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All Journal Sorai: Jurnal Pengkajian dan Penciptaan Musik
Lono Lastoro Simatupang, Gabriel Roosmargo
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Arts Humanities

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PERAN NOTASI BALOK DALAM PEMBELAJARAN BIOLA DI LEMBAGA KURSUS MUSIK (Studi Kasus Pembelajaran Lagu Klasik dan Pop di Jogja Music School) Briyandewi, Santy Alif Patuh; Sushartami, Wiwik; Lono Lastoro Simatupang, Gabriel Roosmargo
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 13 No. 2 (2020)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i2.3370

Abstract

Classical music notation is a basis for studying Western classical music instruments (including violin) in formal institution with majoring classical music. Based on pre-observation the author knows the classical music notation has undergoing adjustment in non-formal institution (music course), one of them is at Jogja Music School course violin class, so this research will discuss how a classical music notation play a role for students in the violin process in Jogja Music School. This research used a qualitative method with a musicological approach, that is done with observation, interviews, and documentation. Based on the data obtained from two students, it was found that one student played pop songs with classical music notation in different ways (playing improve) and author found the other student played pop songs without classical music notation, therefore in the discussion section the comparative technique is used to analyze the learning process of the two students. The results of this research showed that classical music notation has a role in forming the disciplinary attitude of students in playing a musical piece. The discipline in playing a musical piece includes the discipline of reading rhythm and melody, also discipline in playing the violin technique as written on the score.
KETERAMPILAN ANSAMBEL DALAM MUSIK KAMAR (STUDI KASUS MARSKANSKEY STRING QUARTET) Dewi, Arum Kusuma; Koapaha, Royke Bobby; Lono Lastoro Simatupang, Gabriel Roosmargo
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 14 No. 1 (2021)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i1.3709

Abstract

String Quartet is the most popular form of Chamber Music. In a string quartet there are no conductors as leaders, directors and music coordinators, no wonder many quartets end up disbanding due to problems. Marskanskey String Quartet is a group from Jogja that has been around for a long time and has more achievements, although based on initial observations this group looks the same as other groups. This research was appointed to find out what aspects of ensemble skills, how to apply ensemble skills in the Marskanskey group. To explore how the application of ensemble skills in the Marskanskey group, the author discusses the case with Keller's theory of ensemble skills. The author's theory considers that he is able to describe the discourse thoroughly, comprehensively and deeply, namely skills from the rehearsal process to performances. This research is a qualitative research with a case study approach. The results showed that Marskanskey had applied ensemble skills both in rehearsal and concert. With strategies in practice, including self-preparation until perfomances can influencing and supporting the success of a group to achieve maximum sound production. Interestingly, the researchers found a shift in function in the use of cues, as well as limitations in Keller's theory, namely the online cog-motor ensemble skill that occurs automatically.
GONDANG SITOLUPULUTOLU PADA UPACARA ADAT SAUR MATUA MASYARAKAT BATAK TOBA SILAHISABUNGAN Manurung, Sopandu; Lono Lastoro Simatupang, Gabriel Roosmargo; Mulyana, Aton Rustandi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 14 No. 1 (2021)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i1.3715

Abstract

Gondang Sitolupulutolu is a gondang ensemble that can only be found in the Toba Batak community. They are Silalahisabungan clan group. Gondang sitolupulutolu is very important in the Silahisabungan community because it can not be separeted from the traditional ceremonies. This study aims to determine how the use and function of the gondang sitolupulutolu in one of the traditional ceremonies of the Silahisabungan community, namely saur matua. This study use a qualitative method. Alan P. Meriam’s (1964) theory of use and function was chosen to see the use and function of the gondang sitolupulutolu. The results showed that the Gondang Sitolupulutolu was used at the opening ceremony during the manortor (ceremonial dance) and at the end of ceremony (closing ceremony). While the function of the gondang sitolupulutolu at the traditional ceremony of Saur Matua is as an expression of joy and sorrow, as entertainment, as a means of communication to convey prayers to God, as a symbol, and as a validation of the Saur Matua traditional ceremony.
Co-Authors Aton Rustandi Mulyana Briyandewi, Santy Alif Patuh Dewi, Arum Kusuma Manurung, Sopandu Royke B. Koapaha Wiwik Sushartami