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All Journal PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
S.Sn., M.Sn., Masyuning
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Arts Humanities Education Environmental Science Social Sciences Other

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ASEP SUNANDAR SUNARYA: MENJADI DALANG WAYANG GOLEK YANG POPULER S.Sn., M.Sn., Masyuning
Paraguna Vol 4 No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v4i1.1857

Abstract

Not many people knew As~p Sunandar's journey whom became famous puppeteer in West Java. The topic about As~p Sunandar led me to research and write this paper. I began formulating the topic as sinden at As~p Sunandar's theater troupe. I know that I was doing ethnomusicology or fieldwork: by getting to know As~p Sunandar who make the new style of wayanggol~k performances, studying and performing the music itself, and talking to whoever had the patience to listen to me. The conclusion ofpaperwasAs~p Sunandarfocused on the innovative nature of the wayang gol~k performance. 
PENERTIBAN SINDEN PADA PERTUNJUKAN WAYANG GOLEK: KERESAHAN BAGI DALANG DI JAWA BARAT S.Sn., M.Sn., Masyuning
Paraguna Vol 5 No 2 (2018): ENTITAS WAYANG DAN GAMELAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v5i2.1899

Abstract

This  paper presented  sind~n as  part of  the  wayang gol~k show  in  West Java. Before the  G30S/PKI incident sind~n was so popular,  it even  beat  the popularity of the   dalang.   This  phenomenon caused  unrest for  the   dalang  in  West Java.   The government intervened  to curb  the  sind~n which was seen as  too wild.  The  incident of sind~n which caused  unrest stopped  after a  seminar padalangan was held  in1964.   This  event proved  that   the  comunity  of Padalangan were able   to  unite to solve that problem.
Ronggeng: Genealogi Perempuan Penari Dari Masa Kolonial Hingga Era Mutakhir S.Sn., M.Sn., Masyuning; Atang Suryaman; Pepep Didin Wahyudin
Paraguna Vol 12 No 1 (2025): MUSIC AS PERFORMING ART
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

In the current discourse of performing arts, ronggéng has been specified or narrowed down to mean only female dancers. The opposite of ronggéng is known as "pamogoran" or men from the audience who join in the dancing and also give money to the ronggéng. Based on a phenomenological perspective with a discussion of interactive time boundaries, combining synchronic and diachronic time boundaries, it can be concluded that historically, the female body in Ronggéng's identity has been distorted since colonialism. Ronggéng, which is synonymous with a sacred body in the life of an agrarian society, has been drawn into the industrial dimension by the interests of colonialism. Since then, a new image has been created that is synonymous with a negative stigma towards the bodies of women dancers, especially Ronggéng, which is associated with sexuality. In recent times, female dancers have emerged who "fight" against this stigma by making themselves not only a manageable dancer, but metamorphosing into a dancer as well as a leader, creating new dance ideas.
Co-Authors Atang Suryaman Pepep Didin Wahyudin