Sholikhah, Rista Aulia
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Spiritualitas Sang Nabi (Analisis nilai dekonstruksi dalam puisi prosa Sang Nabi karya Kahlil Gibran) Zuhdi, Muhammad; Sholikhah, Rista Aulia
Spiritualita Vol. 2 No. 2 (2018)
Publisher : Prodi Tasawuf dan Psikoterapi Fakultas Usluhuddin dan Dakwah IAIN Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30762/.v2i2.1020

Abstract

There is no one ever doubts the quality of Kahlil Gibran as a poet or man of letters. His great name is the guarantee of his literature works' quality. Almost every work, most of them are prose poetry, gain great success, and one of the indications is by translating into various languages in the world, including Indonesian. One of his most success works and receives international acknowledgment as well as his own admission as his best work is The Prophet. The Prophet includes many lessons bearing deconstruction values, which has been proven in this study. Deconstruction values within The Prophet is still inherent in each statement of its main character (Al Mustafa/Gibran) about topic concerning with many kinds of human problems, such as love, marriage, child, friendship, beauty, happiness, sadness, work, religion, and even death. In this study those values were contrasted or compared to various realities in form of text and social fenomena of the community in order to find their contradictions or similarities. This qualitative study used moral approach because its review material is intrinsic aspect of a literature works related to values. While the analysis technique used content analysis because it tried to disclose, understand, and catch the massage beneath the literature work. While the "knite" used to cut and disentangle its values is deconstruction. Deconstruction is an idea which strive to cope the world view which has been boxed all along within a normative understanding that this world consists of two opposing elements, such as rational-irrational, traditional- modern, logic-illogic, good-bad, man-women, and so on. Then deconstruction tries to look for gaps or alternatives between the two opposing elements. Thus, deconstruction is not always extreme in its meaning: confirm or nullify.
COMMODIFICATION OF RELIGIOUS SYMBOLS THROUGH THE PRACTICE OF ISLAMIC LIFESTYLE ON HIJABERS IN KEDIRI Hanik, Umi; Zahid, A; Sholikhah, Rista Aulia
SANGKéP: Jurnal Kajian Sosial Keagamaan Vol. 5 No. 1 (2022): Religious Changing Pathway Post Pandemic and Welcoming Society Era 5.0
Publisher : UIN Mataram dan Asosiasi Sosiologi Agama Indonesia (ASAGI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/sangkep.v5i1.5531

Abstract

Globalization not only affected the development of science and technology but also the socio-religious life of society. In this study, religious symbols are reproduced into a phenomenon in the form of a trend or Islamic lifestyle applied by Hijabers Kediri. This study was conducted with a qualitative descriptive method, with data collection carried out in 3 ways: observation, interviews, and documentation. The subjects of this study were the chairman and members who play an active role in the Hijabers Kediri community. Sources of data were in the form of primary and secondary data sources. This study was analyzed using the Theory of Consumption Society by Jean Baudrillard. So the results obtained are that the consumption community has been represented concretely by Hijabers Kediri through the Islamic Lifestyle that they applied, where hijab is a consumptive cultural lighter for Muslim women. It was no longer a religious symbol used to cover aurat as outlined in Islamic law. However, it is a fashionable need to use the hijab. The use of famous brands is carried out not based on need but an urge to do "updating" so that they are not alienated in their social groups.