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Pamungkas, Chrisnar Bagas
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Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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BENTUK PERTUNJUKAN WAYANG BOCAH SRIKANDHI KRIDHA KARYA JONET SRI KUNCORO Pamungkas, Chrisnar Bagas; Daryono, Daryono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 20 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v20i1.4032

Abstract

The Wayang Bocah Srikandhi Kridha show was a dramatical production directed by Jonet Sri Kuncoro that displayed in 36th anniversary celebration of Soerya Soemirat dance studio. The problem with study is how the processing and appearance of the Srikandhi Kridha by Jonet Sri Kuncoro. Based on objects studied, this study uses a qualitative method with a process and shape approach. To find out about the garging process use the thinking of Rahayu Supanggah that include of materi garap, penggarap, sarana garap, perabot garap, penentu garap, pertimbangan garap. Discuss problem forms using concept forms by Rustopo in Sri Rochana Widyastutieningrum about elements that include of structure of a presentation, variety of motion, dance music, makeup and clothing, division of a single dancer and group, dance floor, property, and stage pattern. Studies have shown that a Srikandhi Kridha feature in a dramatic dialogue with the genre of Wayang Orang (bocah), one that concerns materi garap, penggarap, sarana garap, perabot garap, penentu garap, pertimbangan garap. The Wayang Bocah Srikandhi Kridha show set out from director’s concern for the child's world understanding of the puppet story. From reflection of his thought, Jonet took the play of the story with Srikandhi Kridha. Played by students of Soerya Soemirat dance studio. The shape of a Wayang Bocah Srikandhi Kridha show can be seen from all the performance being made into a solid outfit.Keywords: Wayang Bocah, garap, and form.
Implementasi Model Astradharmakarya dalam Wayang Orang Bocah: Studi Pre–Post Internalisasi Nilai Etika Pamungkas, Chrisnar Bagas
SEMAR (Jurnal Ilmu Pengetahuan, Teknologi, dan Seni bagi Masyarakat) Vol 15, No 1 (2026): Mei
Publisher : LPPM UNS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/semar.v15i1.111730

Abstract

This research aims to evaluate the effectiveness of the Astradharmakarya for Character (A4C) model in internalizing ethical values in children through the Wayang Orang Bocah (WOB) activities at Sanggar Soerya Soemirat, Surakarta. The research subjects include child performers of WOB, trainers, and parents. The method used is descriptive qualitative with an ethnographic case study design, employing participant observation, in-depth interviews, and documentation. The ethnographic approach was chosen due to its suitability for understanding traditional arts as culturally based pedagogical practices.The novelty of this study lies in the empirical verification of the A4C model through pre–post evaluations, as well as the integration of dharma values with the aesthetics of wiraga–wirama–wirasa as the foundation of character education. The findings show that the creative process in WOB can enhance children’s discipline, responsibility, politeness, cooperation, and emotional regulation, while also positioning traditional arts as a medium for internalizing moral values.Keywords: Astradharmakarya, Wayang Orang Bocah, character education.
Co-Authors Daryono Daryono, Daryono