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FENOMENA BERITA KEKERASAN di MEDIA TELEVISI (Perspektif Teori Kultivasi) NEWS MEDIA PHENOMENON OF VIOLENCE IN TELEVISION (Cultivation Theory Perspective) Sigit Surahman
LONTAR: Jurnal Ilmu Komunikasi Vol. 4 No. 2 (2016): LONTAR JURNAL ILMU KOMUNIKASI
Publisher : Universitas Serang Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (403.673 KB) | DOI: 10.30656/lontar.v4i2.330

Abstract

This study focuses on the influence of the intensity of the frequency of the audience watching the news that contain violence. The number of television stations that broadcast news of the violence repeatedly affect children's behavior in everyday life. Booming charge news this violence resulted in all the mainstream media are vying for presenting the news of violence and neglect the effects of what is broadcast. News show as a phenomenon and a momentum to reach the audience as much as possible for television stations. Construction purposes in many television news reality changing audience behavior, since television emerged as a second mother who where viewers can learn a lot through television broadcasts. Cultivation perspective analysis is an analysis that starts from the messaging system to identify patterns of permanent, continuous, overaching of content in television. The division of light viewer, media viewer, and the viewer heavy intensity measured from the time of respondents watching television, the most important thing there is a frequency difference between the intensity of the respondents watch. By using a cultivation perspective on this assessment reveal the intensity of the frequency of watching news of violence can effect/specific impact for the audience.
DAMPAK GLOBALISASI MEDIA TERHADAP SENI DAN BUDAYA INDONESIA Sigit Surahman
LONTAR: Jurnal Ilmu Komunikasi Vol. 2 No. 1 (2013)
Publisher : Universitas Serang Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.643 KB) | DOI: 10.30656/lontar.v2i1.334

Abstract

Globalisasi media berdampak terhadap perkembangan seni budaya Indonesia. Globalisasi teknologi komunikasi hadir di tengah-tengah masyarakat dan memengaruhi cara pandang dan perilaku manusia. Globalisasi media merupakan perkembangan yang tidak dapat dipisahkan karena kehadirannya mampu melengkapi. Perkembangan media ini semakin pesat dan canggih seiring dengan perkembangan teknologi komunikasi saat ini. Dampak perkembangan teknologi dan media ini memengaruhi seni budaya dan perilaku masyarakat atau bangsa Indonesia. Analisis deskriptif kualitatif merupakan metode pengkajian yang digunakan dengan tujuan mengungkap fakta, keadaan, fenomena. Variabel dalam penelitian ini adalah globalisasi media, dan seni budaya Indonesia. Dengan menggunakan analisis deskriptif kualitatif pengkajian ini mengungkap pengaruh dampak perkembangan globalisasi teknologi terhadap seni budaya Indonesia.
KONSTRUKSI IDENTITAS POSTMODERN DALAM IKLAN LA LIGHT VERSI “DON’T QUIT” Sigit Surahman
LONTAR: Jurnal Ilmu Komunikasi Vol. 2 No. 3 (2014): LONTAR JURNAL ILMU KOMUNIKASI
Publisher : Universitas Serang Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (579.147 KB) | DOI: 10.30656/lontar.v2i3.338

Abstract

Era postmodern dan budaya yang tidak menentu di Indonesia saat ini, menghadirkan media baru televisi yang menghasilkan berbagai tayangan. Fenomena di dunia periklanan audio visual, iklan rokok yang ditmpilkan membawa berbagai penafsiran dan pertanyaan. Tampilan iklan yang disajikan, tidak menunjukkan hubungan apapun antara pesan yang dikirimkan dan produk yang dipasarkan. Tampilkan iklan rokok dalam tulisan ini, iklan rokok LA LIGHT versi "Jangan Berhenti", yang menjadi fokus penelitian. Pendekatan linguistik postmodern, yaitu teori semiotik, sebuah teori berasal dari teori bahasa. Antara penanda (bentuk) dan Signified (artinya) dalam tampilan iklan tampaknya tidak ada ideologis dan mapan hubungan, tapi nampaknya persepsi pengemasan cukup ironis. Secara keseluruhannya iklan ini juga menggabungkan aspek kehidupan yang berevolusi pada saat itu, jadi teks, bahasa, baik audio maupun visual (karya post modern) tidak hanya menghasilkan satu makna saja, melainkan ruang multidimensional di Indonesia yang dicampur berdifusi, berinteraksi, dan bertentangan dengan berbagai masalah. Iklan ini menunjukkan penggunaan bahasa estetika postmodern yang ada semiotika visual dan semiotika.
REPRESENTASI PEREMPUAN METROPOLITAN DALAM FILM 7 HATI 7 CINTA 7 WANITA Sigit Surahman
LONTAR: Jurnal Ilmu Komunikasi Vol. 3 No. 1 (2014): LONTAR JURNAL ILMU KOMUNIKASI
Publisher : Universitas Serang Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1207.994 KB) | DOI: 10.30656/lontar.v3i1.352

Abstract

Film yang berjudul 7 Hati 7 Cinta 7 Wanita yang diproduksi oleh Production House Anak Negeri Film pada tahun 2010 ini merupakan film karya sutradara muda bernama Robby Ertanto. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana perempuan metropolitan di representasikan dalam film 7 Hati 7 Cinta 7 Wanita. Penelitian ini menggunakan teori representasi sebagai teori utama. Teori representasi Stuart Hall yang bermaksud untuk menemukan dan melihat bagaimana penggambaran perempuan metropolitan pada film ini. Kemudian teori semiotika Roland Barthes digunakan sebagai pisau analisis untuk menemukan simbol-simbol, makna, dan pesan yang merepresentasikan perempuan metropolitan pada dalam film ini , Metode yang dipakai adalah dengan mengelompokkan tanda berdasarkan scene-scene yang berhubungan dengan representasi perempuan melalui tokoh dr. Kartini, Lili, Lasti, Ningsih, Yanti, Ratna, dan Rara, yang kemudian dibedah menggunakan semiotika Roland Barthes. Kesimpulan dari penelitian adalah representasi perempuan metropolitan dalam hidupnya yang sering menjadi kaum yang selalu merasa menjadi korban yang diwakili oleh dr. Kartini, Lastri, Ningsih, Rara, Lili, Ratna dan Yanti. dr. Kartini mewakili perempuan yang dapat bangkit dari pengalaman masa lalunya dengan menjadi seorang ginekolog. Lastri, Ningsih dan Ratna menjadi korban poligami yang dilakukan suami mereka. Rara adalah adik kandung Ratna yang menjadi korban pergaulan bebas dan hamil tanpa pertanggungjawaban dari Acin, kekasihnya. Lili adalah korban kekerasan seksual dalam rumah tangga yang dilakukan oleh suaminya. Yanti yang terpaksa menjadi seorang pramuria atau pekerja seks karena sebelumnya hanya menjadi pemuas nafsu dan pelampiasan seks dari laki-laki atau bosnya saat dirinya menjadi karyawan dan memilih hidup bebas daripada tertindas oleh kaum laki-laki.
MEKANISME PENYELESAIAN PELANGGARAN KODE ETIK JURNALISTIK PADA DEWAN PERS DI KOTA SERANG Sigit Surahman; Fuqoha Fuqoha
LONTAR: Jurnal Ilmu Komunikasi Vol. 5 No. 2 (2017): JURNAL LONTAR
Publisher : Universitas Serang Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (305.539 KB) | DOI: 10.30656/lontar.v5i2.491

Abstract

Journalism is an activity of gathering news and reporting events. Delivery of news or information in general often also called the press. To protect journalistic activities and freedom of the press, the press council established by law. Press Council as an independent agency to establish guidelines which must be done by any reporter or journalist in writing or delivered the news. Journalistic ethics is a guideline to behave in journalistic activity compiled by journalists, press organizations to be ethical or moral grounding in journalistic activities. The purpose of this study, to find a model settlement of violations of journalistic ethics in the press council. This research method using descriptive analytical research model with normative juridical approach. Collecting data using literature study by collecting data and legal regulations. Besides the interviews to the parties concerned to complete the data. Press Council in resolving violations of journalistic ethics, to maintain the freedom of the press with a mechanism that provides power to the press council to decide a case arising from journalistic activities completed by the press council. Settlement due to journalistic activities outside the press council will shut down and eliminate the freedom of the press as mandated by law. The right model is the removal of press offenses perspective that may affect national press by giving power and authority to the press council to resolve matters arising from journalistic activities.
Bingkai Media pada Program Acara Televisi Satu Indonesia Net.tv Episode Sultan HB X dan Asia Calling Tempo Tv Episode Penerus Tahta Raja Yogyakarta Sigit Surahman
Nyimak: Journal of Communication Vol 1, No 2 (2017): Nyimak: Journal of Communication
Publisher : Faculty of Social and Political Science, Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (284.4 KB) | DOI: 10.31000/nyimak.v1i2.481

Abstract

Yogyakarta menganut kekuasaan monarki yang keberadaannya diatur dalam UU No. 13 tahun 2012 yang mengharuskan Gubernur adalah Raja Keraton Yogyakarta. Sri Sultan HB X mengeluarkan Sabda Raja yang mengangkat GKR Pambayun menjadi Putri Mahkota untuk mempersiapkan penerus tahta. Seharusnya yang menjadi penerus tahta raja adalah salah satu dari adik Sri Sultan HB X. Muncul pertanyaan berikut: Bagaimana bingkai media program acara satu Indonesia Net.tv “eps” Sultan HB X dan asia calling Tempo Tv “eps” penerus tahta raja Yogyakarta?, Apa bukti hegemoni Sri Sultan HB X?, Bagaimana topik berita yang sesuai dengan apa yang disampaikan Sultan HB X? Sultan HB X ingin mempertahankan kelanggengan kekuasaan. Framing is a multi-layered concept. It can operate individually, on the micro level, in terms of how citizens frame political issues. This has been the focus of the discussion up to this point. Framing can also operate on a macro level (Perloff, 2014:165). Hegemony, the notion that political leaders can enforce their will on the Mass public by manufacturing consent, harnessing mass communications in the Service of their political objectives (Perloff, 2014:166). Indexing, the idea that political media index news so that it closely matches the range of voices expressed by political elites (Bennett, 1994; Bennett, Lawrence, & Livingston, 2006: Perloff, 2014:166). Penelitian kualitatif deskrtiptif relevan untuk memperoleh informasi lengkap mengenai hegemoni Sri Sultan HB X.Kata Kunci: Bingkai, sabda raja, putri mahkota Yogyakarta embraces the monarchical power whose existence is regulated in Law no. 13 of 2012 which requires the Governor is the King of Yogyakarta Palace. Sri Sultan HB X issued the King's Word which elevated GKR Pambayun to Crown Princess to prepare the successor to the throne. Should be the successor to the throne of the king is one of Sri Sultan HB X's sister. The following questions arise: How to frame the media of the event program one Indonesia Net.tv "eps" Sultan HB X and asia calling Tempo Tv "eps" successor to the throne of the king of Yogyakarta ?, What is the evidence of the hegemony of Sri Sultan HB X ?, How do the news topics match what Sultan HB X has to say? Sultan HB X wants to maintain the continuity of power. Framing is a multi-layered concept. It can operate individually, on the micro level, in terms of how citizens frame political issues. This has been the focus of the discussion up to this point. Framing can also operate on a macro level (Perloff, 2014: 165). Hegemony, the notion that political leaders can enforce their will on the Mass public by manufacturing consent, harnessing mass communications in the Service of their political objectives (Perloff, 2014: 166). Indexing, the idea that political media index news so that it closely matches the range of voices expressed by political elites (Bennett, 1994; Bennett, Lawrence, & Livingston, 2006: Perloff, 2014: 166). Descriptive qualitative research is relevant to obtain complete information about the hegemony of Sri Sultan HB X.Keywords: Frame, king's word, crown princess
Communication Strategies on the TikTok Account OH! SOME in Building Audience Interaction Muhammad Yanuar Ashiddiqie; Hani Astuti; Sigit Surahman; Prasojo Prasojo
Momentum Matrix: International Journal of Communication, Tourism, and Social Economic Trends Vol. 1 No. 4 (2024): November : Momentum Matrix: International Journal of Communication, Tourism, an
Publisher : Asosiasi Penelitian dan Pengajar Ilmu Sosial Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62951/momat.v1i4.482

Abstract

The fast-paced growth of digital technology and online communication has transformed how people connect, share information, and build communities. Among the many social media platforms, TikTok stands out for its ability to create dynamic and interactive engagement through short-form videos and live streaming features. This study explores how the retail brand OH! SOME uses communication strategies on TikTok to foster meaningful interaction with its audience. Drawing on Chriss Fill’s (1995) three-stage communication framework—Pull, Push, and Profile Strategies—the research examines how these approaches are implemented across OH! SOME’s beauty, makeup, and skincare accounts. A qualitative descriptive method was employed, combining in-depth interviews, direct observation, and documentation with three key participant roles: the operator, live streaming assistants, and hosts. The findings reveal that OH! SOME’s communication success on TikTok relies on its ability to integrate creative content with real-time interaction. The Pull Strategy attracts audiences through engaging visuals and relatable messages; the Push Strategy emphasizes teamwork and consistent interaction during live sessions; and the Profile Strategy strengthens brand image and trust among followers. Overall, the study highlights how classical communication theories can be adapted to the dynamics of digital marketing. It provides both conceptual and practical insights for brands seeking to build audience relationships in the era of social commerce. The results also underline TikTok’s potential not merely as a sales tool but as a space for creating community, authenticity, and emotional connection with consumers.