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All Journal Nirmana DeKaVe
Arief Agung Suwasono
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Arts Humanities

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SEKILAS TENTANG TELEVISI DAN TAYANGAN IKLAN Agung Suwasono, Arief
Nirmana Vol 4, No 1 (2002): JANUARY 2002
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.4.1.

Abstract

The television have be able medium to do the quickwar of ad business. That fact could not be separated from the character medium which have represent ability of visual reality as more naturaly%2C until the ad television as if become a reality that representing the imagery of ‘society dynamics’. Abstract in Bahasa Indonesia : Televisi dapat dikatakan sebagai media yang ampuh untuk melaksanakan perang kilat terhadap bisnis periklanan. Hal ini tidak dapat dilepaskan dari karakter media yang mampu menghadirkan sebuah realitas visual yang begitu natural%2C sehingga iklan-iklan yang disampaikan lewat televisi%2C seakan-akan menjadi sebuah realita yang memperesentasikan sebuah citra akan ‘dinamika masyarakat’. television%2C the ad%2C medium.
TELEVISI BESERTA REALITAS NILAI MEDIANYA Arief Agung Suwasono
DeKaVe Vol 1, No 1: Januari 2011
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v1i1.145

Abstract

Television is a medium that delivers meaning through various type of text television conveys information that promotes moral responsibility and social solidarity. In spite of the fact that television is one of capitalism product, its programs can generate social commitment and solidarity reflecting human moral values.Keyword : Television, Fetisme
ELEMEN TANDA DALAM FILM Arief Agung Suwasono
DeKaVe Vol 2, No 4 (2012): DeKaVe Vol. 02 No. 04 2012 Juli- Desember 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (10984.964 KB) | DOI: 10.24821/dkv.v2i4.868

Abstract

The film is generally the reconstructed road documentation or representation as the work artisticproduced by the touch art, so that it was able to 'hypnotize' audience that what he saw through rationaldimensions we, as though they were involved in the scope emotional, brought a certain beliefS in thedirection certain, that is not aware is no longer from reality. To the processing narrative and the focalpoint, we will do not understand will participate empathize,feelflush emotion,follow justification in themovie, or even became the inspiration, and believes that his ideology.
KONSEP ART DALAM DESAIN ANIMASI Arief Agung Suwasono
DeKaVe Vol 10, No 1 (2017): Jurnal DeKaVe Vol. 10 No. 1 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1512.504 KB) | DOI: 10.24821/dkv.v10i1.1765

Abstract

Co-Authors Adriawan Purwanto Andrew Sutjipto Andry Satrya Wijaya Anthony Chandra Gunawan Daniel Kurniawan Salamoon Daniel Kurniawan Salomon Denny Setiawan NG Edwin Susanto Hendy Julian Tjakra heryanto wijaya Ivan Jonathan Tjendra Jacky Cahyadi Jacky Cahyadi Johan Christian Goenawan kennaldo cokokinarto Ng, William Surya Septiadi Sony Purwanto Arisandi Stevanus Candra Triyanto Gunawan