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All Journal Jomantara International Journal of Art and Culture International Journal of Green Tourism Research and Applications
Kartasudjana, Tata
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Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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The Nawa Gapura Marga Raja Gate as a Representation of the Cirebon Islamic Monarchy in Indonesia during the 17th Century Kartasudjana, Tata; Abdillah, Fadhly
JOMANTARA Vol. 3 No. 2 (2023): Vol. 3 No. 2 July 2023
Publisher : Universitas Pasundan

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Abstract

Cirebon's early manuscripts, specifically Prince Wangsakerta's Pustaka Rajyarajya I Bhumi Nusantara, the Kingdom of Cirebon begins to expand its realm as Islam starts to flourish in Cirebon. It was reported that the Kings occupied a structure in the shape of a gate. In Cirebon, the kings were to take part in "Gotrasawala" events that the Cirebon Kingdom was hosting. This is an article demonstrates that, in addition to serving as a gateway and fortress, this structure It also served as a stronghold, with a design that symbolizes the mixture of Islamic, Hindu, Buddhist, and Chinese civilizations. It is based on legends, oral histories, and information from Cirebon's culture and historian. In contrast to the history presented in the The families and descendants of the kings or leaders of the Cirebon Sultanate have provided more detailed supporting narratives to keepers, cultural heritage organizations, as well as culturalists.The continuity learned from interviews with the Cirebon area's source population, and Kasepuhan Palace in particular, was attempted by a detailed investigation using the Caretakers' oral history approaches The Kasepuhan Elders Palace family, historians, and culturalists. This page also coversthe type of Nawa Gapura Marga Raja, a historic gate that has influenced the growth of the Cirebon Kingdom in West Java's northern monitoring area since the 17th century.
Green tourism practices through Odesa social media storytelling method Sujawoto, Fitra Ananta; Kartasudjana, Tata; Shishido, Kumiko; Sarja, Ni Luh Ayu Kartika Yuniastari
International Journal of Green Tourism Research and Applications Vol. 5 No. 1 (2023): June 2023
Publisher : Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31940/ijogtra.v5i1.27-44

Abstract

This study aimed to describe how Odesa Indonesia, Bandung, effectively uses the storytelling communication method to introduce its programs on social media. A qualitative method presents a description of the storytelling communication method carried out by Odesa Indonesia in its green tourism practice. In contrast, the data collection and analysis process uses the content analysis method. Odesa Indonesia has practiced four elements of the storytelling communication method: identifiable character, authentic emotion, significant moments, and specific details. Apart from these four elements, in the variety of social media content, there are also three round structures of the storytelling communication method: the normal phase, the explosion phase, and the new normal phase. The writers arranged these three phases in narrative relationships that are in line with the framework of the green tourism concept, namely ecology, sanitation, literacy, and solidarity. Based on the findings of this study, the use of storytelling communication methods is not only limited to being a mere promotional differentiator but, at the same time, can be the most effective way to convey the dimensions of green tourism, not only at the level of the program but also to convey the transformation process that will and has been carried out through the practice of green tourism.
Co-Authors Abdillah, Fadhly Fitra Ananta Sujawoto Ni Luh Ayu Kartika Yuniastari Sarja Shishido, Kumiko