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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts)
Susi Gustina
Program Studi Kajian Seni Pertunjukan dan Seni Rupa, Sekolah Pascasarjana Universitas Gadjah Mada. Gedung Lengkung, jalan Teknika Utara, Bulak Sumur Yogyakarta.
Arts Humanities

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Gaya Bernyanyi dengan Teknik Bel Canto: (Re)Konstruksi Subjektivitas Penyanyi Perempuan dalam Pertunjukan Musik Susi Gustina; Timbul Haryono; G.R. Lono L. Simatupang; Triyono Bramantyo
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 11, No 2 (2010): Desember 2010
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v11i2.503

Abstract

Bel Canto Singing Technique. This article attempting to understand the subjectivity of a woman singer in musicperformance. The poststructuralist feminist perspective is used to focus on the historical and cultural backgroundof the woman’s experiences. Based on the perspective, the research questions refer to: 1) the application of womansinger’s knowledge and cultural perception in songs reproduction so that she can (re)construct her subjectivity; and2) the intention of woman singer to use Western classical music or seriosa in music performance. The life historymethod is used to understand all the subjective experiences of woman singer based on her perspective. The fi ndingsof this research are: 1) subjectivity (re)construction of a woman singer is depend on her knowledge and culturalperception so that her subjectivity is differ from others; and 2) the difference that a woman singer do in musicperformance is related to her intention, i.e. to struggle a music genre that she loves since in the early of her life.
Co-Authors G.R. Lono L. Simatupang Timbul Haryono Triyono Bramantyo