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All Journal Grenek: Jurnal Seni Musik Danum Pambelum: Jurnal Teologi dan Musik Gereja Jurnal Penelitian Musik Jurnal Penelitian Musik
Helena Evelin Limbong
Universitas Negeri Jakarta
Religion Arts Humanities Computer Science & IT Education Social Sciences Other

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Enkulturasi Alat Musik Bundengan di SMP Negeri 2 Selomerto Wonosobo Helena Evelin Limbong
Grenek: Jurnal Seni Musik Vol 8, No 1 (2019): Grenek : Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v8i1.13484

Abstract

The enclosure process of bundengan musical instruments that took place at Selomerto Wonosobo 2 JuniorHigh School as an effort to inherit traditional arts to the next generation. The inheritance of bundenganmusical instruments at the school includes elements of enculturation and the process of socializationthrough educational facilities. The efforts of enculturation of bundengan musical instruments in WonosoboSelomerto 2 Middle School were actualized through various activities. The support and role of appreciationfrom the community and government institutions in collaboration with SMP Negeri 2 Selomerto in reintroducing the use of bundengan musical instruments in ceremonial and ceremonial events provides spacefor appreciation and fulfillment of students' needs for their existence, the existence of musical instruments,schools and students and the community. The use of social media, and print media, is one of the culturaltransmission media in informing and becoming a form of internalization. This research is qualitativeresearch, which is carried out using survey methods; observations, in-depth interviews (independentinterviews), documentation, and literature studies that refer to the concept of cultural enculturation.
Seriosa Dalam Konteks Liturgi Gereja Katolik: Kajian Implementasi Teknik Vokal Klasik (Seriosa) Dalam Peribadatan Egidius Bagas Pinasthiko Aji; Helena Evelin Limbong; Selamat Triadil Saragih
Danum Pambelum: Jurnal Teologi dan Musik Gereja Vol 6 No 1 (2026): DPJTMG: Mei
Publisher : Institut Agama Kristen Negeri Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54170/dr3bqh36

Abstract

The development of contemporary church music often shifts attention away from the quality of liturgical vocals, particularly in the ministry of singing carried out by cantors/psalmists and choirs who lead the congregation. Yet, excellent vocal technique is a crucial element for leading the congregation in prayer and conveying the liturgical message with reverence. This research aims to examine the implementation of classical (seriosa) vocal technique within the context of worship, focusing on its function in enhancing the musical quality and spirituality of the liturgy. The research method used is descriptive qualitative with a library research approach. This approach was chosen because the study focuses on the exploration, analysis, and conceptual synthesis needed to answer theoretical-explanatory research questions regarding the integration of seriosa vocal technique into the liturgical realm. The research results indicate that the application of seriosa principles (such as diaphragmatic breathing, voice formation, articulation, and clear phrasing) significantly improves the clarity, projection, stability, and prayerful quality of liturgical singing. However, its implementation faces challenges such as the lack of specialized vocal training for liturgical ministers and the need to adapt the technique to remain flexible and not overly operatic. The research conclusion underscores that seriosa vocal technique is not merely an artistic achievement but an effective pastoral tool for supporting the congregation's actuosa participatio. The implication is the necessity of integrating contextual seriosa-based vocal training into the formation of future priests, religious figures, and leaders of liturgical music.
ANALISIS TEKNIK SCAT SINGING ELLA FITZGERALD DALAM LAGU ALL OF ME Monica Dyah Paramitha; Caecilia Hardiarini; Helena Evelin Limbong
Jurnal Penelitian Musik Vol 3 No 2 (2022): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The term “jazz” has a variety of meanings because it has been used to describe various styles of music. But, there are two aspects that almost all jazz styles have in common—swing feeling and improvisation. In jazz music, vocal improvisation has the same definition as an instrument improvisation, where the musician or vocalist creating melodies based on pre-exisiting chord progressions. Based on the writer's personal experience in a jazz community in Indonesia, singers have difficulty getting information to learn vocal improvisation or scat singing. This research was started on October 2020 and the writer used a qualitative approach to investigate Ella Fitzgerald’s scat singing technique. Fitzgerald’s scat singing skills consists of several interesting musical elements to learn such as motives and motivic development, chordal approach, and chromatic approach. For singers who want to learn about scat singing and it sounds interesting like Fitzgerald, must have at least a basic musical theory, basic vocal technique and ability mimicking the sound of musical instruments using the nonsense syllables.
Enkulturasi Kesenian Tradisional Andung di Sanggar Seni Budaya Tunas Kelapa Samosir Ente Lina Panggabean; Helena Evelin Limbong; Caecilia Hardiarini
Jurnal Penelitian Musik Vol 5 No 2 (2024): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.52.05

Abstract

This research aims to describe the process of Enculturation of Traditional Art Andung in Sanggar Seni Budaya Tunas Kelapa Samosir. In the process of enculturation, of course, it has the support of the local government, namely by helping in terms of sanggar needs. Efforts to maintain Andung traditional arts, Sanggar Seni Budaya Tunas Kelapa Samosir also uses social media as a platform that is used to introduce traditional Andung arts such as Youtobe, Facebook and Instagram. The process of Enculturation of Traditional Art Andung occurs through non-formal channels that are through (sanggar) which is held regularly and the training process is carried out at Sanggar Seni Budaya Tunas Kelapa Samosir every Thursday at 14.00 to 17.00 with the arrangement of the Andung art learning process in Sanggar Seni Budaya Tunas Kelapa Samosir starting from the stage, namely: Introducing Andung art, then the students see, and imitate what has been taught by the coach, then the coaching process occurs.  This research uses qualitative descriptive using survey methods; observations, in-depth interviews (indepfh interviews), and documentation
ANALISIS TEKNIK SCAT SINGING ELLA FITZGERALD DALAM LAGU ALL OF ME Monica Dyah Paramitha; Helena Evelin Limbong; Caecilia Hardiarini
Jurnal Penelitian Musik Vol 5 No 1 (2024): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.51.04

Abstract

The term “jazz” has a variety of meanings because it has been used to describe various styles of music. But, there are two aspects that almost all jazz styles have in common—swing feeling and improvisation. In jazz music, vocal improvisation has the same definition as an instrument improvisation, where the musician or vocalist creating melodies based on pre-exisiting chord progressions. Based on the writer's personal experience in a jazz community in Indonesia, singers have difficulty getting information to learn vocal improvisation or scat singing. This research was started on October 2020 and the writer used a qualitative approach to investigate Ella Fitzgerald’s scat singing technique. Fitzgerald’s scat singing skills consists of several interesting musical elements to learn such as motives and motivic development, chordal approach, and chromatic approach. For singers who want to learn about scat singing and it sounds interesting like Fitzgerald, must have at least a basic musical theory, basic vocal technique and ability mimicking the sound of musical instruments using the nonsense syllables.
ANALISIS TEKNIK SCAT SINGING ELLA FITZGERALD DALAM LAGU ALL OF ME Monica Dyah Paramitha; Caecilia Hardiarini; Helena Evelin Limbong
Jurnal Penelitian Musik Vol 3 No 2 (2022): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The term “jazz” has a variety of meanings because it has been used to describe various styles of music. But, there are two aspects that almost all jazz styles have in common—swing feeling and improvisation. In jazz music, vocal improvisation has the same definition as an instrument improvisation, where the musician or vocalist creating melodies based on pre-exisiting chord progressions. Based on the writer's personal experience in a jazz community in Indonesia, singers have difficulty getting information to learn vocal improvisation or scat singing. This research was started on October 2020 and the writer used a qualitative approach to investigate Ella Fitzgerald’s scat singing technique. Fitzgerald’s scat singing skills consists of several interesting musical elements to learn such as motives and motivic development, chordal approach, and chromatic approach. For singers who want to learn about scat singing and it sounds interesting like Fitzgerald, must have at least a basic musical theory, basic vocal technique and ability mimicking the sound of musical instruments using the nonsense syllables.
Enkulturasi Kesenian Tradisional Andung di Sanggar Seni Budaya Tunas Kelapa Samosir Ente Lina Panggabean; Helena Evelin Limbong; Caecilia Hardiarini
Jurnal Penelitian Musik Vol 5 No 2 (2024): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.52.05

Abstract

This research aims to describe the process of Enculturation of Traditional Art Andung in Sanggar Seni Budaya Tunas Kelapa Samosir. In the process of enculturation, of course, it has the support of the local government, namely by helping in terms of sanggar needs. Efforts to maintain Andung traditional arts, Sanggar Seni Budaya Tunas Kelapa Samosir also uses social media as a platform that is used to introduce traditional Andung arts such as Youtobe, Facebook and Instagram. The process of Enculturation of Traditional Art Andung occurs through non-formal channels that are through (sanggar) which is held regularly and the training process is carried out at Sanggar Seni Budaya Tunas Kelapa Samosir every Thursday at 14.00 to 17.00 with the arrangement of the Andung art learning process in Sanggar Seni Budaya Tunas Kelapa Samosir starting from the stage, namely: Introducing Andung art, then the students see, and imitate what has been taught by the coach, then the coaching process occurs.  This research uses qualitative descriptive using survey methods; observations, in-depth interviews (indepfh interviews), and documentation
ANALISIS TEKNIK SCAT SINGING ELLA FITZGERALD DALAM LAGU ALL OF ME Monica Dyah Paramitha; Helena Evelin Limbong; Caecilia Hardiarini
Jurnal Penelitian Musik Vol 5 No 1 (2024): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.51.04

Abstract

The term “jazz” has a variety of meanings because it has been used to describe various styles of music. But, there are two aspects that almost all jazz styles have in common—swing feeling and improvisation. In jazz music, vocal improvisation has the same definition as an instrument improvisation, where the musician or vocalist creating melodies based on pre-exisiting chord progressions. Based on the writer's personal experience in a jazz community in Indonesia, singers have difficulty getting information to learn vocal improvisation or scat singing. This research was started on October 2020 and the writer used a qualitative approach to investigate Ella Fitzgerald’s scat singing technique. Fitzgerald’s scat singing skills consists of several interesting musical elements to learn such as motives and motivic development, chordal approach, and chromatic approach. For singers who want to learn about scat singing and it sounds interesting like Fitzgerald, must have at least a basic musical theory, basic vocal technique and ability mimicking the sound of musical instruments using the nonsense syllables.
Co-Authors Caecilia Hardiarini Egidius Bagas Pinasthiko Aji Ente Lina Panggabean Monica Dyah Paramitha Selamat Triadil Saragih