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All Journal Gondang: Jurnal Seni dan Budaya Jurnal Bali Membangun Bali
Bhumi, I Made Bayu Puser
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Bentuk dan Nilai Baru dalam Kreativitas Penciptaan Komposisi Musik Gender Wayang “Tipat Taluh” Bhumi, I Made Bayu Puser; Ardini, Ni Wayan; Yudarta, I Gede
Bali Membangun Bali: Jurnal Bappeda Litbang Vol 5 No 2 (2024): Agustus 2024
Publisher : Badan Riset dan Inovasi Daerah Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51172/jbmb.v5i2.363

Abstract

Purpose: This research was conducted to show that there are many dimensions of creativity that can develop in the form of creating new Gender Wayang works. This can be observed through one of Gender Wayang's new works entitled “Tipat Taluh”. Research methods: The research method used is a qualitative research method. Data collection was carried out by observation, interviews, and document studies. Results and discussion: Departing from in-depth analysis processes, the result was that “Tipat Taluh”'s work is a new musical composition for Gender Wayang where the big idea is based on philosophical thoughts which have implications for the discovery of a new form and method of composition for Gender Wayang. With the concept of balance and simplicity of “Tipat Taluh” (egg-shaped ketupat), Gusti Komin Darta (composer) transformed these concepts into a new work on Gender Wayang. The updates carried out clearly have a tendency towards processing musical patterns as well as a new system of forming intertwining (kotekan). Implications: The balance of aspects of preservation and development of Gender Wayang will have a positive impact if both are in balance, preservation through contestation, while development by fostering the creation of new works on Gender Wayang.
The Art Ecocsystem of Gamelan Yuganada Community in Taman Kaja Village Bhumi, I Made Bayu Puser; Mudra, I Wayan; Sariada, I Ketut
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64653

Abstract

Gamelan Yuganada, an art community based in Ubud, Bali, was founded in 2015 by I Wayan Sudirana with the aim of preserving Balinese gamelan while encouraging innovation through cross-disciplinary collaboration. This research aims to explain the activities of this group and map the art ecosystem that supports the preservation and development of their creativity. This study adopts a qualitative netnographic approach, conducting five months of digital participant observation on YouTube and Spotify, in-depth online interviews, and analysis of digital artifacts to uncover Gamelan Yuganada’s art ecosystem in the era of globalization. Data Analysis uses the theory of social practice by Pierre Boourdieou. The results of the study showed that Gamelan Yuganada was not only active in traditional performances but also created new compositions that combined traditional and contemporary elements. Various elements such as cultural, social, economic, legal, educational, and technological modalities have mutual implications for each other and form a good art ecosystem. Collaborations with various international artists and the use of digital technology are integral parts of the art ecosystem they build. The conclusion of this study emphasizes the importance of an adaptive and collaborative art ecosystem in maintaining the relevance of Balinese gamelan in the modern era, as well as providing a model for other art communities to develop works in a sustainable manner.
Co-Authors I Gede Yudarta, I Gede I Ketut Sariada, I Ketut I Wayan Mudra, I Wayan Ni Wayan Ardini, Ni Wayan