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All Journal Language Literacy: Journal of Linguistics, Literature, and Language Teaching Jurnal Bastra (Bahasa dan Sastra)
Ali Vardani, Eka Nova
Unknown Affiliation
Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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REPRESENTASI DALAM LIRIK LAGU PEREMPUAN ANALISIS WACANA KRITIS SARA MILLS Alfi Tri Rosita; Dzarna, Dzarna; Ali Vardani, Eka Nova
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 1 (2025): JURNAL BASTRA EDISI JANUARI 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i1.563

Abstract

The purpose of writing this article is to identify forms of language use in song lyrics that represent women with negative images, as well as to reveal the meaning contained in the song lyrics. This research is descriptive qualitative research using note-taking and documentation techniques as the collection method. This research data was taken from three songs sung by women, namely the songs Tenang, Takut, and Tak Segampang Itu. The analytical method in the research used Sara Mills' Critical Discourse Analysis in the subject-object position and found depictions of women with negative images in the form of passivity, dependence, and dominance in the subject position. Where, women themselves tell or interpret the sad events, betrayal, feelings of pressure, domination that they experience. Meanwhile, men or powerful groups are in the position of the object or person being told. Even though they are positioned as objects, men or dominant groups are described as having great power, authority or influence over women.
THE SYMBOLIC PREMISE IN NADIN AMIZAH'S ALBUM: A PEIRCEAN SEMIOTIC APPROACH Lestari, Febrianti Dwi; Dzarna, Dzarna; Ali Vardani, Eka Nova
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 9, No 2: December 2025 (In Progress)
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v1i1.12191

Abstract

This study investigates the symbolic premises embedded in Nadin Amizah’s albums Selamat Ulang Tahun (2020) and Untuk Dunia, Cinta, dan Kotornya (2022) through Charles Sanders Peirce’s semiotic framework. Employing a descriptive qualitative design and Herbert Blumer’s theory of symbolic interactionism, the research explores how icons, indexes, and symbols construct meaning in Amizah’s lyrical narratives. Data were collected from song lyrics and analyzed using Peirce’s triadic model to identify the interplay between imaginative imagery, emotional indicators, and figurative expressions. The findings reveal that the albums articulate intertwined themes of maternal affection, identity formation, emotional struggle, and spiritual reconciliation. Iconic signs depict visual metaphors of personal experience, indexes mark emotional and social relationships, while symbolic signs convey abstract representations of self-reflection and existential awareness. Through the semiotic process, Amizah’s works transcend musical aesthetics, functioning as cultural texts that reflect Indonesian youth’s emotional and social realities. The study contributes to Indonesian music semiotics by demonstrating how symbolic premises in popular lyrics mediate personal meaning and collective experience within contemporary socio-cultural contexts.
Co-Authors Alfi Tri Rosita Dzarna, Dzarna Lestari, Febrianti Dwi