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All Journal Grenek: Jurnal Seni Musik Ekspresi: Indonesian Art Journal SELONDING PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Journal of Urban Society´s Arts Harmoni: Jurnal Pendidikan dan Penelitian Seni Budaya JURNAL TATA KELOLA SENI Sorai: Jurnal Pengkajian dan Penciptaan Musik Jurnal Pakarena International Journal of Visual and Performing Arts Tamumatra : Jurnal Seni Pertunjukan Studies in Learning and Teaching Jurnal Pengabdian Seni Indonesian Journal of Music Research, Development, and Technology
de Fretes, Daniel
Departement Of Music, Institut Seni Indonesia Yogyakarta
Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Social Sciences Other

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Menakar Preferensi Musik di Kalangan Remaja: Antara Musik Populer dan Musik Klasik de Fretes, Daniel; Bonggaminanga, Putri Isydora
TAMUMATRA Vol 4, No 1 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v4i1.4365

Abstract

This article aims to explain the choice of music among adolescents with a focus on popular music and classical music. The research was conducted on 12 Junior High School (SMP) students at 12-14 years. The study was conducted qualitatively through virtual interviews using Zoom Cloud Meeting. The Sampling technique used purposive sampling based on the specified criteria: (1) active as music listeners; (2) listening to music for 120 minutes per week; (3) willing to take part in the interview stage in 180 minutes. Observations were made on the adolescents' responses to visual, audio, and audiovisual shows presented by researchers through Microsoft Powerpoint during the interview session. This study shows that teenagers tend to choose popular music and classical music due to several factors, namely the experience of listening to music and the environment in which they live. Adolescents who choose classical music are supported by their environment and family background who are familiar with classical music. Classical music is less popular among teenagers because of limited references and difficulties in enjoying or interpreting music without lyrics. Teenagers choose popular music for its uplifting beats and understandable lyrics.  This research presents the heterogeneity of subjects from different cities which can open up opportunities for further studies.
KHALIBANA : Karya Musik Absolut Sebagai Wujud Pesan Musik Puput Pramuditya; Daniel De Fretes
SELONDING Vol 17, No 2 (2021): : SEPTEMBER 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sl.v17i2.5877

Abstract

Musik memiliki persamaan dengan unsur bahasa, yaitu terdapatnya sebuah pesan dengan intonasi dan derajat ekspresi tertentu bagi pendengarnya. Dalam karya musik programa, pesan tersebut merupakan sebuah hal ekstramusikal dari sebuah peristiwa atau tokoh yang bertransformasi menjadi bunyi bagi pendengarnya. Berbeda dengan musik programa, pesan dalam musik absolut berasal dari musik itu sendiri yang akan bertransformasi menjadi persepsi-persepsi tertentu dalam pikiran pendengarnya. Karya musik ‘Khalibana’ berasal dari gagasan tentang fenomena pesan dalam musik absolut yang tidak menggiring pendengarnya menuju persepsi ekstramusikal tertentu sehingga kebebasan impresi menjadi kemerdekaan bagi pendengarnya. Karya musik ‘Khalibana’ disusun dengan pengolahan kontur nada sebagai pembentuk melodi utama karena kontur nada merupakan hal yang berkaitan erat dengan intonasi dalam bahasa. Karya ini dimainkan dengan formasi piano dan cello serta mempunyai 4 bagian yang berbeda satu sama lain.
Pertunjukan Musik dalam Perspektif Ekomusikologi Daniel de Fretes; Nensi Listiowati
PROMUSIKA Vol 8, No 2 (2020): Oktober 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v8i2.4636

Abstract

Artikel ini bertujuan untuk menelaah pertunjukan musik dari perspektif ekomusikologi sebagai refleksi dari pergeseran pertunjukan yang terjadi selama masa pandemi covid 19. Tatanan baru di era pandemi mengubah kodrat pertunjukan dari alam nyata ke jagat maya. Ekomusikologi adalah persinggungan diantara kajian musik dan kajian ekologi yang mengelaborasi bidang kajian musik, budaya, dan lingkungan secara multiperspektif. Studi kasus dalam kajian ini adalah konser serenade bunga bangsa di Auditorium Driyarkara Yogyakarta. Penelitian ini menggunakan kerangka analisis ekomusikologi pertunjukan musik yang dirumuskan Bolye & Waterman yaitu faktor-faktor yang mendasari gestur sonik. Hasil penelitian menunjukkan adanya hubungan interdependen diantara setiap komponen pertunjukkan. Perubahan lanskap pertunjukan yang terjadi adalah konsekuensi dari sifat alamiah sistem jejaring yaitu dinamika non-linear, kemunculan spontan dan siklus umpan-balik. Kesadaran ekologi mendorong umat manusia sebagai bagian dari alam semesta untuk menyelami dan beradaptasi terhadap berbagai perubahan. Ini dapat dicapai melalui kolaborasi secara kooperatif, kreatif, dan inovatif diantara komunitas-komunitas dalam jejaring pertunjukan musik guna merawat budaya musik yang berkelanjutan.AbstractThis article aims to examine musical performances from an ecomusicological perspective as a reflection of the shifts in performances that occurred during the Covid 19 pandemic. The new order in the pandemic era has changed the nature of performances from the real world to the virtual world. Ecomusicology is an intersection between music studies and ecological studies that elaborates the fields of music, culture, and environment studies in a multi-perspective. The case study in this study is Konser Serenade Bunga Bangsa at the Driyarkara Auditorium, Yogyakarta. This study uses a musical performance ecomusicological analysis framework formulated by Bolye & Waterman, namely the factors that underlie sonic gestures. The results showed that there was an interdependent relationship between each performance component. Changes in the performance landscape that occur are a consequence of the nature of the network system, namely non-linear dynamics, spontaneous emergence and feedback cycles. Ecological awareness encourages humankind as part of the universe to explore and adapt to various changes. This can be achieved through cooperative, creative, and innovative collaboration among communities in music performance networks to nurture a sustainable musical culture.Keywords: ecomusicology; musical performance; environment; interdependent
Soundscape: Musik dan Lingkungan Hidup Daniel de Fretes
PROMUSIKA Vol 4, No 2 (2016): Oktober 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v4i2.2279

Abstract

Pada pemikir terdahulu telah merumuskan bahwa musik adalah manifestasi dari suatu pertemuan yang intim antara manusia dengan alam semesta. Namun, peradaban masa kini mendesak manusia untuk mengeksploitasi alam semesta guna mencapai tujuan modernitas. Ekologi menawarkan berbagai wacana mengenai interkoneksi manusia dan alam semesta yang bersifat jaringan keterhubungan antara satu dengan yang lainnya. Perspektif ini hadir pula dalam musik, yaitu soundscape. Tulisan ini merupakan kajian pustaka yang mengedepankan wacana ekologi musik sebagai suatu alternatif dalam kajian maupun karya musik. Soundscape memberikan suatu wacana untuk meningkatkan kesadaran manusia terhadap suara-suara di lingkungan hidupnya sebagai suatu proses evaluatif guna mencapai tatanan masyarakat yang berkelanjutan.
Pemetaan Teknik Double-Stops Pada Violin Concerto No. 2 Anatoly Komarowsky Daniel de Fretes; Puput Pramuditya; Farel Jonggi Lundito; Maria Regina Murti Kusumaningrum
Grenek: Jurnal Seni Musik Vol 10, No 2 (2021): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v10i2.29009

Abstract

Pembelajaran biola pada tingkat menengah mencakup berbagai teknik yang spesifik dalam rangka pembentukan intonasi yang baik, diantaranya adalah double-stops. Double-stops adalah teknik permainan violin pada tingkat menengah yang terdapat pada repertoar di berbagai gaya ataupun periode dalam kultur musik barat. Penelitian ini bertujuan untuk mengkaji implementasi teknik double-stop dalam Violin Concerto No. 2 karya Anatoly Komarowsky pada Violin Menengah I di Jurusan Musik FSP ISI Yogyakarta. Penulis menyoroti kelangkaan kajian repertoar musik violin pada tingkat menengah, terkhusus karya Komarowsky. Komarowsky adalah komposer musik violin asal Russia pada periode modern. Violin Concerto No.2 mengandung idiom, variasi teknis, dan interpretasi yang melekat pada periode modern khas Eropa Timur. Penelitian menggunakan metode kualitatif dengan pendekatan analitik secara musikologis. Hasil penelitian menunjukkan pemetaan teknik double-stops beserta penempatannya, baik pada notasi yang tertulis apa adanya maupun notasi yang tidak tertulis. Hasil penelitian diharapkan dapat menjadi rujukan bagi violinis pada tingkat menengah untuk mempelajari karya ini, terlebih lagi untuk dapat mengembangkan kemampuan teknis pada repertoar lainnya.
Practices, Challenges, and Prospects of Online Learning during Covid-19 Pandemic in Higher Education: Lecturer Perspectives Roy Martin Simamora; Daniel de Fretes; Ezra Deardo Purba; Daniel Pasaribu
Studies in Learning and Teaching Vol. 1 No. 3 (2020): December
Publisher : Indonesia Approach Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46627/silet.v1i3.45

Abstract

This study aimed to investigate the lecturer' perspectives during COVID-19 pandemic in higher education. The participants have consisted of 8 from various universities in Indonesia. In this study, researchers chose narrative analysis as a research approach. A narrative analysis was used to explore lecturer perspectives or views on e-learning based on the practices, challenges, and prospects during COVID-19 pandemic. Based on the lecturers' perspective, the researchers concluded that online learning applications are beneficial for some lecturers to deliver lecture material without face to face, although there are some obstacles such as inadequate internet access. Some campuses provide self-developed applications to facilitate teaching lecturers and provide access to students to study lecture material. Some teachers also used online learning service provider applications or third parties such as Youtube, Zoom, Google Meet, Google Classroom and other online applications. Overall lecturers in universities can use existing learning applications. Efforts are needed to develop further, train, and improve infrastructure facilities to support online learning in the future. Online learning has high prospects and potential to be applied due to its extremely related to technological developments and ever-changing times wherever everything is quick and economical.
Menelaah Pola Detache dalam Violin Sonata No 3 in F Major Daniel de Fretes; Roy Martin Simamora; Bona Rajabasa; Refa Nada Violina
PROMUSIKA Vol 10, No 2 (2022): Oktober 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v10i2.7906

Abstract

Pembelajaran biola di perguruan tinggi merupakan suatu praktik eksploratif berkelanjutan yang melekat dengan upaya untuk mencapai produksi suara yang memadai secara utuh dan otonom. Diantara teknik produksi suara instrumen biola, terdapat salah satu pola gesekan yang sangat penting yaitu detache. Penelitian ini bertujuan untuk mengkaji karakteristik dan penempatan teknik detache pada Sonata No 3 in F Major dalam Mata Kuliah Studi Instrumen Biola II di Prodi Musik FSP ISI Yogyakarta. Terdapat pemaknaan yang berbeda dalam istilah detache secara praktikal, terkhusus praktik instrumen biola, dan secara teoretikal. Disamping itu, kelangkaan kajian repertoar musik biola merupakan fokus dari penelitian ini. Sonata No 3 in F Major adalah karya musik instrumental yang disusun oleh G. F. Handel, komposer era barok yang mahsyur di Britania Raya. Kajian ini menggunakan metode kualitatif dengan pendekatan analitik. Hasil penelitian menunjukkan penempatan pola detache pada Sonata No 3 in F Major, yaitu pada pengesek bagian tengah. Hasil penelitian diharapkan dapat menjadi acuan bagi pelajar instrumen biola, khususnya mahasiswa instrumen biola, guna mempelajari karya ini serta untuk dapat mengembangkan pada repertoar lainnya.AbstractStudying the Detache Pattern in Violin Sonata No 3 in F. Studying the violin in universities is a continuous exploratory practice that is inherent in efforts to achieve an adequate and autonomous sound production. Among the violin sound production techniques, there is one very important friction pattern, namely detache. This study aims to examine the characteristics and placement of the detache technique on Sonata No. 3 in F Major in the Study of Violin Instruments II at the Music Study Program, FSP ISI Yogyakarta. There are different meanings in the term detache practically, especially the practice of the violin instrument, and theoretically. In addition, the scarcity of the study of violin music repertoire is the focus of this research. Sonata No 3 in F Major is an instrumental piece of music composed by G. F. Handel, the renowned British Baroque composer. This study uses a qualitative method with an analytical approach. The results showed that the detachment pattern was placed on Sonata No. 3 in F Major, namely in the middle bow position. The results of the research are expected to be a reference for students of violin instruments, especially students of violin instruments, to study this work and to be able to develop it in other repertoires.Keywords: detache, violin; Violin Sonata No 3 in F Major; G. F. Handel
Pelatihan Teknik Dasar Menyanyi dan Dirigen pada Paduan Suara PKK RW 6 Rejowinangun, Kotagede, Yogyakarta Titis Adi Nugroho; Daniel de Fretes; Maria Regina Murti Kusumaningrum
Jurnal Pengabdian Seni Vol 4, No 1 (2023): MEI 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jps.v4i1.9526

Abstract

Kelompok Paduan Suara PKK RW 6 Kel. Rejowinangun Kec. Kotagede Yogyakarta eksis sejak 2017 yang beranggotakan 24 orang dengan rentang usia 39-67 tahun. Meskipun pernah berprestasi dalam ajang lomba Paduan Suara Tingkat Kecamatan Kotagede Yogyakarta sebagai Juara II pada tahun 2019, kelompok ini masih memiliki pengetahuan dan keterampilan musikal yang minim. Adanya edukasi musikal kepaduansuaraan dari pihak eksternal sangat diharapkan oleh kelompok tersebut, dan ini merupakan suatu urgensi kegiatan penyuluhan. Pelatihan teknik dasar menyanyi dan dirigen ini bertujuan untuk memberikan pengetahuan dan keterampilan kemampuan olah vokal dan dirigen yang baik dan benar sehingga memiliki kemandirian dalam kegiatan pelatihan paduan suara. Metode yang digunakan berupa explicit instruction atau model pengajaran langsung dan metode demonstrasi. Hasil pelatihan ini menunjukkan bahwa selain memiliki pengetahuan dan keterampilan serta penguasaan teknik dasar menyanyi dan dirigen paduan suara dengan benar dan baik, juga terdapat luaran berupa tiga video implementasi materi penyuluhan, yaitu lagu Indonesia Raya, Mars PKK unisono, serta Mars PKK untuk sopran dan alto. Adapun rekomendasi untuk penyuluhan berikutnya adalah dengan memberikan kegiatan pelatihan membaca notasi angka hingga balok. The PKK RW 6 Choir Group, Rejowinangun, Kotagede, Yogyakarta has existed since 2017 with 24 members ranging in age from 39-67 years. Even though they have won 2nd place in Kotagede District Choir competition in Yogyakarta in 2019, this group still has minimal musical knowledge and skills. The existence of choral musical education from external parties is highly expected by the group, and this is an urgency for counseling activities. This basic singing and conducting technique training aims to provide more knowledge and skills for the singers as well as conductors, so that they have independence in improving their choir practical activities. The method used by the authors was in the form of explicit instruction or direct teaching model and demonstration method. The results of this training indicate that in addition to having the knowledge and skills as well as the mastery of the basic techniques of singing and conducting the choir properly, there are also outputs in the form of three videos of the implementation of counseling materials which is Indonesian anthem called Indonesia Raya, Mars PKK unison, and Mars PKK for Sopran and Alto. The recommendation for those who are willing to carry out the following project is to provide training activities in the form of reading musical notation.
IKLAN INDOMIE (DARI SABANG SAMPAI MARAUKE) SEBAGAI REPRESENTASI KEBUDAYAAN INDONESIA DANIEL DE RETES
Harmoni: Jurnal Pemikiran Pendidikan, Penelitian Ilmu-ilmu Seni, Budaya dan Pengajarannya Vol 6, No 1 (2016): HARMONI
Publisher : Program Studi Pendidikan Seni Rupa Fakultas Keguruan dan Ilmu Pendidikan Universitas Muham

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/jh.v6i1.11689

Abstract

Indomie Advertisement (Dari Sabang Sampai Marauke) as Indonesian Culture Representation. Advertisement is a mass culture product which shaping behaviour and life pattern of human. Music become advertising power to deliver information about the product offerd. Indomie advertisiment which the theme was Dari Sabang Sampai Merauke had culture dimension of Indonesia through the image of ‘the singing society’ which can be seen as visually and musically. This discussion was an effort of studying musical elements from the advertisement through critical analysis for showing how Indomie advertisement which represent Indonesian culture can dwells within society.
Acoustic dynamics in performance halls: Enhancing violin sound quality in the FPSD orchestra room Daniel de Fretes; Fitriawati Fitriawati
Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 3, No 2 (2024): Interlude: May 2024
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/interlude.v3i2.71954

Abstract

With an emphasis on improving violin sound quality, this study explores the acoustic dynamics of the FPSD Orchestra Room at Universitas Pendidikan Indonesia. Direct and reflected sound are the two factors that impact the phenomena of interior sound. This research emphasizes the crucial balance between sound absorption and reflection to optimize the acoustic environment and ensure clarity and richness in violin performances. Improving acoustic conditions is vital to increase audience experience and performance quality. The study used a qualitative descriptive research style combining literature review and observations. The research site was the FPSD Orchestra Room, renowned for its historical significance and contribution to music education. The observations revealed significant acoustic obstacles that adversely affected the violin sound's clarity, including excessive reverberation and unequal sound dispersion. The literature review revealed the theoretical underpinnings of sound propagation, reverberation, absorption, reflection, and diffraction. The acoustic environment can be greatly enhanced by introducing sound-absorbing materials to optimize reverberation duration, controlling reflections with diffusers, and utilizing adaptive acoustic systems. Furthermore, combining virtual acoustics technology with digital sound processing systems allows for dynamic control over acoustic parameters, increasing the performance space's adaptability. These improvements provide a customized acoustic environment that supports a variety of musical performances and guarantees the audience a clear, engaging auditory experience. This study emphasizes the significance of fusing cutting-edge technology innovations with conventional acoustic design concepts to attain optimal sound quality in performance halls. Innovation and research must never stop to improve these acoustic settings even further.
Co-Authors Abror Nurmusabih, Nandya Andre Indrawan Asmoro, Ganang Dwi Bona Rajabasa Bonggaminanga, Putri Isydora Candra Kartika, Hedwigis Nada Daniel Pasaribu Dhyanindra, Fransiska Dhamma Elviani, Elviani Ezra Deardo Purba Farel Jonggi Lundito Fitriawati Fitriawati Hanan, Athaya Haura, Afifah Shafa Kartika, Hedwigis Nada Candra Kurnia Rahmad Dhani Kustap Kustap Kusumaningrum, Maria Regina Murti Listiowati, Nensi Lundito, Farel Jonggi Maria Regina Murti Kusumaningrum Maria Regina Murti Kusumaningrum Masseleng, Manda Marindaa Nensi Listiowati Pardosi, Gilbert Natanael Puput Pramuditya Purwitasari, Nathalia Desy Refa Nada Violina Simamora, Roy Martin Swara, Lintang Pramudia Titis Adi Nugroho