Sani, Muhammad Budi Zakia
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Students’ Reception To Creation Puppet Music Of Hikayat Banjar Sani, Muhammad Budi Zakia; Alfianti, Dewi
Jurnal Seni Musik Vol 10 No 2 (2021): December, 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v10i2.51845

Abstract

Hikayat Banjar as a literary treasure with a mix of history and myths about the origin of the Banjar people is not well known to the younger generation of South Kalimantan. In fact, from the Hikayat Banjar, we can know the central role of the river as a wetland landscape. This research tries to revitalize the Hikayat Banjar in the form of a puppet creation video that contains the final part of the Hikayat Banjar music which is related to the history of the founding of the Banjar kingdom. This video was shown and watched by students of SMA Islam Terpadu Ukhuwah class XI. After watching the video, they were asked to answer questions about how they saw the show about the Hikayat Banjar which they had watched. From the results, it is known that there is a great relationship between Hikayat Banjar and the students' knowledge about the show. It is proven, only 56% of students know about Hikayat Banjar. However, this video itself was received positively by students and became their reference in understanding certain parts of the Banjar Hikayat.Meanwhile, the role of the river in the Hikayat Banjar is considered important by the respondents. Ninety-six percent of respondents agree that rivers play an important role, both socially and politically. Both are a means of regional development, as well as a battle arena. This study uses a descriptive approach to describe and view audience data in the questionnaire that has been filled out. The results show how Hikayat Banjar music position is on the horizon of audience reception.
Hierarki Nilai Kesenian Madihin dalam Tinjauan Filsafat Nilai Max Scheler Sani, Muhammad Budi Zakia
Pelataran Seni Vol 9, No 1
Publisher : Program Studi Pendidikan Seni Pertunjukan FKIP ULM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/jps.v9i1.19457

Abstract

Intisari. Madihin adalah kesenian tradisional masyarakat suku Banjar di Kalimantan Selatan. Kesenian madihin berkaitan dengan nilai, bahwa setiap pertunjukan seni mengandung multinilai yang terungkap dalam keseluruhan lakon. Hal ini dapat menunjukkan bahwa kesenian madihin dalam pertunjukan dan maknnya mengandung beragam nilai. Ragam nilai tersebut terungkap dianalisis secara hierarkis. Artikel ini membahas nilai-nilai yang terkandung di dalam kesenian madihin dengan menggunakan pisau analisis hierarki nilai dalam pandangan filsafat nilai Max Scheler. Pendekatan penelitian yang digunakan adalah dengan menggunakan metode penelitian kualitatif. Berdasarkan analisis yang dilakukan, diketahui bahwa ada lima tingkatan hierarki nilai yang terkandung di dalam madihin yaitu nilai dakwah, magis, religiusitas, estetis, dan nilai budaya. Kata Kunci: madihin, masyarakat banjar, filsafat nilai, max scheler Abstract. Madihin is a traditional art of the Banjar tribe in South Kalimantan. Madihin art is related to value, that every art performance contains multiple values that are revealed in the whole play. This can show that madihin art in its performances and meaning contains a variety of values. The variety of values revealed is analyzed hierarchically. This article discusses the values contained in madihin art by using the value hierarchy analysis knife in the view of Max Scheler's value philosophy. The research approach used is to use qualitative research methods. Based on the analysis conducted, it is known that there are five levels of value hierarchy contained in madihin, namely da'wah, magical, religiosity, aesthetic, and cultural values. Keywords: madihin, banjar community, philosophy of value, max scheler