Article Per Year (5 Year)
p-Index From 2020 - 2025
0.23
P-Index
This Author published in this journals
All Journal Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Sorai: Jurnal Pengkajian dan Penciptaan Musik Jurnal Kawistara
Wisnu Mintargo
Institut Seni Indonesia Surakarta
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
KONTINUITAS DAN PERUBAHAN MAKNA LAGU KEBANGSAAN INDONESIA RAYA Wisnu Mintargo
Jurnal Kawistara Vol 2, No 3 (2012)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (296.775 KB) | DOI: 10.22146/kawistara.3942

Abstract

The main objective of this paper is to analyze function of “heroic” Indonesia songs related to the struggle for Indonesian independence ( from 1945 to 1949) from a historical perspective. Through this analysis it is hoped that the process of the past, particularly the history of music development in Indonesia and the background of the use of the “heroic”Indonesia songs, can be reconstructed. Important aspects of Indonesian songs, as this paper shows, include a constructive function for ceremonies and advice for development. The ceremonial character is shown in the song of “Indonesia Raya”. the national anthem.
LAGU SETIA JANJIKU: BENTUK PEMBARUAN MUSIK KERONCONG GAYA ISMANTO Soladi Soladi; Wisnu Mintargo; Kiswanto Kiswanto
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 13, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i1.2841

Abstract

Songs that develop in keroncong music have been classified strictly based on their form, including the keroncong asli, langgam, stambul, and several other forms. The classification has become a very chain rule, as a result the creativity that emerges among keroncong musicians is often considered to be incompatible with the standards or parameters aesthetic of keroncong music by most keroncong music performers. These conditions do not always limit the composers and / or creators of keroncong songs to be creative in producing new products with different styles. One of them can be found in Ismanto's artworks around the 1960s. In one of his songs entitled Keroncong Setia Janjiku, Ismanto seems to have hit the boundaries that have been applied, but has a novelty with a strong character. The findings of this study indicate that the Song Setia Janjiku is a song keroncong asli  that nglanggami.
KONTINUITAS DAN PERUBAHAN MAKNA LAGU KEBANGSAAN INDONESIA RAYA Wisnu Mintargo
Jurnal Kawistara Vol 2, No 3 (2012)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.3942

Abstract

The main objective of this paper is to analyze function of “heroic” Indonesia songs related to the struggle for Indonesian independence ( from 1945 to 1949) from a historical perspective. Through this analysis it is hoped that the process of the past, particularly the history of music development in Indonesia and the background of the use of the “heroic”Indonesia songs, can be reconstructed. Important aspects of Indonesian songs, as this paper shows, include a constructive function for ceremonies and advice for development. The ceremonial character is shown in the song of “Indonesia Raya”. the national anthem.
Co-Authors Kiswanto Kiswanto Soladi Soladi