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Pertunjukan Musik Teatrikal “IBU” Produksi Teater Koma Arthur S. Nalan
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 18, No 1 (2017): April 2017
Publisher : Institut Seni Indonesia Yogyakarta

Penelitian ini membahas musik teatrikal bergaya opera dari pertunjukan musik teatrikal Ibu produksi Teater Koma. Teater Koma telah memilih berbagai komunikasi ekpresifnya, di antaranya lakon-lakon asing yang disadur, lakon-lakon Cina, lakon-lakon wayang kreatif, dan lakon-lakon realis ciptaan N. Riantiarno. Setiap produksi lakon-lakon tersebut selalu memakai musik teater yang disesuaikan dengan bentuk dan jenis lakonnya. Musik teater tersebut dapat berupa ilustrasi dan atau pengiring penuh sepanjang pertunjukan berlangsung. Untuk membahas musik teater bergaya opera ini dipilih lakon IBU yang merupakan saduran dari lakon Mother Courage and Her Children karya dramawan Jerman terkenal Bertolt Brecht. Pembahasan meminjam teori sociology of spactacles dari Guy Debord dan teori komunikasi paradigma naratif dari Walter Fisher, serta teori homofili dari Carley H. Dodd. Berdasarkan penelitian dapat disimpulkan bahwa pertunjukan Lakon Ibu merupakan teater musikal bergaya opera yang menghadirkan musik teater bersifat kolektif dalam emosi manusia, terutama karakter tokoh. Kontekstualitasnya ketimpangan masyarakat pada masa peperangan, di mana kaum pemodal selalu berada di belakangnya. Lakon IBU juga memiliki dramatik naratif yang menarik bagi penonton, sehingga mampu menciptakan komunikasi yang berdimensi homofili.

Narasi Ketimpangan Sosial dalam Pertunjukan Topeng Banjet Abah Pendul Lakon Cerita Gordon Muda Rudi Hartono; Arthur S. Nalan; Yanti Heriyawati
PANTUN Vol 6, No 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i2.1813

Mask Banjet is a folk theater which was born and developed from the community in Karawang Regency. The focus of this study is on the play of Topeng Banjet Abah Pendul performance. The analysis applies a critical sociology of art approach. In this study, the text of the play story which has been analyzed as a source of document data is Gordon Muda as a representation of the story text. Social inequality narratives are found to be thematic. The story of the play is presented in a comedic way with the story of Odah as a wife whose husband is left helpless economically. Her child is hungry. Buying rice is very difficult. To fulfil the necessities of life, various affairs are carried out such as being washermen, farm laborers, lawn mowers, selling fried food and borrowing money from Emok Bank. Gordon Young and his men carried out robberies. The robberies were planned to be used as the business capital. The description in the story above is the narrative of social inequality in the text of the performance. The text for the description of the story shows the conditions of the existing social factsKeywords: Performance play, Social Inequality, Sociology of the Arts

Visualisasi Desain Karakter Tokoh Utama dalam Lakon Wiracarita Batara Kamasara A. K. Patra; Arthur S. Nalan; Supriatna Supriatna
PANTUN Vol 6, No 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i2.1808

The existence of the Wangsakerta Manuscript phenomenon is an indication and source of data to be followed up as ideas or ideas in writing (story script) and visual works. The story script or the play contains pseudo fiction with a colossal nuance typical of the archipelago which was inspired by a fragment of the Sargah I Parwa I Wangsakerta Manuscript about the Nirleka era in Tatar Parahyangan. The issues raised were the issue of the existence and power conflict between the stealth clan and the human clan which led to war. Moving on from this, the creation work is entitled “Wiracarita Batara Kamasara”. This story tells about the struggle and heroism of a young man named Kamasara in fighting tyranny and evil, beside the mission to restore his Kabuyutan honor which has been destroyed by the demon clan. Actualizing this invention is through a qualitative method including field observation and literature studies. Anthropologically, the theoretical study used in this study is hermeneutic conception promoted by Paul Ricoure regarding Metaphor. The result of the manuscript analysis is then applied to visualize the character designs of the storyline in this epic play.Keywords: Wangsakerta Manuscript, Hermeneutics, Epic, Visualization of Character Design.

Paduan Ornamen Budaya Nusantara dalam Estetika Fasade Arsitektur Landmark Karya Wolff Schoemaker Ganesha Wibisana; Arthur S. Nalan; Supriatna Supriatna
PANTUN Vol 6, No 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i2.1809

Wolff Schoemaker is an architect who reads local culture in architectural works. Placement of archipelago ornaments in the facade of the Landmark building forms an architectural blend of western aesthetics with rational understanding and eastern concepts with cultural symbols. The method used in this research is qualitative, which is described in an interpretive descriptive manner. The study uses the aesthetic theory of Edmund Burke Feldman with his formulation regarding four aspects, namely function, structure, style and meaning. This concept produces a model of formalism and symbolic analysis as part of the aesthetic meaning of architecture. Pepatraan ornaments on the shape of the building are equipped with the heads of Kala and Makara as the application of the decoration in the façade. It forms Landmark architecture with the concept of west and east. The placement of Kala is influenced by the concept of Total Work of Art in the Jugendstil style in Europe by placing figurative ornaments in accordance with formal aesthetic principles. The eastern concept is seen in the left and right sides of the building which has a shape similar to the temple architecture. It applies to the Kala ornament in the middle, so that the aesthetic appeal of the Landmark consists of the aspects of formal and symbolic form.Keywords: Ornament, Architecture, Kala, Wolff Schoemaker

Bentuk Film Dokumenter Ekspositoris Menggunakan Open Caption untuk Audiens dengan Keterbatasan Pendengaran I Gede Nyoman Wisnu Satyadharma; Arthur S. Nalan; Retno Dwimarwati
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1426

The form of documentary film created in this this research is a documentary film art entitled "Berujar Dalam Sunyi". This is a documentary film with an expository style of exposure, using a comparative narrative style. This research is a creative process creating a documentary film of which applies the use of open caption to give access people with hearing impairments in Indonesia to documentary films. The issue of this research is the reality of the life of people with hearing impairments in Indonesia. This film uses koentjaraningrat’s seven elements of culture to explore the visual potential of the life of a deaf-deaf community. Access to films, especially documentary films for people with hearing impairments in Indonesia is still very limited. The form of access in question is open caption, which can help people with hearing impairments enjoy and understand the contents of a film which is an audio-visual art form. This research is a creative process of making documentary films applying the use of open captions to provide access to documentary films for deaf people in Indonesia. In its application, a combination of voiceover and open caption is used, so that this documentary film can be enjoyed by both hearing audiences and audiences with hearing impairments.The results of this study illustrate how to present the reality in the life of people with hearing impairments into a documentary film that can be enjoyed by audiences with hearing impairments.Keywords: Documentary Film, Expository Style, Comparative Narrative Style, Open Caption

Komodifikasi Musik Resepsi Pernikahan di Bandung Yudi Permana; Arthur S. Nalan; Indra Ridwan
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1427

The term cover here means to re-sing or re-perform a song. The process of covering a song is essentially an adaptation, in which much of the value lies in the cover musician’s interpretation. Covers can easily be found at wedding receptions in the case of performing popular songs and romantic themes. This research studies about pop cover songs on wedding receptions, using commodification theory by Vincent Mosco. Data collection methods are literature studies, interview, and observation. From this research, the results show that the commodification of pop music covers are as follows: (1) commodification of content, cover songs are packaged into a romantic musical performance, as if giving a "message" or “meaning” that a wedding party without musical entertainment would be felt less lively (2) commodification of audiences, the bride as clients are used as a source of economic (3) commodification of labor, skill and service of musicians as workers, are treated as commodities and rewarded in return. Wedding reception as popular culture is closely related to a society prioritizing prestige and image rather than just utilities.Keywords: commodification, cover, wedding music

Subjek Pascakolonial dalam Pementasan Teater Shakespeare Carnivora Karya Benny Yohanes Semi Semi; Arthur S. Nalan; Heri Herdini
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1340

Benny Yohanes (usually written as BenJon for his stage name) is known for his works that are oppositional towards the hegemony of realism in Bandung theater, especially the realism theater of Suyatna Anirun. BenJon’s works generally imply political themes, or at least as comments on political situations or ideological critics. However, he uses different approach, for example from the slogan of Rendra’s Theater Workshop. In some of Benjon’s performances, there is an impression that the stage is dominated by symbolic festivities. Excitement can be found in artistic furniture, props, hand props, costumes, musical furniture, and make up. This paper is aimed at examining one of BenJon’s works, namely Shakespeare Carnivora, which is considered by BenJon as a show that is carried out outside of the ethics of the process and its directing tradition. Not only tried to oppose the tendency of artistic excitement by using significant objects, Shakespeare Carnivora was also directed collaboratively with Irwan Jamal. They work with the actors who are members of the Oyag Forum. This research is specifically intended to discover and investigate the postcolonial conditions in the Shakespeare Carnivora performance. More specifically, through the concepts of appropriation and ambivalence, which intertextually combine William Shakespeare’s Hamlet text, the legend of Sangkuriang-Dayang Sumbi and the narrative of official Indonesian history.Keywords: Shakespeare Carnivora, BenJon, Critical Ideology, Appropriation, Mimicry, Postcolonial Condition

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