Terra Bajraghosa
Jurusan S-1 Desain Komunikasi Visual, Fakultas Seni Rupa, Institut Seni Indonesia Yogyakarta

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Journal : DeKaVe

Rekonstruksi Tokoh Wayang Ramayana Pada Komik Seri H2O:Reborn Karya Sweta Kartika Terra Bajraghosa
DeKaVe Vol 11, No 1 (2018): Jurnal DeKaVe Vol.11 No.1 2018
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (479.567 KB) | DOI: 10.24821/dkv.v11i1.2487

Abstract

Persinggungan dalam Rampokan; Apresiasi Komik karya Peter Van Dongen Terra Bajraghosa
DeKaVe Vol 7, No 1 (2014): DeKaVe Vol. 07 No. 01 2014 Januari - Juni 2014
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7321.677 KB) | DOI: 10.24821/dkv.v7i1.893

Abstract

Rampokan Jawa & Selebes, is a comic created by Peter Van Dongen, telling a story about Johan Knevel, aDutch soldier, in his mission looking for Ninih, his childhood nanny back in Netherland-Indies. This comic attractedmany Indonesian readers because of two aspects. First, the setting is in Indonesia around the year 1946-1947, whichprovides readers with old time indis architectures and vintage designs of things. The second one is its clear line style,similar to Herge’s ‘Tintinesque’ style. These tendecies may appear as pseudo-appreciation to the medium.This essay’s goal, departed from Rampokan’s intersection with Tintin, and Indonesia history setting, is to find out theproportionally apreciation on comic as a medium. According to David Carrier, one of comic aesthetic quality relies onthe ability of the readers to project their desires on the comic they read. In creating the story, comic compositioninvolved the power of color and visual art syle choice to deliver the idea of the story.From the discussion, two things about Rampokan appreciation are apprehended. The location and time settingvisualization which based on deep research became the main power of this Rampokan comic; representing narrativeenvironment that projected reader’s desire: the detailed visualization of the young Indonesia. The choice of clear linestyle, combined with color composition as an emblematic presentation enabled the delivery of multi plots narratives.Combination of the setting as an observation result and detail art style, provide readers to reasonably believe the storyworldcreated by Peter Van Dongen. Rampokan’s appreciaton quality based on the well-crafted storytelling throughwell-constructed story-world which enabled readers to follow its fictional or even surrealistic plot twistsunconditionally.Keywords: Comic, Appreciation, Aesthetic, Rampokan Jawa & Selebes
KOMIK DI LINGKARAN INDUSTRI MUSIK Terra Bajraghosa
DeKaVe Vol 1, No 2 (2011): DeKaVe Vol. 1 No. 2 2011 Juli-Desember 2011
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v1i2.158

Abstract

Comic ges. Based on comprehention as a narrative media, comics in Indonesia are oftenly compared to bas-reliefs on Borobudur temple and Wayang Beber.. From many kind of stories Indonesian comic books recently offered, with the developed visual wrapping, some comics steal attentions by its unique themes. These comic books are created because of the inspiration and relation to music industry. These comic books couldn't be seen from the visual style alone, as they were created in many visual genres, but they could be seen from their relations to music industry, whether the mainstream or indie ones. These comic books are published together with the music CDs, telling fictional stories from factual bands or musicians, telling a band's factual stories, or created by one of the band members. To understand modes of creation of these music industry-related-comic books, visual narrative approach will be applied. Through visual narrative approach, the band members' or musician's necessity for telling stories via comics, beside the common practices via music and song lyrics, will be observed.Keywords : Comic book, music industry, visual narrative
Dinamisme Sekuensial Pada Komik Gundala Karya Hasmi Terra Bajraghosa
DeKaVe Vol 9, No 2 (2016): Jurnal DeKaVe Vol. 9 No. 2 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2396.326 KB) | DOI: 10.24821/dkv.v9i2.1761

Abstract