I Gusti Ngurah Tri Marutama
Universitas Sebelas Maret

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MINIPRINT ARTWORK CREATION WITH SATO KEWAN OBJECT Sigit Purnomo Adi, S.Sn, M.Sn; Mohammad Khizal Mohamed Saat; I Gusti Ngurah Tri Marutama
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2331.448 KB) | DOI: 10.33153/artistic.v2i1.3989

Abstract

Animals have provided humans with everything from meat to eggs to pleasure. Thus, animals, including chameleons, must be rescued from extinction. The chameleon's uniqueness makes it an intriguing subject for artistic creation. The purpose of this artwork is to visualize the concept of personal expression through miniprint works using Sato Kewan (variety of animals) object, specifically the chameleon. The creation of this printmaking work is part of artistic research, more specifically research into art practice, which is conducted using plywood as a medium, an abstract expressionism style, and the concept of art as personal expression. The stages of creation include experimentation, contemplation, and formation. A chameleon miniprint reflecting personal expression is created as a result of the creation process. Hence, visualization of chameleon miniprints using advanced printing techniques can result in abstract expressionism-inspired printmaking works. The creation, which incorporates traditional and contemporary art elements, is expected to be competitive nationally and internationally.
Perspektif Visual dan Interaksi nilai Budaya di Situs Pokekea I Gusti Ngurah Tri Marutama; Alfan Setyawan; Sigied Himawan Yudhanto
Narada : Jurnal Desain dan Seni Vol 11, No 3 (2024)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2024/v11.i3.004

Abstract

Pokekea site, located in the Besoa Valley of Lore Lindu National Park in Central Sulawesi, Indonesia, is a megalithic site rich in cultural and historical artifacts. This study aims to examine how visual perspectives and cultural interactions at the Pokekea site have influenced changes in the values and identity of local life. A qualitative method with a cultural anthropology approach was used to observe and analyze the changes in visual and cultural aspects that occurred by collecting data through discussion, participatory observation, and document study. The results showed that visual perspectives and cultural value interactions have caused a shift in values and identity at the Pokekea megalithic site in Besoa Valley. Traditional values that are local and communitarian have led to formal values that are global. The visual perspective is seen in the aesthetic function of megalithic objects as inanimate objects that tend to be more open to change and innovation and are more easily influenced by outside cultures, which, of course, the interaction of cultural values will be a strategic effort to maintain a balance between the preservation of traditional culture and adaptation to changing times.