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All Journal Panggung Global Art Creativity Conference
Prakosa, Rohmat Djoko
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Arts Humanities Education

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PANJI DALAM TRADISI SENI PERTUNJUKAN: Alih Estetika dari Keraton Merasuki Estetika Kerakyatan Prakosa, Rohmat Djoko
PANGGUNG Vol 33, No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2917

Abstract

Panji in the performing arts tradition has a big role. The diversity of forms and types of performances expresses the Panji cycle on the theme of wandering/wandering patriotic, romantic. There is an aesthetic transfer from palace aesthetics to popular aesthetics, research into this aesthetic transfer needs to be carried out to obtain aesthetic diversity. So it is necessary to explore the variants formed by local and folk traditions. To explore Panjis cultural diversity in performing arts, a literature study is needed to approach Panji from the perspective of performing arts history. Direct observation of the forms and types of Panji performances, and observation of audio-visual documents, portraits and social media broadcasts about Panji. The results of the literature study and observations made can be described as the story of Panji in various forms of performance aesthetic expression. A variety of aesthetic performances of theatre, music, dance and visual aesthetic expressions. Broadly speaking, the aesthetics of the story of Panji is told in a classical aesthetic that is developed as a palace tradition and is embodied in the populist aesthetics that are spread across various areas of local populist culture. Keywords: Panji, tradition, aesthetics, performance
Konsep Estetika Sindhír dalam Tradisi Tayub Tuban Prakosa, Rohmat Djoko; Siahaan, Hotman
PANGGUNG Vol 30 No 4 (2020): Kearifan Lokal dalam Metode, Model dan Inovasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i4.1372

Abstract

Artikel ini membahas konsep estetika yang digali dari tradisi tayuban, sindhir memiliki peranpenting dalam setiap pergelaran. Kehadiran masyarakat dituntun oleh pandangan ideal tentangsindhir, terpenuhinya hajat hidup melalui tradisi tayuban. Untuk itu penelitian difokuskanpada penuturan emik yang memaparkan tentang konsep estetika sindhir. Pengamatan langsungdilakukan terhadap peristiwa tradisi tayuban dimana sindhir memiliki peranan penting dalammembangun estetika dan dinamika tayuban. Wawancara mendalam, metode mendengarmenjadi sarana utama dalam menggali konsep estetika sindhir dalam tradisi tayuban. Daripenelitian yang dilakukan dapat dirumuskan bahwa dalam tradisi tayuban terdapat konsepkeindahan yang bersifat lahiriah, keindahan batiniah, dan keindahan illahiah. Konsepkeindahan lahiriah merupakan keindahan yang dibangun dalam tatanan indah inderawi.Keindahan batiniah melalui kekuatan intensitas batin melalui puasa dan doa keindahan illahiahmerupakan keindahan karena karunia illahi, diberkati oleh Tuhan. Konsep wiraga, konsep ayukebatinan, dan konsep angsar harus dibangun oleh sindhir melalui laku.Kata Kunci: Sindhir, Estetika, Tradisi Tayuban, Tayub Tuban
PANJI DALAM TRADISI SENI PERTUNJUKAN: Alih Estetika dari Keraton Merasuki Estetika Kerakyatan Prakosa, Rohmat Djoko
PANGGUNG Vol 33 No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2917

Abstract

Panji in the performing arts tradition has a big role. The diversity of forms and types of performances expresses the Panji cycle on the theme of wandering/wandering patriotic, romantic. There is an aesthetic transfer from palace aesthetics to popular aesthetics, research into this aesthetic transfer needs to be carried out to obtain aesthetic diversity. So it is necessary to explore the variants formed by local and folk traditions. To explore Panji’s cultural diversity in performing arts, a literature study is needed to approach Panji from the perspective of performing arts history. Direct observation of the forms and types of Panji performances, and observation of audio-visual documents, portraits and social media broadcasts about Panji. The results of the literature study and observations made can be described as the story of Panji in various forms of performance aesthetic expression. A variety of aesthetic performances of theatre, music, dance and visual aesthetic expressions. Broadly speaking, the aesthetics of the story of Panji is told in a classical aesthetic that is developed as a palace tradition and is embodied in the populist aesthetics that are spread across various areas of local populist culture. Keywords: Panji, tradition, aesthetics, performance
Co-Authors Hotman Siahaan, Hotman