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All Journal Widya Aksara: Jurnal Agmaa Hindu Pratyaksa: Jurnal Ilmu Pendidikan, Sosial dan Humaniora
Astuti, Ni Luh Putu Wiardani
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Religion Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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IMPLEMENTASI KEBIASAAN MEMBACA BHAGAVAD GITA DALAM MEMBANGUN KARAKTER RELIGIUS SISWA HINDU SMPN 3 MUNCAR Nurcahyo, Andrian Dwi; Astuti, Ni Luh Putu Wiardani; Setyaningsih
Widya Aksara : Jurnal Agama Hindu Vol 29 No 2 (2024): Widya Aksara
Publisher : Lembaga Penerbit Sekolah Tinggi Hindu Dharma Klaten

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54714/widyaaksara.v29i2.287

Abstract

This study aims to implement and find out the inhibiting factors, supports, and results of the implementation of the habit of reading the Bhagavad Gita through learning Hindu Religious Education in building religious character in Hindu students at SMP Negeri 3 Muncar, Banyuwangi Regency. The research method used is qualitative descriptive through primary primary data sources; observations, interviews, documentation, and secondary supporting data; literature. Practically, the data analysis techniques of this research are described according to the stage of implementation, namely: (1) data collection techniques; (2) data reduction techniques; (3) data presentation techniques; and (4) conclusion drawing techniques. The implementation of this research is carried out through the preliminary stage of the Bhagavad Gita, the stage of the procedure for reading the Bhagavad Gita, and the stage of the meaning of reading the Bhagavad Gita. The inhibiting factors found were the lack of availability of the Bhagavad Gita, the lack of motivation to read the Bhagavad Gita, the influence of the students' social environment, and the untimely use of mobile phones. Meanwhile, the supporting factors were found due to the support of the Acting Head, Deputy Head, and Hindu Religious Education teachers of SMPN 3 Muncar, the support of the parents of Hindu students of SMPN 3 Muncar, the active role of Hindu students of SMPN 3 Muncar, and the availability of Hindu Religious Education learning rooms. As a result of the implementation of this research, the Hindu students of SMPN 3 Muncar gradually began to have a religious character with an open mindset, good manners, and obedience to the tri sandhya prayer.
Nilai-Nilai Estetika Tari Panglukating Jiwa dalam Ritual Pangrupukan Tilem Sasih Kasanga Caka 1946 di Pura Bhuana Puka Tamansari Boyolali Wahyuningsih; Santika, I Kadek Dwi; Astuti, Ni Luh Putu Wiardani
Pratyaksa: Jurnal Ilmu Pendidikan, Sosial dan Humaniora Vol. 1 No. 4 (2025): (Oktober)
Publisher : Samsara Institute Publisher

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Abstract

This research examines the Panglukating Jiwa Dance as an effort to enhance creativity among the younger generation in appreciating and developing dance works. Many young people today have limited understanding of artistic works although art and religion are closely related in cultural practice. The Panglukating Jiwa Dance serves as a medium for exploring creativity in the arts within a religious and cultural context. This study focuses on the aesthetic values of the Panglukating Jiwa Dance performed in the Pangrupukan Tilem Sasih Kasanga ritual in 2024 at Pura Bhuana Puja Tamansari Boyolali. This study employs a qualitative descriptive method. The analysis covers the background of the dance creation, its form of presentation, and the aesthetic values contained in the Panglukating Jiwa Dance within the ritual context. The research applies Structural Functional Theory, particularly Talcott Parsons’ AGIL framework, and the aesthetic theory proposed by Djelantik. Data were obtained through observation, interviews, documentation, and literature review. The findings indicate that the creation of the Panglukating Jiwa Dance is influenced by community values, social norms, and environmental conditions. Its presentation reflects aesthetic elements including movement, makeup and costumes, floor patterns, musical accompaniment, properties, and lighting. The dance embodies cultural, religious, and economic values expressed through three aesthetic principles: unity and integrity, dominance or emphasis, and balance among supporting elements. Overall, the Panglukating Jiwa Dance functions not only as a ritual performance but also as an artistic expression that fosters creativity among the younger generation.
Co-Authors Nurcahyo, Andrian Dwi Santika, I Kadek Dwi Setyaningsih Wahyuningsih