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All Journal Capture : Jurnal Seni Media Rekam ARTISTIC : International Journal of Creation and Innovation
Mohamed Saat, Mohammad Khizal
Unknown Affiliation
Arts Humanities Languange, Linguistic, Communication & Media

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THE GUNUNGAN METAPHOR IN THE URIP IKU URUP VIDEO ART adi, sigit purnomo; Mohamed Saat, Mohammad Khizal; Ajimahendra, Widy Dwi; Tri Marutama, I Gusti Ngurah
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3994

Abstract

Urip Iku Urup is a highly printed artwork made from plastic waste that serves as video art. Environmentally friendly relief prints used as video artworks motivate studies on their meanings. Thus, this study's problem is how to visualize the metaphor of the mountains (Gunungan) in the Urip Iku Urup video art. This qualitative-descriptive study seeks to discover the Gunungan metaphor in the video art by using the metaphor approach. The findings demonstrate that Urip Iku Urup's work uses the Gunungan metaphor as a manifesto for the three relationships between God, man, and nature. Gunungan, as a teaching in Javanese life philosophy, implies human desire or hope for future accomplishments.
MINIPRINT ARTWORK CREATION WITH SATO KEWAN OBJECT Adi, S.Sn, M.Sn, Sigit Purnomo; Mohamed Saat, Mohammad Khizal; Tri Marutama, I Gusti Ngurah
ARTISTIC : International Journal of Creation and Innovation Vol. 2 No. 2 (2021)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v2i1.3989

Abstract

Animals have provided humans with everything from meat to eggs to pleasure. Thus, animals, including chameleons, must be rescued from extinction. The chameleon's uniqueness makes it an intriguing subject for artistic creation. The purpose of this artwork is to visualize the concept of personal expression through miniprint works using Sato Kewan (variety of animals) object, specifically the chameleon. The creation of this printmaking work is part of artistic research, more specifically research into art practice, which is conducted using plywood as a medium, an abstract expressionism style, and the concept of art as personal expression. The stages of creation include experimentation, contemplation, and formation. A chameleon miniprint reflecting personal expression is created as a result of the creation process. Hence, visualization of chameleon miniprints using advanced printing techniques can result in abstract expressionism-inspired printmaking works. The creation, which incorporates traditional and contemporary art elements, is expected to be competitive nationally and internationally.
THE GUNUNGAN METAPHOR IN THE URIP IKU URUP VIDEO ART adi, sigit purnomo; Mohamed Saat, Mohammad Khizal; Ajimahendra, Widy Dwi; Tri Marutama, I Gusti Ngurah
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3994

Abstract

Urip Iku Urup is a highly printed artwork made from plastic waste that serves as video art. Environmentally friendly relief prints used as video artworks motivate studies on their meanings. Thus, this study's problem is how to visualize the metaphor of the mountains (Gunungan) in the Urip Iku Urup video art. This qualitative-descriptive study seeks to discover the Gunungan metaphor in the video art by using the metaphor approach. The findings demonstrate that Urip Iku Urup's work uses the Gunungan metaphor as a manifesto for the three relationships between God, man, and nature. Gunungan, as a teaching in Javanese life philosophy, implies human desire or hope for future accomplishments.
Co-Authors Ajimahendra, Widy Dwi sigit purnomo adi Tri Marutama, I Gusti Ngurah