overtly depict polygamy in their literature, such as Habiburrahman El Shirazy and Alfina Dewi. Although they are all Muslims they have different perspectives in presenting the issue of polygamy in their works. These differences reflect Indonesian Islamic society where polygamy is controversial. Some Muslims accept polygamy as Islamic teaching but others do not.]]>
<![CDATA[Male Perspective on Women in Contemporary Indonesian Islamic Literature ]]>
<![CDATA[Wajiran Wajiran]]>
<![CDATA[ Walisongo: Jurnal Penelitian Sosial Keagamaan Vol 27, No 2 (2019) ]]>
Publisher : <![CDATA[LP2M - Universitas Islam Negeri (UIN) Walisongo ]]>
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DOI: 10.21580/ws.27.2.4384
<![CDATA[ This paper aims at discussing the image of women in contemporary Indonesian Islamic literature after the ‘Indonesian Reformation’ in 1998. In contrast to the previous era, the images of women in this period are presented differently by male writers. Women are depicted more moderate and progressive. This paper applies the method of sociology of literature whereby literature is regarded as a reflection of its society. It employs content analysis of the text to see how Javanese Muslim women are depicted and how the depiction reflects the society. Two novels discussed in this paper are Cinta Suci Zahrana by Habiburrahman El Shirazy and Perempuan Badai by Mustofa W. Hasyim. The results show that these novels raise various issues of Muslim women in contemporary Indonesia. They show that there is a development in presenting the image of Muslim women in Indonesia. There is a development of thoughts, especially about the social status of women. The changes include the level of education, determination of spouse and freedom to participate in public spheres. The level of education obtained by the main characters is an essential milestone in changing women’s position in Indonesian Muslim society. Women are not just an object, but they should be the subject in the life of the Muslim community. ]]>
<![CDATA[Women’s Socio-Political Dynamics in Indonesian Literature ]]>
<![CDATA[Wajiran Wajiran]]>;
<![CDATA[Dani Fadillah]]>
<![CDATA[ Walisongo: Jurnal Penelitian Sosial Keagamaan Vol 28, No 2 (2020) ]]>
Publisher : <![CDATA[LP2M - Universitas Islam Negeri (UIN) Walisongo ]]>
Show Abstract
|
Download Original
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Original Source
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Check in Google Scholar
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DOI: 10.21580/ws.28.2.6534
<![CDATA[Literary works have been believed to be media to spread ideas or ideology. This paper seeks to examine the images of women before Indonesia’s Reformation Era as reflected in Ahmad Tohari's Bekisar Merah and after the Reformation Era as reflected in Ayu Utami's Saman. By employing qualitative modes of inquiry and theories in the sociology of literature, this study has shown that images of women before and after Indonesia’s Reformation Era were depicted differently. Before Indonesia’s Reformation Era, the image of women tended to be submissive in dealing with the socio-political dynamics, while after the Reformation Era in 1998, they were depicted as progressive and even rebellious. However, it is also important to notice that this difference indicated the writers' political and ideological preference in describing the women’s position in Indonesian society in their era. The findings of this study support Gramsci's idea about ideological or cultural hegemony presented by literary work.]]>
<![CDATA[A Study of American Education Issues Reflected by the Movie “Waiting for Superman” ]]>
<![CDATA[Fuad Hasyim]]>;
<![CDATA[Wajiran Wajiran]]>
<![CDATA[ Journal of English Language and Education Vol 7, No 1 (2022) ]]>
Publisher : <![CDATA[Universitas Pahlawan Tuanku Tambusai ]]>
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DOI: 10.31004/jele.v7i1.269
<![CDATA[This article examines education issues in a documentary movie entitled “Waiting for Superman.” To do this research, the author applied the literary research method to find words, phrases, sentences, and scenes that explore the education problems in America. Meanwhile, the sociology of literature was employed to understand the social background and context of a particular story. The research found four issues in the movie: public education spending, students’ literacy level, conflicting regulations, and teacher unions. This research has contributed to American Studies by understanding the fundamental problem of American people in education. It has also taught educational stakeholders how to maintain a high-quality learning activity.]]>
<![CDATA[Tentang Paham Kesetaraan Gender Angkatan Muda ]]>
<![CDATA[Wajiran]]>
<![CDATA[ Konfrontasi: Jurnal Kultural, Ekonomi dan Perubahan Sosial Vol 2 No 1 (2015): Konfrontasi, January ]]>
Publisher : <![CDATA[Budapest International Research and Critics University ]]>
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DOI: 10.33258/konfrontasi2.v4i1.50
<![CDATA[Studi ini tentang paham kesetaraan gender angkatan muda. Wacana feminisme yang sudah lama lahir dan berkembang di barat kini telah menjalar di masyarakat kita. Ironisnya gerakan feminisme ini lebih vulgar dan lebih garang di negeri asal mereka sendiri. Para aktivis perempuan yang selama ini sudah bergerak menyuarakan kesetaraan dan emansipasi pada umumnya adalah umat islam. Kebanyakan mereka yang ada di Indonesia adalah generasi islam yang harusnya sadar bahwa perjuangan kaum perempuan di barat itu tidak seutuhnya benar, bahkan bisa dikatan salah besar. Oleh karena itu, hendaknya kita tidak mentah-mentah mengambil dan mengaplikasikan sebuah paham apalagi yang jelas-jelas bertentangan dengan norma dan nilai moral yang ada di Negara kita.]]>
