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All Journal Ekspresi: Indonesian Art Journal Tamumatra : Jurnal Seni Pertunjukan
Bonggaminanga, Putri Isydora
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Menakar Preferensi Musik di Kalangan Remaja: Antara Musik Populer dan Musik Klasik de Fretes, Daniel; Bonggaminanga, Putri Isydora
TAMUMATRA Vol 4, No 1 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v4i1.4365

Abstract

This article aims to explain the choice of music among adolescents with a focus on popular music and classical music. The research was conducted on 12 Junior High School (SMP) students at 12-14 years. The study was conducted qualitatively through virtual interviews using Zoom Cloud Meeting. The Sampling technique used purposive sampling based on the specified criteria: (1) active as music listeners; (2) listening to music for 120 minutes per week; (3) willing to take part in the interview stage in 180 minutes. Observations were made on the adolescents' responses to visual, audio, and audiovisual shows presented by researchers through Microsoft Powerpoint during the interview session. This study shows that teenagers tend to choose popular music and classical music due to several factors, namely the experience of listening to music and the environment in which they live. Adolescents who choose classical music are supported by their environment and family background who are familiar with classical music. Classical music is less popular among teenagers because of limited references and difficulties in enjoying or interpreting music without lyrics. Teenagers choose popular music for its uplifting beats and understandable lyrics.  This research presents the heterogeneity of subjects from different cities which can open up opportunities for further studies.
Perspektif Estetika Timur terhadap Ritual Rambu Solo’ Suku Toraja Bonggaminanga, Putri Isydora
Ekspresi Vol 12, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v12i2.11517

Abstract

AbstrakPerspektif estetika digunakan sebagai cara pandang untuk memahami keindahan dan seni. Ritual Rambu Solo adalah bagian dari warisan budaya dan seni yang dijaga secara turun-temurun oleh masyarakat suku Toraja. Artikel ini bertujuan untuk mengeksplorasi serta memahami keindahan dan seni dalam ritual Rambu Solo Suku Toraja dari sudut pandang estetika Timur. Metode penelitian yang digunakan adalah penelitian kepustakaan, dengan penggunaan data dari riset pustaka tanpa memerlukan pengumpulan data lapangan, dan menerapkan teknik analisis untuk mendapatkan data yang valid. Penelitian ini mengusung tiga perspektif estetika Timur, yaitu Cina, Jepang, dan India. Hasil penelitian menunjukkan kesamaan dalam perspektif estetika dari Cina, Jepang, dan India dalam mengakui hubungan penting antara manusia dan alam, serta nilai spiritualitas dalam upacara pemakaman Rambu Solo Suku Toraja. Ritual ini melibatkan rangkaian upacara yang kompleks untuk menghormati orang yang telah meninggal. Penggunaan seni, tarian, musik, dan simbolisme alamiah dalam ritual ini menggambarkan penghargaan terhadap alam dan kesinambungan spiritual. Kata kunci: perspektif, estetika timur, ritual rambu solo, suku toraja.  AbstractIn the field of aesthetics, perspective is used to understand beauty and art. The Rambu Solo ritual is one of the cultural and artistic traditions passed down through generations among the Toraja people. This article aims to explore and comprehend the beauty and artistry of the Rambu Solo ritual of the Toraja people from the perspective of Eastern aesthetics. The research methodology employed is a literature review method, utilizing existing scholarly works without requiring field research, and relying on analytical techniques to ensure the validity of the data obtained. This study presents three Eastern aesthetic perspectives: namely, Chinese, Japanese, and Hindu. The research findings provide an understanding that the aesthetic perspectives from China, Japan, and India share a common recognition of the significance of the relationship between humans and nature, as well as the spiritual value within the Rambu Solo funeral ceremony of the Toraja people. This ritual involves a series of intricate ceremonies to honor the deceased. This ritual's utilization of art, dance, music, and natural symbolism signifies reverence for nature and spiritual continuity.
Co-Authors de Fretes, Daniel