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All Journal Visual Heritage: Jurnal Kreasi Seni dan Budaya Judikatif: Jurnal Desain Komunikasi Kreatif
Chaysalina, Inne
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Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Industrial & Manufacturing Engineering

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Retorika Dan Elemen Desain Dalam Buku Pengenalan Emosi Anak "The Color Monster" Rarasati, RR Annisa; Chaysalina, Inne; Nadia, Catherine
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 6, No 2 (2024): Visual Heritage: Jurnal Kreasi Seni Dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v6i2.9040

Abstract

Emosi merupakan salah satu aspek penting dalam kehidupan manusia, baik dewasa maupun anak anak pasti memiliki emosi. Namun biasanya anak kesulitan dalam mengekspresikan emosinya dikarenakan tidak mengenal emosinya. Pengenalan emosi pada naak usia prasekolah menjadi penting sebab pada usia ini anak mulai mengembangkan pemahaman terhadap diri mereka sendiri, dan menyadari bahwa mereka merupakan sosok yang terpisah dari orang lain. Picture book dapat menjadi salah satu media untuk memperkenalkan jenis jenis emosi pada anak. Salah satu picture book yang memuat pembelajaran tentang emosi adalah The Color Monster. Picture book ini telah diterjemahkan dalam tiga puluh bahasa dan terjual sekitar 1.500.000 eksemplar. Berangkat dair informasi di atas, peneliti melihat adanya peluang untuk meneliti atata cara penyampaian konsep emosi dilihat dari perspektif retorika dan elemen elemen desainnya. Penelitian ini dilakukan secara deskriptif kualitatif dengan cara observasi dan studi literatur. Luaran penelitian ini berupa rekomendasi rekomendasi desain yang bisa diterapkan dalam mendesain picture book bertemakan pengenalan emosi untuk anak yang tentunya akan berguna bagi desainer, penulis serta illustrator buku anak.
Cinematographic Composition in Building the Dramatization of Sadness in "Akhir Tak Bahagia” Music Video Sanjaya, William; Thamrin, Hendi; Chaysalina, Inne; Sukarno, Ferry Agustian
Judikatif: Jurnal Desain Komunikasi Kreatif Vol. 7 No. 2 (2025): Vol. 7 (2025) No 2
Publisher : fakultas Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35134/judikatif.v7i2.272

Abstract

Video is a form of mass media that has characteristics like a film. Music videos are videos that have a short duration as an accompaniment to music or songs. "Akhir Tak Bahagia" is a music video that tells the story of someone who loves the wrong person in her life. " Akhir Tak Bahagia " applied visual compositions in building a dramatization of sadness so that the message of the song's lyrics can be conveyed to the audience. This research discusses the application of visual composition in creating a dramatization of sadness to support the message in the music video "Akhir Tak Bahagia". The research method used is qualitative, while the approach uses a purposive sampling approach. The theory used is the theory of visual composition proposed by Gustavo Mercado. The research was carried out by elaborating the song lyrics, visual composition, and meaning as an emphasis on the dramatization of sadness, which supports the message of the lyrics of the music video song "Akhir Tak Bahagia". From the research conducted, it was concluded that the application of visual composition was in the form of a rule of thirds with empty areas and visual balance that showed scenes of sweet memories from the main character. The scene shows sweet, painful memories. On the other hand, the composition takes the form of a rule of thirds with a narrow area and visual continuity applied to the scene when Misellia sings a song with sadness. By applying this visual composition, the dramatization of sadness is conveyed so that the message of the song lyrics can be conveyed.
Co-Authors Nadia, Catherine Rarasati, RR Annisa Sukarno, Ferry Agustian Thamrin, Hendi William Sanjaya