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Karya Tari Sang Kustiah Refleksi Perempuan pada Masa Kini Wisnu Pamenang, Nandhang; Dewi, Maharani Luthvinda; Samsuri, Samsuri
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.4325

Kustiah’s dance works contain values and can be used as a reference in current and future life. One of them is that Kustiah’s dance work includes the importance of Unity, Creativity, Tough, and Abstinence, which are philosophical teachings that are upheld and can serve as role models for women at this time in moving forward in their lives. This value can be adhered to and carried out, ultimately giving women a strong character and soul.Keywords: Dance work, Kustiah, reflextion, women.

Function of Topeng Tunggal Dance in Betawi Society Sabillah, Kholifah; Dewi, Maharani Luthvinda; Putro, Renaldi Lestianto Utomo
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 1 (2025): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i1.97

The Topeng Tunggal Dance is a traditional Betawi art form created by Mak Kinang and Kong Djiun in 1930. The inception of the Topeng Tunggal Dance was inspired by a vision experienced by Mak Kinang, which was subsequently brought to life through dance and musical accompaniment by Kong Djiun. This research aims to explore and understand the values and functions inherent in the Topeng Tunggal Dance. The methodology employed in this study is qualitative, utilizing an analytical descriptive approach and the functional theory of RM. Soedarsono. Data collection techniques include observations, interviews with artists, and documentation. The findings indicate that the Topeng Tunggal Dance embodies two primary values: moral and aesthetic. Additionally, this dance serves three functions: as entertainment, as a performing art, and as a medium for education. These values and functions position the Topeng Tunggal Dance not only as a cultural heritage but also as a means for character development and the preservation of the cultural identity of the Betawi people.

Penguatan Festival Enam Suku Barikan Kubro melalui Penghadiran Karya Tari Baru Renjana Karimunjawa Putro, Renaldi Lestianto Utomo; Dewi, Maharani Luthvinda; Supendi, Eko; Kuncoro, Jonet Sri
Abdi Seni Vol. 14 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i1.5001

Community service activities in Karimunjawa Village aim to strengthen the Barikan Kubro Six Tribe Festival. The goal is motivated by the community's willingness to welcome the post-pandemic period by reactivating festival activities that had stopped. Festival activation has unresolved homework from the last event hosting: no new art creations image the culture of the people of Karimunjawa. New art creations, especially dance in Karimunjawa, are not growing due to a lack of experts and knowledge about dance creation. Therefore, the problem that must be solved is how to create new dance works that can be used to strengthen the festival's implementation. The solution is to create dance works with the local community's cultural background, train the results of the works composition to the public, and promote the composed works through performances. The approach is based on Skinner's concept of habituating behavior modification as a form of cultural reinforcement. Implementation of the creation includes; 1) the preparation stage and 2) the implementation stage. The result achieved from this program is the creation of the dance "Renjana Karimunjawa."

Karya Tari Sang Kustiah Refleksi Perempuan pada Masa Kini Wisnu Pamenang, Nandhang; Dewi, Maharani Luthvinda; Samsuri, Samsuri
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.4325

Kustiah’s dance works contain values and can be used as a reference in current and future life. One of them is that Kustiah’s dance work includes the importance of Unity, Creativity, Tough, and Abstinence, which are philosophical teachings that are upheld and can serve as role models for women at this time in moving forward in their lives. This value can be adhered to and carried out, ultimately giving women a strong character and soul.Keywords: Dance work, Kustiah, reflextion, women.

Estetika Tari Betangas pada Sanggar Sultan Nata di Kabupaten Sintang Provinsi Kalimantan Barat Fauziah, Rizka; Widyastutieningrum, Sri Rochana; Dewi, Maharani Luthvinda
Gesture: Jurnal Seni Tari Vol. 14 No. 2 (2025): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v14i2.67462

The purpose of this study was to analyze the aesthetic value of Betangas dance at Sanggar Sultan Nata in Sintang Regency. Betangas dance is a new creative dance created by Musliyadi in 2014. Betangas dance uses basic Malay dance movements. This study is a qualitative study with an ethnochoreology approach and descriptive analysis method. Data collection techniques: observation, interviews, and literature studies. The aesthetic value in Betangas dance can be seen in the elements of movement, dance music, floor patterns, costume makeup and properties. The dance movements are inspired by the movements during the Betangas ceremony, the music uses Malay music, uses corrective makeup and costumes based on the Sintang Malay traditional dress, the properties used are woven pandan leaf mats and sarongs or tapeh. The aesthetics of Betangas dance are related to the life value of the Malay community, especially in Sintang Regency.

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