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Framing Toleransi Beragama Pada Era Post Truth: Telaah Situs Online Alif.id Setiawan, Muhamad Agung
KOMUNIDA : Media Komunikasi dan Dakwah Vol 13 No 2 (2023): Komunida: Media Komunikasi dan Dakwah
Publisher : Fakultas Ushuluddin, Adab, dan Dakwah IAIN Parepare

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35905/komunida.v13i2.7730

Abstract

This research aims to determine the framing of religious tolerance on the internet on the online site alif.id. The objects of this research are three articles on the online site alif.id, which discuss religious tolerance. The research method used is qualitative research using Zhongdan Pan and Gerald M. Kosicki's framing analysis model, which focuses on syntactic, script, thematic, and rhetorical elements to identify an article in the discourse on religious tolerance on the online site alif.id. The results of this research show that on the online site alif.id there are three articles discussing religious tolerance: Chinese Muslims and Tolerance in Semarang, Learning Tolerance from the Village, and Examples of Tolerance from Companions of the Prophet. Regarding syntactic structure, the three articles framing religious tolerance use a historical and social approach. Meanwhile, in terms of script, each article puts forward various practices of religious tolerance by looking at it from the 5W+1H angle. Meanwhile, in the thematic structure, each article raises a different theme, namely around the issue of racism among ethnic Chinese Muslims in Semarang, through an ethnographic approach to the values of tolerance that exist in Kaloran and discussing the role model of tolerance practised by Khulafa' Rasyidin. As seen from the rhetorical element, the three articles emphasise the importance of tolerance through various sentences accompanied by explanations that strengthen the practice of religious tolerance.
Marketing Communication Strategy at PADAHALSEKON Thrift Business through Instagram Social Media in Reaching Millennial Generation and Gen Z Sutinnarto; Setiawan, Muhamad Agung; Khairani , Najmi Rizki
Edusight International Journal of Multidisciplinary Studies Vol. 2 No. 1 (2025): Edusight International Journal of Multidisciplinary Studies
Publisher : Yayasan Meira Visi Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69726/eijoms.v2i1.99

Abstract

The digital era presents new business opportunities for business people, one of which is the thrifting business in various regions. This thrifting business focuses on selling quality used clothing and is in demand by the millennial generation and Gen Z. PADAHALSEKON is a thrift located in Pekalongan city which has 54.2K Followers on Instagram. This research aims to analyze the marketing communication strategy implemented by the PADAHALSEKON thrift business through Instagram social media in reaching the millennial generation and Gen Z. Using a descriptive qualitative approach, data was collected through interviews, observations, and document analysis. The results show that creative content-based marketing strategies, active interaction with audiences, and collaboration with influencers are effective in increasing audience engagement, brand loyalty, and product sales. Millennials and Gen Z are attracted to aesthetically pleasing visual communication styles, relevant product narratives, and sustainability values. Nonetheless, challenges such as market competition and changing social media algorithms need to be overcome to maintain marketing success. This research provides insights for thrift businesses and academics in understanding marketing communication practices that are relevant to the needs of today's digital audience.
An Analysis of Communication and Social Criticism in Emha Ainun Nadjib’s Poem “God Is Already Very Popular” Setiawan, Muhamad Agung; Tulas’un, Lakna; Sutinnarto; Khairani, Najmi Rizki; Rif’atul Himmah
Perspective Humanities and Social Sciences Vol. 1 No. 2 (2025): Volume 1 No 02 (2025)
Publisher : Institut Karya Mulia Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Poetry is not only an aesthetic medium, but also a means of communication capable of delivering social critique through symbolic language. This study aims to analyze the linguistic style in Emha Ainun Nadjib’s poem “God Is Already Very Popular” and how its stylistic elements construct messages of social and religious criticism. The dynamics of modern religiosity filled with symbolism, fanaticism, and the commodification of faith serve as an essential context reflected in Cak Nun’s work. This research employs a descriptive qualitative method with a stylistic analysis approach. The analysis was conducted through close reading of the poem, classification of stylistic devices, and interpretation of meaning based on the theoretical framework of social criticism and literary communication. The analysis consists of three stages: (1) identifying figures of speech and poetic structures, (2) categorizing linguistic styles related to communicative messages, and (3) interpreting the relationship between stylistic elements and the conveyed social criticism. The findings reveal that irony is used to highlight shallow religious practices, while metaphor and symbolism implicitly yet sharply portray social conditions. Simile is applied to make abstract concepts more communicative and concrete. Overall, the study demonstrates that Cak Nun’s poem represents a form of indirect social critique, as its messages are delivered implicitly through figurative language. Thus, this research emphasizes that poetic language functions as an effective communication instrument in conveying social criticism while encouraging readers’ spiritual reflection.