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FOTOGRAFI URBAN LANDSCAPE DENGAN MENGGUNAKAN KAMERA LOMO Rahmad, Cito Yasuki
Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v2i1.523

Abstract

Urban landscape photography is not a new thing in photography. It’s similar with temple or street photography, only that the objects in focus are in urban regions. By using lomography camera the urban landscapes are caputered in special manners that new, extraordinary images appear. They are like unnatural colour, fish eye effects, and others.Keywords: Urban landscape, Lomography
Close Up Pada Film Dokumenter Insight Of Batik Rahmad, Cito Yasuki; Widhiarmoko, Pranomo
Capture : Jurnal Seni Media Rekam Vol. 6 No. 2 (2015)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v6i2.737

Abstract

The Insight of Batik film departs from concerns about batik. Batik is the result of Indonesian culture that is recognized as World Heritage by UNESCO. However, most of the general public admiration of batik is currently only limited by sheer visual beauty, but behind a piece of batik cloth, there are many values that can be used as a lesson. Documentary is part of an effort to provide additional information, knowledge and understanding of batik to the cultural life and society. Starting from this objective, the documentary film raised three themes of batik, which is about the history, teachings, and intensity human in batik. The third theme is packed into a documentary film with a visual concept that emphasizes on Close Up technique. This technique gives the proximity to the audience through its ability to present the details of the object. Close Up also able to build a dramatization that can convey the intrinsic elements of batik. Through the documentary film with a Close-Up visual concept is expected to provide a deep understanding of batik.Keywords: Documentary, film, batik, and close up 
REPRESENTASI IDENTITAS BUDAYA JAWA DALAM PROGRAM ADILUHUNG JOGJATV Rahmad, Cito Yasuki
Capture : Jurnal Seni Media Rekam Vol. 5 No. 1 (2013)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v5i1.1777

Abstract

The growth of private national TV stations has become the window for other culturesslowly erupting the local culture.This problem gives an opportunity to local TV stations tobecome an alternative TV station that represents the local culture in their presentation.Thisopportunity creates a room for mutualism symbioses between localTV stations and traditionalpeople with their particular cultures and traditions.“The SuranTradition of Mbah Demang” inModinan, Sleman will be the case to figure out the issue in this research which is entitled as”Javanese Culture Identity Representation inAdiluhung Program JogjaTV”.The case is the SuranTradition Ceremony of Mbah Demang.There are two major enquiries that this research will tryto find out the answer.Those are; how the type of this program is represented and why theJavanese culture identity is represented in this broadcast.Keywords: Representation,LocalTV,and Adiluhung
STRENGTHENING SELF-EXPRESSION OF PERSONS WITH DISABILITIES THROUGH FILM SCRIPTWRITING TRAINING AT RUMAH VOKASI HANENDA Setiawati, Sri Wastiwi; Rahmad, Cito Yasuki; Ariyanto, Ahmad Fajar; Panggabean, Rizqullah Ramadhan
International Journal of Engagement and Empowerment (IJE2) Vol. 6 No. 1 (2026): International Journal of Engagement and Empowerment
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ije2.v6i1.251

Abstract

The short film scriptwriting training for persons with disabilities, organized by Rumah Vokasi Hanenda in collaboration with the Indonesian Institute of the Arts (ISI) Surakarta, aims to enhance narrative literacy, creativity, and inclusive participation of people with disabilities within the filmmaking ecosystem. The program was implemented through a community-based empowerment approach that positioned participants as active subjects using methods such as discussion, hands-on practice, and production. The activity involved 11 participants from 10 special-needs schools (SLB) in Yogyakarta, supported by 12 accompanying teachers who served as adaptive facilitators. The training materials covered ideation, premise development, character building, and the writing of simple scripts, all adjusted to the needs of deaf, blind, and intellectually disabled participants. The outcomes demonstrate improvements in the participants’ scriptwriting skills, self-confidence, and creative expression. The four scripts produced reflect human values, inclusion, and the participants’ lived experiences. This program not only strengthens individual capacities but also fosters a collaborative space that promotes authentic representation of disability in film. The initiative serves as an inclusive learning model that can be replicated to empower people with disabilities in the arts and cultural sector.