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GONDANG SITOLUPULUTOLU PADA UPACARA ADAT SAUR MATUA MASYARAKAT BATAK TOBA SILAHISABUNGAN Manurung, Sopandu; Lono Lastoro Simatupang, Gabriel Roosmargo; Mulyana, Aton Rustandi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 14 No. 1 (2021)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i1.3715

Abstract

Gondang Sitolupulutolu is a gondang ensemble that can only be found in the Toba Batak community. They are Silalahisabungan clan group. Gondang sitolupulutolu is very important in the Silahisabungan community because it can not be separeted from the traditional ceremonies. This study aims to determine how the use and function of the gondang sitolupulutolu in one of the traditional ceremonies of the Silahisabungan community, namely saur matua. This study use a qualitative method. Alan P. Meriam’s (1964) theory of use and function was chosen to see the use and function of the gondang sitolupulutolu. The results showed that the Gondang Sitolupulutolu was used at the opening ceremony during the manortor (ceremonial dance) and at the end of ceremony (closing ceremony). While the function of the gondang sitolupulutolu at the traditional ceremony of Saur Matua is as an expression of joy and sorrow, as entertainment, as a means of communication to convey prayers to God, as a symbol, and as a validation of the Saur Matua traditional ceremony.
Etnomusiklopedia: A Comprehensive Digitization Model for Preserving Indonesia’s Musical Heritage Aryandari, Citra; Nurvijayanto, Ribeth; Manurung, Sopandu
Khazanah: Jurnal Pengembangan Kearsipan Vol 19, No 1 (2026): Mei 2026
Publisher : Perpustakaan dan Arsip Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/khazanah.110551

Abstract

Indonesia's ethnomusicological heritage, documented since Jaap Kunst's early 20th-century works, remains largely inaccessible due to fragmented archival systems and analog-based documentation. This research addresses the "archival accumulation crisis" by developing a system called Etnomusiklopedia, a comprehensive digitization model that integrates four core dimensions of ethnomusicology—organology, performance practice, cultural context, and sonic documentation—within a unified digital ecosystem. Employing Design Science Research (DSR) methodology, we designed a relational database architecture featuring context-rich metadata, semantic search capabilities, and community-centered curation mechanisms. Validation with ethnomusicology practitioners and cultural stakeholders demonstrates significant improvements in accessibility of knowledge and efficiency of cross-referencing compared to conventional archival systems. Beyond technological innovation, this model addresses critical ethical dimensions of digital heritage management, emphasizing meaningful community participation to prevent recolonization of indigenous knowledge. The research contributes both a functional prototype and a theoretical framework for cultural heritage digitization that transform archives from passive repositories into active tools for community empowerment and knowledge reclamation.