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INTERVENTION TO INCREASE BREAST MILK PRODUCTION:LITERATURE REVIEW Sukmawati Sukmawati; Aditya Nugraha; Agnes Dwi; Amiatun Amiatun; An Nisa Apriliani; Anggi Ramdani; Asep Nugraha; Tasya Puja Yarsita
Journal of Maternity Care and Reproductive Health Vol 3, No 4 (2020): Journal of Maternity Care and Reproductive Health
Publisher : Ikatan Perawat Maternitas Indonesia Provinsi Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36780/jmcrh.v3i4.155

Abstract

Exclusive breastfeeding coverage in Indonesia is still below the National target. Breast milk is the best nutrition for babies and affects the growth and development of babies. One of the reasons for the low coverage of exclusive breastfeeding is the lack of milk production, so that various interventions are needed to increase milk production. This literature study aims to determine interventions to increase breast milk production. The research method uses Narrative Literature Review. The database used by Google Scholar, Pubmed, and Sciencedirect with the keywords Breast Milk "OR" Lactation "OR" Milk Secretion "AND" Nursing Intervention. The inclusion criteria used were English-language articles, publication year 2015-2020, accredited in Sinta and Scoppus, full text available with a focus on seeking interventions to increase breast milk production. The search results obtained 1435 articles after screening according to keywords and search focus, 7 articles were analyzed. The results of the literature review were obtained: interventions to increase breast milk production with non-pharmacological techniques, namely acupuncture, consumption of herbal and ginger teas, breast care or breast massage, skin-to-skin contact between mothers and babies and domperidone pharmacological techniques. The article that has been analyzed shows its effectiveness in increasing milk production because it stimulates prolactin which helps increase milk production. Conclusion: interventions to increase breast milk production using non-pharmacological and pharmacological techniques can increase milk production. The results of this literature review are expected to become a reference in an effort to increase breast milk production.
Keberadaan Jenis Kacapi dalam Ganre Kesenian Tradisional Sunda tardi ruswandi; Asep Nugraha; Dody Satya Ekagustdiman
PANGGUNG Vol 32 No 2 (2022): Ragam Fenomena Budaya dan Konsep Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v32i2.2052

Abstract

Alat musik petik tradisional di Sunda dikenal dengan sebutan kacapi telah tampil melewati perjalanan ruang dan waktu yang sangat panjang. Instrumen ini telah berhasil mewariskan nilainilai estetik musikal pada musik Karawitan di Sunda. Namun pada masa sekarang disenyalir beberapa alat musik petik tradisional di Sunda ini ada yang sedikit termarginalkan karena tidak lagi digunakan dan difungsikan dalam kehidupan sosial budaya masyarakatnya. Padahal tidak semua orang Sunda yang sudah mengenal dengan baik setiap alat musik petik tradisional yang mereka miliki. Tulisan ini bertujuan untuk memberikan gambaran mengenai keberadaan alat musik petik tradisional di Sunda atau kacapi. Metode yang digunakan adalah kualitatif dengan pendekatan deskriptif analisis, bermaksud agar kerja penelitian menjadi efisien dalam memecahkan masalah dalam penelitian, karena adanya pendeksripsian dan analisis. Penelitian ini menghasilkan sintesa bahwa alat musik tradisional yang ada di Sunda adalah kacapi baduy, kacapi jentréng Rancakalong dan Cibalong Tasikmalaya, kacapi pantun, kacapi indung cianjuran, dan kacapi wanda anyar. Rekomendasi dari hasil penelitian adalah kerja kreatif agar alat musik ini tetap eksis mengarungi waktu di masa yang akan datang.Kata kunci: kacapi, penelusuran, Sunda.
Performing the Other: Gamelan Parakan Salak dan Eksotisasi Identitas dalam Pertunjukan Etnik di Chicago Icuh Komala; Asep Nugraha
Paraguna Vol 12 No 1 (2025): MUSIC AS PERFORMING ART
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Since its first appearance at the 1893 World’s Columbian Exposition in Chicago, the Parakan Salak gamelan has undergone a shift from a living cultural practice to an object of exotic display embedded in colonial and multicultural narratives. This study investigates how the gamelan is represented in ethnic performance contexts in Chicago and how these representations reflect dynamics of power, exoticism, and identity negotiation. Employing a qualitative approach, this research integrates historical-contextual analysis, qualitative content analysis, and comparative analysis between formal institutions (museums, universities) and community-based performance spaces. Findings reveal that the gamelan is often framed as a token of cultural diversity—visually captivating yet removed from its original social and ritual meanings. Simultaneously, Indonesian diaspora communities have reclaimed the gamelan as a medium of expression and cultural agency, navigating tensions between authenticity and adaptation through performative strategies. This study contributes to critical discourse on the representation of non-Western cultures in diasporic and institutional settings, highlighting the need to reposition traditional arts not only as heritage but as dynamic spaces for negotiating identity, history, and cultural politics in a postcolonial and globalized world.